Excavating Stephen King: A Darwinist Hermeneutic Study of the Fiction combines approaches from science and literary theory to examine the canon of Stephen King's fiction work in a single critical study. James Arthur Anderson has devised the concept of Darwinist Hermeneutics as a critical tool to combine evolutionary psychology, neuroscience, biology, and literary Darwinism with other more conventional critical theory, including structuralism, narratology, semiotics, and linguistic analysis. Using this theory, Anderson examines King's works in terms of archetypes and mythology, human universals, affective emotions, and the organization of story to create maximum suspense. This method brings new insights into King's stories and broader implications for storytelling as a whole.

With contributions from experts in supported metal catalysis, from both the industry and academia, this book presents the latest developments in characterization and application of supported metals in heterogeneous catalysis. In addition to a thorough and updated coverage of the traditional aspects of heterogeneous catalysis such as preparation, characterization and use in well-established technologies such as Naphtha reforming, the book also includes emerging areas where supported metal catalysis will make significant contributions in future developments, such as fuel cells and fine chemicals synthesis.

The second edition of Supported Metals in Catalysis comes complete with new and updated chapters containing important summaries of research in a rapidly evolving field. Very few other books deal with this highly pertinent subject matter, and as such, it is a must-have for anyone working in the field of heterogeneous catalysis.

Stephen King, ""America's Favorite Boogeyman,"" has sold over 350 million copies of his books, becoming in effect the face of horror fiction. His influence on popular culture has drawn both strong praise and harsh criticism from reviewers and scholars alike. While his popularity cannot be overstated, his work has received relatively little critical attention from the academic world. Examine King's fiction using modern literary theory, this study reveals the unexpected complexity of 22 short stories and novels, from Carrie to End of Watch. The author finds King using fantasy and horror to expose truths about reality and the human condition.

In the tradition of the old Ace Doubles (flip the volume over to read the second title), here's the thirty-first Wildside Double: THE MONASTERY: A NOVEL OF HORROR, by James Arthur Anderson. Fourteen-year-old Jake Harrison's summer vacation turns into a nightmare when his friend suddenly disappears in a field on the site of an old monastery grounds. It's up to Jake and his friends to discover the secret of the cursed abbey and locate their missing comrade--but their quest to solve the mystery leads them into horrors they never could have imagined. Will they be able to destroy the evil force within the monastery before it's too late? And if so, at what cost? Another great horror tale by the author of The Altar and Those Who Favor Fire and Other Horror Stories. THOSE WHO FAVOR FIRE AND OTHER HORROR STORIES, by James Arthur Anderson. These stories of the weird and supernatural lead us on a guided tour through the dark places in H.P. Lovecraft's Rhode Island, ranging from the streets of Providence to an old textile mill. An artist attempts to exorcise his demons by painting Providence's famous "Waterfires"; a stranger wanders College Hill in search of beauty; an old man takes a midnight ride through the East Side on his favorite horse; a book collector finds a copy of an ancient volume that belonged to Lovecraft himself; and a fisherman learns that sometimes it's just better to let that award-winning trophy get away. A dozen tales to thrill and chill by the author of The Altar and The Monastery

When a new strip mall and housing development are built near a small New England town, tearing through untouched forest, a 300-year-old grave is uncovered, thereby setting loose an ancient evil from its eternal prison.

Science fiction writer Erik Hunter soon finds himself the target of a near-immortal horror that feeds on human suffering. In order to save his family and his town, he must make the harrowing trip into the underworld of another reality, one filled with pain and terror--and there make the ultimate sacrifice to facilitate the return of his imperiled wife and young children to the "real" world. But even giving up his life and soul may not be enough to keep an evil spirit from escaping its natural home, and returning to earth to destroy and infect the world.

A novel of unremitting horror that will keep you perched on the edge of your seat

In this concise book, Professor Anderson offers 52 useful, practical, and easy tips and exercises to improve your writing incollege and in your life. Written in a clear, understandable style, this book takes the mystery out of writing and gives specific advice about what professors are looking for in basic composition classes. Written by a university professor who is also a professional writer, this book is a must have for college students.

Ray Bradbury was one of the first science fiction writers to achieve both popular success and critical acclaim. His books have not only sold millions of copies, but have been accepted as serious literature in an age when science fiction is still burdened by the stigma of being "pulp literature." This book, a revised and expanded Second Edition of the 1990 chapbook, examines the Ray Bradbury phenomenon through a structuralist reading of five stories from his major collection, The Illustrated Man, together with the narrative framework (the prologue and epilogue), which ties the stories together to form a complete work. The analysis will show some of Bradbury's major literary themes, and highlight the narrative techniques used in his short stories. A first-rate examination of one of science fiction's seminal authors.

James Arthur Anderson takes a structuralist approach to dissecting the horror fiction of H. P. Lovecraft (1890-1937. This book offers both scholars and fans alike new insight into the work of the best-known American horror writer of the first half of the 20th century. As S. T. Joshi states: "Anderson's thorough familiarity with Lovecraft's texts (essays and letters, as well as stories), and with the best scholarship on Lovecraft, is evident on every page; and the fluidity with which he weaves together critical approaches into a unified commentary is enviable." Complete with chronology, bibliography, and index.