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What will planet Earth be like in twenty years? At mid-century? In
the year 2100? Prescient and convincing, this book is a must-read
for anyone concerned about the future. Never has the world offered
more promise for the future and been more fraught with dangers.
Attali anticipates an unraveling of American hegemony as
transnational corporations sever the ties linking free enterprise
to democracy. World tensions will be primed for horrific warfare
for resources and dominance. The ultimate question is: Will we
leave our children and grandchildren a world that is not only
viable but better, or in this nuclear world bequeath to them a
planet that will be a living hell? Either way, he warns, the time
to act is now.
This work presents two previously unpublished series of photographs
by Andres Serrano. The first previously unpublished series of
photographs - Residents of New York - was produced in the artist's
hometown in 2014 and the second - Denizens of Brussels - in March
2015 in close cooperation with the Musees Royaux des Beaux-Arts
during preparations for Serrano's retrospective in Brussels, when
he walked the streets of the capital for ten nights to encounter
the most marginal of its inhabitants. With his unique vision,
making no judgements and conveying no political message (a point he
insists on), he presents men and women generally invisible to
passersby, forcing us by the sheer power of his photographs to see
these urban residents. The text is by Michel Draguet, and Andres
Serrano himself talks about his approach, the two series and the
specific qualities of each. Text in English, French and Dutch.
“Noise is a model of cultural historiography. . . . In its
general theoretical argument on the relations of culture to
economy, but also in its specialized concentration, Noise has much
that is of importance to critical theory today.” SubStance“For
Attali, music is not simply a reflection of culture, but a
harbinger of change, an anticipatory abstraction of the shape of
things to come. The book’s title refers specifically to the
reception of musics that sonically rival normative social orders.
Noise is Attali’s metaphor for a broad, historical vanguardism,
for the radical soundscapes of the western continuum that express
structurally the course of social development.”
EthnomusicologyJacques Attali is the author of numerous books,
including Millennium: Winners and Losers in the Coming World Order
and Labyrinth in Culture and Society.
An exhaustive biography of the man still considered the conscience
of the nation of India, this exploration of Mohandas Gandhi's life
stretches from his childhood among the Gujarati merchants, through
his time as a student in England, his years as a lawyer in South
Africa, and his return to the Indian subcontinent and subsequent
anticolonialist and nonviolent activities, to, ultimately, his
assassination in 1948. Attali avoids both hagiography and hatchet
job, presenting rather an objective, complete portrait of a man who
has influenced leaders such as the Dalai Lama, Martin Luther King
Jr., and Nelson Mandela, but who was not without his own weaknesses
and contradictions.
"Un biografia exhaustiva del hombre todavia considerado como la
conciencia de la nacion de la India, esta exploracion de la vida de
Mohandas Gandhi abarca el periodo desde su infancia entre los
comerciantes de Gujarat, pasando por sus estudios en Inglaterra,
sus anos de abogado en Sudafrica y su regreso al subcontinente
indio y subsiguiente accion anticolonial y no violenta, hasta
llegar, finalmente, a su asesinato en 1948. Attali cae ni en la
adulacion ni en la critica destructiva, presentando mas bien un
retrato objetivo y completo de un hombre que influyo lideres como
el Dalai Lama, Martin Luther King Jr. y Nelson Mandela, pero que
tambien tenia sus faltas y contradicciones."
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