Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English 'dramatick opera'). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: 'Authenticity, Appropriateness, and Recomposing the Past', 'Music, Space, and Place: Geography as History', and 'Presentness and the Past: Dialogues between Old and New'. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts.

England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of ‘what is English’ cannot truly be answered without also answering the question of ‘what is continental’. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice – a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.

This book presents a bold, new invention - the Computerized Job Market (CJM) - that could, in the future, come to replace the labor market as we and our forebears have known it since the industrial revolution. James Cooke Brown, who also invented the popular board game Careers, first introduced CJM's in his science fiction book The Troika Incident. The Job Market of the Future is written in a non-academic, non-technical style and is set in the not-too-distant future - in a world that we will very likely see if the present course of unhindered, reckless "globalization" continues. The author presents the case for his CJM model; how it will be constructed; the built in safeguards for both individuals and society; how it will operate for the end-user; and what the long- and short-term economic, social, and political benefits will be. Ultimately, this book is not about problems or policy issues; it is about finding a permanent answer to the most important long-term problem that faces everyone on Earth: finding and keeping a quality job with a "living wage."

This book presents a bold, new invention - the Computerized Job Market (CJM) - that could, in the future, come to replace the labor market as we and our forebears have known it since the industrial revolution. James Cooke Brown, who also invented the popular board game Careers, first introduced CJM's in his science fiction book The Troika Incident. The Job Market of the Future is written in a non-academic, non-technical style and is set in the not-too-distant future - in a world that we will very likely see if the present course of unhindered, reckless "globalization" continues. The author presents the case for his CJM model; how it will be constructed; the built in safeguards for both individuals and society; how it will operate for the end-user; and what the long- and short-term economic, social, and political benefits will be. Ultimately, this book is not about problems or policy issues; it is about finding a permanent answer to the most important long-term problem that faces everyone on Earth: finding and keeping a quality job with a "living wage."

Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English 'dramatick opera'). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: 'Authenticity, Appropriateness, and Recomposing the Past', 'Music, Space, and Place: Geography as History', and 'Presentness and the Past: Dialogues between Old and New'. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts.

Essays on the post-modern reception and interpretation of the Middle Ages, To attract followers many professional politicians, as well as other political actors, ground their biases in (supposedly) medieval beliefs, align themselves with medieval heroes, or condemn their enemies as medieval barbarians. The essays in the first part of this volume directly examine some of the many forms such medievalism can take, including the invocation of "blood libels" in American politics; Vladimir Putin's self-comparisons to "Saint Equal-of-the-Apostles Prince Vladimir"; alt-right references to medieval Christian battles with Moslems; nativist Brexit allusions to the Middle Ages; and, in the 2019 film The Kid Who Would be King, director Joe Cornish's call for Arthurian leadership through Brexit. These essays thus inform, even as they are tested by, the subsequent papers, which touch on politics in the course of discussing the director Guy Ritchie's erasure of Wales in the 2017 film King Arthur: Legend of the Sword; medievalist alt-right attempts to turn one disenfranchised group against another; Jean-Paul Laurens's 1880 condemnation of Napoleon III via a portrait of Honorius; Henry Wadsworth Longfellow's extraordinarily wide range of medievalisms; the archaeology of Julian of Norwich's anchorite cell; the influence of Julian on pity in J.K. Rowling's Harry Potter book series; the origins of introductory maps for medievalist narratives; self-reflexive medievalism in a television episode of Doctor Who; and sonic medievalism in fantasy video games.

James Cook's autobiography is a gripping account of his life told with the assistance of his friend and boxing author, Melanie Lloyd. Cook was raised by his grandparents in Jamaica until he was nine years old, when his mother arrived from London to collect him. His words paint a vibrant picture of childhood in the Caribbean sun and having to adapt to life on the notorious North Peckham Housing Estate in the late 60s. He started boxing in his teens and became British and European super-middleweight champion. Cook eloquently leads the reader through his life in the ring with plenty of droll tales along the way; but this is much more than a boxing book. Cook's commitment to keeping his local community safe through his youth work contributes to an inspirational and uplifting read. But anybody expecting to find Saint James on every page is in for a shock. His stories range from fighting with wheel-clampers in a Tesco car park to receiving his MBE from the Queen, all told with equal warmth and a sweet honesty that will keep the pages turning.

