The Year of Ancient Ghosts is the first collection of stories by multiple award-winning Australian writer Kim Wilkins. Born in England, Kim Wilkins is the author of over 20 novels for readers of all ages. Her debut novel The Infernal won two Aurealis Awards. Her latest books, contemporary epic romances, are published under the pseudonym Kimberley Freeman, and include Lighthouse Bay and Wildflower Hill. Kim Wilkins is a four-times winner of the Aurealis Award, twice winner of the Sassy Award for popular fiction, and winner of the Romantic Book of the Year award. The book collects 5 novellas, comprising two written especially for this collection and 2 reprints and the first print publication of "Wild Dreams of Blood."

Television is changing almost beyond recognition. In the battle for consumers, social media sites, smart phones and tablets have become rivals to traditional linear TV. However, audiences and producers are also embracing mobile platforms to enhance TV viewing itself. This book examines the emerging phenomenon of the second screen: where users are increasingly engaging with content on two screens concurrently. The practice is transforming television into an interactive, participatory and social experience. James Blake examines interactive television from three crucial angles: audience motivation and agency, advances in TV production and the monetisation of second screen content. He also tracks its evolution by bringing together interviews with more than 25 television industry professionals - across the major UK channels - including commissioning editors, digital directors, producers and advertising executives. These reveal the successes and failures of recent experiments and the innovations in second screen projects. As the second screen becomes second nature for viewers and producers, the risks and opportunities for the future of television are slowly beginning to emerge. Television and the Second Screen will offer students and scholars of television theory, industry professionals and anyone with an abiding interest in television and technology, an accessible and illuminating guide to this important cultural shift.

In the newest Wolfe-family adventure from James Carlos Blake, Rudy and Frank Wolfe are engaging in routine miscellaneous business - some legitimate and some less so - for their family when they stumble upon a stash of high-quality pornographic films in a raid. The plot thickens when their Aunt Catalina, the family matriarch aged 115, recognizes her long-lost sister in one of the young performers. Catalina tasks the boys with tracking the girl down, however improbable a connection may be. This proves to be no simple task. Soon, Rudy and Frank find themselves moving away from world of porn and towards the upper echelons of the Sinaloa drug cartel, where the mysterious woman has become a particular favorite of the head narco. For their aunt, the woman, and themselves, Frank and Rudy must find a way to get her out without alerting the cartel. A tropical storm complicates their quest, but their sprawling family may save them from this obstacle, too. Often outrageous and always entertaining, the Wolfes are not to be missed.

Television is changing almost beyond recognition. In the battle for consumers, social media sites, smart phones and tablets have become rivals to traditional linear TV. However, audiences and producers are also embracing mobile platforms to enhance TV viewing itself. This book examines the emerging phenomenon of the second screen: where users are increasingly engaging with content on two screens concurrently. The practice is transforming television into an interactive, participatory and social experience. James Blake examines interactive television from three crucial angles: audience motivation and agency, advances in TV production and the monetisation of second screen content. He also tracks its evolution by bringing together interviews with more than 25 television industry professionals - across the major UK channels - including commissioning editors, digital directors, producers and advertising executives. These reveal the successes and failures of recent experiments and the innovations in second screen projects. As the second screen becomes second nature for viewers and producers, the risks and opportunities for the future of television are slowly beginning to emerge. Television and the Second Screen will offer students and scholars of television theory, industry professionals and anyone with an abiding interest in television and technology, an accessible and illuminating guide to this important cultural shift.

Longlisted for the 2015 CWA Goldsboro Gold Dagger Award Eddie Gato Wolfe is a young, impetuous member of the Wolfe family of Texas gunrunners that goes back generations. Increasingly unfulfilled by his minor role in family operations and eager to set out on his own, Eddie crosses the border to work security for a major Mexican drug cartel led by the ruthless La Navaja. Eddie falls for a mysterious woman named Miranda, whom he learns too late is the property of an intimate member of La Navaja's organization. When they're discovered, the violent upshot forces Eddie and Miranda to run for their lives, fleeing into the deadly Sonora Desert in hope of crossing the border to safety. But La Navaja's reach is far and his lust for revenge insatiable. If La Navaja's men don't kill Eddie and Miranda, the brutal desert just may. Their only hope: help from the family that Eddie abandoned. At once a riveting thriller and an inside look at the blood-drenched Mexican drug trade, The Rules of Wolfe is another classic crime novel from a writer Entertainment Weekly calls 'one of the greatest chroniclers of the mythical American outlaw life.'

Inspired by Arthur Ashe's bestselling memoir Days of Grace, a collection of positive, uplifting stories of seemingly small acts of grace from across the sports world that have helped to bridge cultural and racial divides. Like many people of color, James Blake has experienced the effects of racism firsthand--publicly--first at the U.S. Open, and then in front of his hotel on a busy Manhattan street, where he was tackled and handcuffed by a police officer in a case of "mistaken identity." Though rage would have been justified, Blake faced both incidents with dignity and aplomb. In Ways of Grace he reflects on his experiences and explores those of other sports stars and public figures who have not only overcome adversity, but have used them to unite rather than divide, including: Aisam-Ul-Haq Qureshi, a Pakistani Muslim and Amir Hadad, an Israeli Jew, who despite the conflicts of their countries, paired together in the 2002 Wimbledon men's doubles draw. Muhammad Ali, who transcended racism with a magnetic personality and a breathtaking mastery of boxing that was unparalleled. Nelson Mandela, who spent twenty-seven years in prison for his commitment to social reform, peace, and equality yet never gave up his battle to end apartheid--a struggle that led to his eventual freedom and his nation's transition to black majority rule. Groundbreaking tennis legend Arthur Ashe, who was a model of courage, elegance, and poise on the court and off; a gifted player who triumphed in the all-white world of professional tennis, and became one of his generation's greatest players. Weaving together these and other poignant and unforgettable stories, Blake reveals how, through seemingly small acts of grace, we can confront hatred, bigotry, and injustice with virtue--and use it to propel ourselves to greater heights.

On a rainy winter night in Mexico City, a ten-member wedding party is kidnapped in front of the groom's family mansion. The perpetrator is a small-time gangster named El Galan, who wants nothing more than to make his crew part of a major cartel and hopes that this crime will be his big break. He sets the wedding party's ransom at five million US dollars, to be paid in cash within 24 hours. The only captive not related to either the bride or the groom is the young Jessica Juliet Wolfe, a bridesmaid and close friend of the bride. Jessie hails from a family of notorious outlaws that has branches on both sides of the border, and when the Wolfes learn of Jessie's abduction, they fear that the kidnappers will kill the captives after receiving the ransom-unless they rescue Jessie first. Gritty and exhilarating, James Carlos Blake's The House of Wolfe takes readers on a wild ride from Mexico City's opulent neighborhoods to its frenetic downtown streets and feral shantytowns, as El Galan proves how dangerous it is to underestimate an ambitious criminal, and Jessie's blood kin desperately try to find her before it's too late.

Stories of Activism, Adversity, and How Sports Can Bring Us Together