Essays on the various manifestations of Charlemagne and his legends. This book explores the multiplicity of ways in which the Charlemagne legend was recorded in Latin texts of the central and later Middle Ages, moving beyond some of the earlier canonical "raw materials", such as Einhard's Vita Karoli Magni, to focus on productions of the eleventh to fifteenth centuries. A distinctive feature of the volume's coverage is the diversity of Latin textual environments and genres that the contributors examine in their work,including chronicles, liturgy and pseudo-histories, as well as apologetical treatises and works of hagiography and literature. Perhaps most importantly, the book examines the "many lives" that Charlemagne was believed to have lived by successive generations of medieval Latin writers, for whom he was not only a king and an emperor but also a saint, a crusader, and, indeed, a necrophiliac. William J. Purkis is a Senior Lecturer in Medieval History at the University of Birmingham; Matthew Gabriele is an Associate Professor of Medieval Studies in the Department of Religion & Culture at Virginia Tech. Contributors: Jeffrey Doolittle, Matthew Gabriele, Miguel Dolan Gomez, Oren Margolis, William J. Purkis, Andrew J. Romig, Sebastian Salvado, Jace Stuckey, James Williams.

A fresh consideration of the enduring tradition of the Seven Deadly Sins, showing its continuing post-medieval influence. The tradition of the seven deadly sins played a considerable role in western culture, even after the supposed turning-point of the Protestant Reformation, as the essays collected here demonstrate. The first part of the book addresses such topics as the problem of acedia in Carolingian monasticism; the development of medieval thought on arrogance; the blending of tradition and innovation in Aquinas's conceptualization of the sins; the treatment of sin in the pastoral contexts of the early Middle English Vices and Virtues and a fifteenth-century sermon from England; the political uses of the deadly sins in the court sermons of Jean Gerson; and the continuing usefulnessof the tradition in early modern England. In the second part, the role of the tradition in literature and the arts is considered. Essays look at representations of the sins in French music of the thirteenth to the fifteenth centuries; in Dante's Purgatorio; in a work by Michel Beheim in pre-Reformation Germany; and in a 1533 play by the German Lutheran writer Hans Sachs. New interpretations are offered of Gower's "Tale of Constance" and Bosch's Tabletop of the Seven Deadly Sins. As a whole, the book significantly enhances our understanding of the multiple uses and meanings of the sins tradition, not only in medieval culture but also in the transition from the medievalto the early modern period. RICHARD G. NEWHAUSER is Professor of English and Medieval Studies, Arizona State University, Tempe; SUSAN J. RIDYARD is Professor of History and Director of the Sewanee Medieval Colloquium,The University of the South, Sewanee. Contributors: Richard G. Newhauser, James B. Williams, Kiril Petkov, Cate Gunn, Eileen C. Sweeney, Holly Johnson, Nancy McLoughlin, Anne Walters Robertson, Peter S. Hawkins, CarolJamison, Henry Luttikhuizen, William C. McDonald, Kathleen Crowther.

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Life And Adventures Of James Williams, A Fugitive Slave, With A Full Description Of The Underground Railroad - 1873