When James Cook's daughter was nearly one, he began to suspect that she wasn't simply a 'late bloomer', as he and his wife were telling friends and family. Emily was strongly taken by images and patterns around the house, had a marked response to music, but never pointed at anything, and hadn't crawled yet. At the age of two-and-a-half, after months of invasive tests, Emily was finally diagnosed with severe autism, and everything changed. Forced to embark on a fraught journey from denial to acceptance, James discovered the multi-faceted link between music and autism, and how singing and playing guitar for Emily could provide a unique form of communication. In Her Room is an extraordinary and heartbreaking story of a father's attempts to connect with his daughter, and how music can help bridge the divide.

England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of 'what is English' cannot truly be answered without also answering the question of 'what is continental'. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice - a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.

The numbers of unmarried cohabiting couples continue to increase, with the result that the law and practice relating to this area continues to grow insignificance for family and private client lawyers. This new edition of Cohabitation: Law Practice and Precedents has been extensively revised to take account of all procedural developments, as well as analysis of significant case-law. Whether preparing a cohabitation contract or pre-nuptial agreement, drafting wills for cohabiting couples, advising on rights on the breakdown of a relationship or the death of a partner, or applying for a personal protection order or a parental responsibility agreement, practitioners will find authoritative analysis of the applicable law and expert guidance on procedural issues. Cohabitation: Law, Practice and Precedents is the only work on the subject to provide commentary, checklists, procedural guides and precedents in a single volume making it an invaluable aid to all practitioners advising unmarried couples.

Depicted by the man himself, The Journals of James Cook is an intimate first-hand account, providing an uncensored and reliable narrative of adventures spanning across the globe. The Journals of James Cook depict three of Captain James Cook’s most glorious expeditions, starting in 1768 and leading to Cook’s tragic death in 1779. Having ventured all over the Pacific, Cook encountered lands not yet charted by the British. Though his discoveries and maps inadvertently led to British colonization, Cook held a deep respect for the native people he encountered. He recorded their practices and wrote of them fondly. Cook even befriended some of the native people he encountered, including a Tahitian man who, after hearing of Cook’s homeland, wanted to visit it as well. Per the man’s request, Cook sailed him to Britain, where the man stayed until he and Cook sailed back to Tahiti three years later. After charting Australia, and the whole coast of New Zealand, Cook was involved in a plot to kidnap a Hawaiian monarch and ransom them in order to recover stolen property. He was killed during this expedition, leaving behind a legacy of a detailed description of the Pacific Ocean and its coasts. James Cook’s expeditions around the world and his detailed and innovative work as a cartographer inspired advancements in scientific, medical, historical and geological fields. His influence has also reached the literary world, inspiring novel series and characters, including the infamous Captain Hook. Exuding ambition, courage, and confidence, The Journals of James Cook provide a privileged peak into the travels and accomplishments of an adventurous, and invaluable man. Packed with wonder but free of imperialistic arrogance, The Journals of James Cook serve as a valuable an intriguing primary source of a time when places in the world were yet to be mapped. Now presented in an easy-to-read font and redesigned with a stunning new cover, James Cook’ The Journals of James Cook is accommodating to contemporary readers, providing a fresh version of the esteemed literary work while preserving its wonders and adventures.

Depicted by the man himself, The Journals of James Cook is an intimate first-hand account, providing an uncensored and reliable narrative of adventures spanning across the globe. The Journals of James Cook depict three of Captain James Cook's most glorious expeditions, starting in 1768 and leading to Cook's tragic death in 1779. Having ventured all over the Pacific, Cook encountered lands not yet charted by the British. Though his discoveries and maps inadvertently led to British colonization, Cook held a deep respect for the native people he encountered. He recorded their practices and wrote of them fondly. Cook even befriended some of the native people he encountered, including a Tahitian man who, after hearing of Cook's homeland, wanted to visit it as well. Per the man's request, Cook sailed him to Britain, where the man stayed until he and Cook sailed back to Tahiti three years later. After charting Australia, and the whole coast of New Zealand, Cook was involved in a plot to kidnap a Hawaiian monarch and ransom them in order to recover stolen property. He was killed during this expedition, leaving behind a legacy of a detailed description of the Pacific Ocean and its coasts. James Cook's expeditions around the world and his detailed and innovative work as a cartographer inspired advancements in scientific, medical, historical and geological fields. His influence has also reached the literary world, inspiring novel series and characters, including the infamous Captain Hook. