Michael Curtiz (1888-1962) is considered to be one of the most important directors in film history. "The Casablanca Man" surveys Curtiz's mastery over a variety of genres which included biography, comedy, horror, melodrama, musical, swashbuckler and western, and looks at his relationship with the Hollywood studio moguls on the basis of documentary evidence gleaned from archive research at Warner Brothers, rather than the hearsay on which so much of his reputation rests. This access to the production and financial details of Curtiz's Warner Brothers films from 1926 to 1953 is the most distinctive feature of Jim Robertson's work, most of it never having been made available to the general public. Concentrating on Curtiz's best-known films - "Casablanca", "Angels with Dirty Faces", "Mildred Pearce" and "King Creole" among them - Robertson explores his practical struggles over, for example, screenplays, his use of reality footage in his feature films, and the instinctive visual sense which governed his work.

How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the `hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clockwork Orange - some of which have now vanished from British screens altogether. This edition includes a brand new section on Bernardo Bertolucci's Last Tango in Paris, immediately engulfed in censorship wrangles on its release in 1972.

The secrecy in which the British Board of Film Censors enveloped itself until 1948 resulted in a glaring vacuum in British cinematic history. Originally published in 1985, this book filled this important gap, drawing on the detailed registers of films passed, cut and banned since 1913. The book opens by tracing the events which led up to the creation of the BBFC and goes on to cover the Board's theoretical censorship principles concerning such matters as crime, religion and sex and to discuss how these principles were applied in practice to silent films. The advent of the talkies in the late 1920s caused a minor revolution in the Board's work during the 1930s and 1940s, when the cinema rose to the peak of its popularity. This era of the Board's history is examined in detail, with extensive use of the Board's surviving records and a whole chapter devoted to the special circumstances of the Second World War. The final chapter delves into the Board's work up to 1950, and investigates the connection between film censorship in Britain and the USA. Also discussing the political and social background, this is an essential history of film censorship in Britain in general and the BBFC in particular.

The secrecy in which the British Board of Film Censors enveloped itself until 1948 resulted in a glaring vacuum in British cinematic history. Originally published in 1985, this book filled this important gap, drawing on the detailed registers of films passed, cut and banned since 1913. The book opens by tracing the events which led up to the creation of the BBFC and goes on to cover the Board's theoretical censorship principles concerning such matters as crime, religion and sex and to discuss how these principles were applied in practice to silent films. The advent of the talkies in the late 1920s caused a minor revolution in the Board's work during the 1930s and 1940s, when the cinema rose to the peak of its popularity. This era of the Board's history is examined in detail, with extensive use of the Board's surviving records and a whole chapter devoted to the special circumstances of the Second World War. The final chapter delves into the Board's work up to 1950, and investigates the connection between film censorship in Britain and the USA. Also discussing the political and social background, this is an essential history of film censorship in Britain in general and the BBFC in particular.

How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clockwork Orange - some of which have now vanished from British screens altogether. This edition includes a brand new section on Bernardo Bertolucci's Last Tango in Paris, immediately engulfed in censorship wrangles on its release in 1972.

Visually rich, up-to-date, and authoritative, "The Atlas of Global Conservation "is a premier resource for everyone concerned about the natural world. Drawing from the best data available, it is an unprecedented guide to the state of the planet and our most pressing resource and environmental issues. Top scientists at The Nature Conservancy, the leading conservation organization working around the world to protect ecologically important lands and water, have joined forces to create this extraordinary reference. It features 79 richly-detailed, fullcolor maps and other graphics paired with an informative, inviting discussion of major trends across the world's terrestrial, marine, and freshwater environments. Interspersed throughout, essays by noted international authorities point the way forward in confronting some of our greatest conservation challenges.
- The most comprehensive single volume on global environmental conservation and future sustainability
- Includes the latest data on environmental threats, such as climate change, water use, habitat protection, deforestation and overfishing
- Full-color maps and graphics are designed to facilitate sideby-side comparisons, empowering readers to draw their own conclusions
- Brings together information that has been widely dispersed across myriad publications and databases in a format thatinvites evaluation and application
- Supporting data is available on an accompanying website

The first comparative study of censorship in theatre and cinema during the last century, this book examines notable twentieth-century cases involving the Lord Chamberlain's theatre censorship and the British Board of Film Censors (BBFC). Anthony Aldgate and James C. Robertson have written extensively on the subject of stage and screen censorship, and here they utilise previously unpublished Lord Chamberlain's censorship sources as well as hitherto unexplored BBFC files. They show how the two censorship agencies operated, with some interaction between them, over such controversial matters as sex, foreign affairs, juvenile crime, single-sex relationships, the 'swinging' 1960s, horror, religion and other contentious material. This wide-ranging study concludes by explaining why theatre censorship was abolished in 1968 whereas the BBFC has survived until the present day. Censorship in Theatre and Cinema is a valuable contribution to media history with implications for the practice of censorship in Britain today. Features * The first comparative study of censorship in both theatre and cinema * Accessible to both specialist and general readers alike * Covers both American and British stage and screen properties * Includes detailed analysis of various case studies to illustrate censorship procedures in action.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.