Lifelong friends Doug and Griff finally leap into their long-held dream of remaking their favorite cult classic, Anaconda, in the depths of the Amazon. But things get real when an actual giant anaconda appears, turning their comically chaotic movie set into a deadly situation.

The movie they’re dying to make? It might just get them killed......

All eight episodes from the second season of the National Geographic documentary that follows celebrities as they look at the effects that global warming is having on the natural world. This season sees actor Jack Black travel to Miami to investigate how coastal areas are equipped to cope with the rising sea levels caused by climate change, Joshua Jackson looks at the impact of ocean warming on coral reefs, and Ty Burrell examines the development of electric vehicles. The episodes are: 'A Race Against Time', 'Gathering Storm', 'The Uprooted', 'Fueling the Fire', 'Collapse of the Oceans', 'Priceless', 'Safe Passage' and 'Uprising'.

The Gorillaz Art Book is here! Featuring brand new artwork by Jamie Hewlett, who has invited more than 40 creators to offer new interpretations of 2D, Murdoc Niccals, Noodle, and Russel Hobbs in one expansive volume of original artwork. Contributing artists include Ruff Mercy, Kim Jung Gi, Robert Smith, Kerbscrawler Ghost, Robert Valley, Craig McCracken and Tim McCourt & Max Taylor. Celebrating 20 years of Gorillaz, this latest Z2 partnership sees Hewlett expand the band’s collaborative vision to fellow visual artists in The Gorillaz Art Book, a stunning visual feast of 306 pages.

1. The Psychosis of Race offers an analysis of race, racism and racialisation through Lacanian theory; 2. Black expands the philosophical understanding of Lacan’s account of psychosis to forge key intersections in the study of psychology and the human subject; 3. Offers a uniquely interdisciplinary approach, the volume includes applied examples from politics, philosophy and popular culture/media;

Lifelong friends Doug and Griff finally leap into their long-held dream of remaking their favorite cult classic, Anaconda, in the depths of the Amazon. But things get real when an actual giant anaconda appears, turning their comically chaotic movie set into a deadly situation.

The movie they’re dying to make? It might just get them killed......

Uses both a theorical and evidence-based approach. Provides a series of vibrant contributions to the debate regarding the role and purpose of physical activity in dealing with moral, social, and ecological catastrophes.

In what ways is comedy subversive? This vital new book critically considers the importance of comedy in challenging and redefining our relations to race and racism through the lens of political correctness. By viewing comedy as both a constitutive feature of social interaction and as a necessary requirement in the appraisal of what is often deemed to be 'politically correct', this book provides an innovative and multidisciplinary approach to the study of comedy and popular culture. In doing so, it engages with the social and cultural tensions inherent to our understandings of political correctness, arguing that comedy can subversively redefine our approach to 'PC Debates', contestations surrounding free speech and the popular portrayal of political correctness in the media and society. Aided by the work of both Slavoj Zizek and Alenka Zupancic, this unique analysis adopts a psychoanalytic/philosophical framework to explore issues of race, racism and political correctness in the widely acclaimed BBC 'mockumentary', The Office (UK), as well as a variety of television comedies. Drawing from psychoanalysis, social psychology and philosophy, this book will be highly relevant for postgraduate students and academic researchers studying comedy, race/racism, multiculturalism, political correctness and television/film.

In what ways is comedy subversive? This vital new book critically considers the importance of comedy in challenging and redefining our relations to race and racism through the lens of political correctness. By viewing comedy as both a constitutive feature of social interaction and as a necessary requirement in the appraisal of what is often deemed to be 'politically correct', this book provides an innovative and multidisciplinary approach to the study of comedy and popular culture. In doing so, it engages with the social and cultural tensions inherent to our understandings of political correctness, arguing that comedy can subversively redefine our approach to 'PC Debates', contestations surrounding free speech and the popular portrayal of political correctness in the media and society. Aided by the work of both Slavoj Zizek and Alenka Zupancic, this unique analysis adopts a psychoanalytic/philosophical framework to explore issues of race, racism and political correctness in the widely acclaimed BBC 'mockumentary', The Office (UK), as well as a variety of television comedies. Drawing from psychoanalysis, social psychology and philosophy, this book will be highly relevant for postgraduate students and academic researchers studying comedy, race/racism, multiculturalism, political correctness and television/film.

