Jamaica Kincaid's first garden in Vermont was a plot in the middle of her front lawn. There, to the consternation of more experienced friends, she planted only seeds of the flowers she liked best.

In My Garden (Book) Kincaid gathers all she loves about gardening and plants, and examines it generously, passionately, and with sharp, idiosyncratic discrimination.

This is an intimate, playful book on gardens, the plants that fill them, and the people who tend to them.

Celebrating Fifty Years of Picador Books In this acclaimed travel memoir Jamaica Kincaid chronicles a spectacular and exotic three-week trek through the Himalayan land of Nepal, where she and her companions are gathering seeds for planting at home. The natural world and, in particular, plants and gardening are central to Kincaid's work. Among Flowers intertwines meditations on nature and stunning descriptions of the Himalayan landscape with observations on the ironies, difficulties and dangers of this magnificent journey. For Kincaid and three botanist friends, Nepal is a paradise, a place where a single day's hike can traverse climate zones, from subtropical to alpine, encompassing flora suitable for growing at their homes, from Wales to Vermont. Yet as she makes clear, there is far more to this foreign world than rhododendrons that grow thirty feet high. Danger, too, is a constant companion - and the leeches are the least of their worries. Unpredictable Maoist guerrillas live in these perilous mountains, and when they do appear - as they do more than once - their enigmatic presence lingers long after they have melted back into the landscape. And Kincaid, who writes of the looming, lasting effects of colonialism in her works, necessarily explores the irony of her status as memsahib with Sherpas and bearers. A wonderful blend of introspective insight and beautifully rendered description, Among Flowers is a vivid, engrossing, and characteristically frank memoir from one of the most striking voices in contemporary literature. Part of the Picador Collection, a new series showcasing the best in modern literature.

A brilliant look at colonialism and its effects in Antigua--by the author of Annie John

"If you go to Antigua as a tourist, this is what you will see. If you come by aeroplane, you will land at the V. C. Bird International Airport. Vere Cornwall (V. C.) Bird is the Prime Minister of Antigua. You may be the sort of tourist who would wonder why a Prime Minister would want an airport named after him--why not a school, why not a hospital, why not some great public monument. You are a tourist and you have not yet seen . . ."

So begins Jamaica Kincaid's expansive essay, which shows us what we have not yet seen of the ten-by-twelve-mile island in the British West Indies where she grew up.
Lyrical, sardonic, and forthright by turns, in a Swiftian mode, A Small Place cannot help but amplify our vision of one small place and all that it signifies.

"Ms. Kincaid writes with passion and conviction, and she also writes with a musical sense of language, a poet's understanding of how politics and history, private and public events, overlap and blur."
--Michiko Kakutani, The New York Times

The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ... 'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' Tsitsi Dangarembga 'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid 'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey 'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil 'The Guyanese William Blake . Such poetic intensity.' Angela Carter I dreamt I awoke with one dead seeing eye and one living closed eye ... A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers. 'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian 'Amazing ... Masterly ... Near-miraculous.' Observer 'Staggering ... Both brilliant and terrifying.' The Times 'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar 'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville

Celebrating Fifty Years of Picador Books Xuela Claudette Richardson is recalling the last seventy years of her life, and so she must begin with her birth, and the accompanying death of her mother. Xuela's vivid, visceral recollections of the lonely, unsettled life that follows the trauma of her arrival include that of her distant father, who sends her away to another household at the earliest opportunity; of her passion for the stevedore Roland, who fulfils her sexually but not intellectually; and of her husband, who provides her with status and a wealthy lifestyle but whom she is incapable of loving. Poetic and disturbing, The Autobiography of My Mother is one of Kincaid's most powerful statements of Afro-Caribbean women's struggle for identity and independence, against a hostile backdrop of sexism and colonialism. Part of the Picador Collection, a new series showcasing the best of modern literature.

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. At first glance Lewis and Mariah are a blessed couple - handsome, rich, and seemingly happy. Almost at once, however, Lucy begins to notice cracks in their beautiful facade. With a mixture of anger and compassion, Lucy scrutinizes the privileged, facile world of her employers while comparing it to the vivid realities of her home in the Caribbean. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is. In this environment a new person unfolds: passionate, sexually forthright, and disarmingly honest. In Lucy, Jamaica Kincaid has created a startling new character: a captivating heroine possessed with clear-sightedness and ferocious integrity. Part of the Picador Collection, a new series showcasing the best of modern literature.

An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's shadow. When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she makes rebellious friends and frequently challenges authority; and most frighteningly, her mother, seeing Annie as a 'young lady', ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. A haunting and tragicomic tale of the end of childhood, Annie John is told with Jamaica Kincaid's trademark candour and complexity, and is a true coming-of-age classic.

At the Bottom of the River is Jamaica Kincaid's first published work, a selection of inter-connected prose poems told from the perspective of a young Afro-Caribbean girl. Collecting pieces written for the New Yorker and the Paris Review between 1978 and 1982, including the seminal 'Girl', these stunning works announced a fully-formed, generational talent and firmly established the themes that Kincaid would continue to return to in her later work: the loss of childhood, the fractious nature of mother-daughter relationships, the intangible beauty of the natural world, and the striving for independence in a colonial landscape. Powerful and lyrical, this is an unforgettable collection from a unique and necessary literary voice. Part of the Picador Collection, a new series showcasing the best of modern literature.

