Written over four decades, Critiquing the Modern in Architecture is a collection of essays exploring the ideological and metaphysical core of modern architecture. Author Jaimini Mehta moves architectural modernism from its primarily Eurocentric definition, interrogating the subject from the perspective on a non-western thought-world. Mehta groups his essays under three key themes: "Rethinking Modernity" explores the ideological underpinnings of the modernity/modernism binary; "The Idea of Architecture" looks at a number of issues that constitute the timeless and the invariable aspects of architecture against which the prevalent modernist discourse can be critically evaluated; and "On Praxis" looks at three contemporary architects' work and the Vienna Secessionist movement between 1890 and 1918 to articulate a critique of the underpinnings of the modern movement. Providing a new view of the modern in architecture, this book is critical reading for architectural theorists and scholars of modernism.

Written over four decades, Critiquing the Modern in Architecture is a collection of essays exploring the ideological and metaphysical core of modern architecture. Author Jaimini Mehta moves architectural modernism from its primarily Eurocentric definition, interrogating the subject from the perspective on a non-western thought-world. Mehta groups his essays under three key themes: "Rethinking Modernity" explores the ideological underpinnings of the modernity/modernism binary; "The Idea of Architecture" looks at a number of issues that constitute the timeless and the invariable aspects of architecture against which the prevalent modernist discourse can be critically evaluated; and "On Praxis" looks at three contemporary architects' work and the Vienna Secessionist movement between 1890 and 1918 to articulate a critique of the underpinnings of the modern movement. Providing a new view of the modern in architecture, this book is critical reading for architectural theorists and scholars of modernism.

Has the project to usher in Modernity run its full course and is now ready to be replaced by something called Post-Modern? Re-examining the very idea of Modernity in architecture, and drawing from a number of diverse sources such as philosophy, social science, art and technology, Prof. Mehta argues that the normal historical progression of archit Has the project to usher in Modernity run its full course and is now ready to be replaced by something called Post-Modern? Re-examining the very idea of Modernity in architecture, and drawing from a number of diverse