Jack Black and James Marsden star in this comedy written and directed by Andrew Mogel and Jarrad Paul. Dan Landsman (Black) hasn't achieved much in his adult life and so when his annual high school reunion comes around once again he, as head of the reunion committee, tries to prove himself by getting more people than ever before to attend. As he receives more and more negative responses he begins to think the whole idea of a reunion is stupid, until he sees a television commercial starring his former classmate Oliver Lawless (Marsden). As he hatches a plan to get Oliver to the reunion in the hope that everyone else will attend with the promise of a celebrity, Dan travels to LA to convince Oliver to go along with his master plan.

When Martians arrive on planet Earth, American President James Dale (Jack Nicholson) is persuaded to extend the hand of friendship. One of the President's advisers, Donald Kessler (Pierce Brosnan), has been studying the aliens, and is keen to make peaceful contact. However, the Martians gleefully fry their greeting party from Earth, and launch an all-out attack on the planet. Various celebrity faces including Michael J. Fox, Danny DeVito and Martin Short appear briefly before being zapped by the Martian baddies in director Tim Burton's quirky spoof of alien invasion movies.

A legendary cult classic from America, a bestseller in 1926 and reprinted five times, 'You Can't Win' is the ripping true saga of criminal, convict and hobo Jack Black.

Documentary about Iranian professional wrestler Khosrow Vaziri, better known by his ring name The Iron Sheik. Following Khosrow from his upbringing in Iran, the feature charts his career from his beginnings in amateur wrestling to his success in the World Wrestling Federation. Featuring contributions from wrestlers including Dwayne Johnson, Jim Duggan and Hulk Hogan, the programme provides an insight into The Iron Sheik's Hall of Fame career and his recent popularity, at the age of 72, as a social media sensation.

Epic remake of the adventure classic from acclaimed director Peter Jackson. In Depression-era New York, unscrupulous filmmaker Carl Denham (Jack Black) is desperate to find a leading lady for his new picture. After a chance encounter, naive actress Ann Darrow (Naomi Watts) takes the role, and travels with Denham and sensitive scriptwriter Jack Driscoll (Adrien Brody) to the mysterious Skull Island, deep in the Indian Ocean. There the filmmakers discover a secret, savage civilisation that time forgot, and that worships a terrifying, gigantic ape called Kong (a motion-capture performance from Andy Serkis). When Ann is captured to be sacrificed to Kong, the ape becomes obsessed with her. Denham uses this obsession to help capture Kong and transport him back to New York, where he hopes he can make a fortune from exhibiting the creature. But after Kong escapes, the ape unleashes his awesome power against the city in an attempt to find Ann, the woman he truly loves, leading to a tragic conclusion atop the Empire State Building.

Harold Ramis directs this Judd Apatow-produced comedy set in a twisted version of the Biblical era. Jack Black and Michael Cera star as Zed and Oh, two lazy hunter-gatherers who set off on an epic journey through the ancient world after being banished from their primitive village.

Double-bill of animated movies about a gang of prehistoric animals who become close friends. In 'Ice Age' (2002), the story begins at the dawn of the great ice age, when a group of three animals embark upon an epic journey. Sid the sloth, Manfred the mammal, and Diego the sabre-toothed tiger team up to help return a human baby to its father, and must risk life and limb as they traverse boiling lava pits and travel through dangerous ice caves to complete their mission. Along the way they also meet Scrat, a squirrel-rat determined to plant an acorn in a glacier. The film features the voices of John Leguizamo, Denis Leary and Jack Black. In 'Ice Age 2 - The Meltdown' (2006), Manny the woolly mammoth (voice of Ray Romano), Sid the sloth (Leguizamo), Diego the saber-toothed tiger (Leary), and the hapless prehistoric squirrel/rat known as Scrat (Chris Wedge) are back in this sequel to the popular 2002 film. Manny is ready to start a family, but nobody has seen another mammoth for a long time. In fact, Manny thinks he may be the last one. That is until he miraculously finds Ellie (Queen Latifah), the only female mammoth left in the world. The only problem being that they can't stand each other. Ellie comes with some excess baggage in the form of her two possum friends, Crash (Seann William Scott) and Eddie (Josh Peck), a couple of daredevil pranksters and cocky, loud-mouthed troublemakers. When a huge glacial dam holding off oceans of water is about to break, threatening the entire valley, the only chance of survival lies at the other end of the valley. So our three heroes, along with Ellie, Crash and Eddie, form the most unlikely family as they embark on a mission across an ever-changing, increasingly dangerous landscape.