From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age
Powerful, disturbing, stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.
Kincaid takes us from Xuela's childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela's is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her deep sympathy for those who share her history, her fear of her father, her desperate loneliness. But underlying all is "the black room of the world" that is Xuela's barrenness and motherlessness. "The Autobiography of My Mother" is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.

A major new translation of a stunning rediscovered novel by Alexandre Dumas, Georges is a classic swashbuckling adventure. Brilliantly translated by Tina A. Kover in lively, fluid prose, this is Dumas's most daring work, in which his themes of intrigue and romance are illuminated by the issues of racial prejudice and the profound quest for identity. Georges Munier is a sensitive boy growing up in the nineteenth century on the island of Mauritius. The son of a wealthy mulatto, Pierre Munier, Georges regularly sees how his father's courage is tempered by a sense of inferiority before whites-and Georges vows that he will be different. When Georges matures into a man committed to moral superiority mixed with physical strength, the stage is set for a conflict with the island's rich and powerful plantation owner, Monsieur de Malmedie, and a forbidden romance with Sara, the beautiful woman engaged to Malmedie's son. Swordplay, a slave rebellion, a harrowing escape, and a vow of vengeance-Georges is unmistakably the work of the master who wrote The Three Musketeers and The Count of Monte Cristo. Yet it stands apart as the only book Dumas ever wrote that confronts the subject of race-a potent topic, since Dumas was of African ancestry himself. This edition also features a captivating Introduction by Jamaica Kincaid and an eloquent Afterword and Notes by Werner Sollors, who addresses key themes such as colonialism, racism, African slavery, and interracial intimacy. Long out of print in America, Georges can now be appreciated as never before and added to the greatest works of this immortal author. From the Hardcover edition.

The coming-of-age story of one of Jamaica Kincaid's most admired creations--newly available in paperback

Lucy, a teenage girl from the West Indies, comes to North America to work as an au pair for Lewis and Mariah and their four children. Lewis and Mariah are a thrice-blessed couple--handsome, rich, and seemingly happy. Yet, alomst at once, Lucy begins to notice cracks in their beautiful facade. With mingled anger and compassion, Lucy scrutinizes the assumptions and verities of her employers' world and compares them with the vivid realities of her native place. Lucy has no illusions about her own past, but neither is she prepared to be deceived about where she presently is.

At the same time that Lucy is coming to terms with Lewis's and Mariah's lives, she is also unravelling the mysteries of her own sexuality. Gradually a new person unfolds: passionate, forthright, and disarmingly honest. In Lucy, Jamaica Kincaid has created a startling new character possessed with adamantine clearsightedness and ferocious integrity--a captivating heroine for our time.

In the early 1970s, the writer Ian Frazier left a small town in Ohio to move to a loft in lower Manhattan. Gone to New York is Frazier's account of the city over the thirty years, a book as full of vitality and charm as the city it describes. It features street scenes from every corner of the metropolis, where every block is an event and where the denizens are larger than life. Meet the man who climbed the World Trade Center, learn the location of Manhattan's antipodes, and follow Frazier down Canal Street in the mid-1970s, to Brooklyn in the 1980s and aboard the F Train in the twenty-first century. Like his literary forebears Joseph Mitchell and A. J. Liebling, Frazier makes us fall in love with America's greatest city all over again - just the way he did.

Antigua--a ten-by-twelve-mile island in the British West Indies and the author's birthplace--is the setting of a lyrical, sardonic, and forthright essay that offers an insider's eye-opening view of the lives and ways of her people.

A Modern Library Paperback Original

During the first years of the twentieth century, the British plant collector and explorer Frank Kingdon Ward went on twenty-four impossibly daring expeditions throughout Tibet, China, and Southeast Asia, in search of rare and elusive species of plants. He was responsible for the discovery of numerous varieties previously unknown in Europe and America, including the legendary Tibetan blue poppy, and the introduction of their seeds into the world’s gardens. Kingdon Ward’s accounts capture all the romance of his wildly adventurous expeditions, whether he was swinging across a bottomless gorge on a cable of twisted bamboo strands or clambering across a rocky scree in fear of an impending avalanche. Drawn from writings out of print for almost seventy-five years, this new collection, edited and introduced by professional horticulturalist and House & Garden columnist Tom Christopher, returns Kingdon Ward to his deserved place in the literature of discovery and the literature of the garden.

"Annie John "is a haunting and provocative story of a young girl growing up on the island of Antigua. A classic coming-of-age story in the tradition of "The Catcher in the Rye "and "A Portrait of the Artist as a Young Man, "Kincaid's novel focuses on a universal, tragic, and often comic theme: the loss of childhood. Annie's voice--urgent, demanding to be heard--is one that will not soon be forgotten by readers.
An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence, who is the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived." When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she instinctively rebels against authority; and most frighteningly, her mother, seeing Annie as a "young lady," ceases to be the source of unconditional adoration and takes on the new and unfamiliar guise of adversary. At the end of her school years, Annie decides to leave Antigua and her family, but not without a measure of sorrow, especially for the mother she once knew and never ceases to mourn. "For I could not be sure," she reflects, "whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world."

Jamaica Kincaid's inspired, lyrical short stories

Reading Jamaica Kincaid is to plunge, gently, into another way of seeing both the physical world and its elusive inhabitants. Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean--family, manners, and landscape--as distilled and transformed by Kincaid's special style and vision.

Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things--a house, a cup, a pen. Transfiguring our human form and our surroundings--shedding skin, darkening an afternoon, painting a perfect place--these stories tell us something we didn't know, in a way we hadn't expected.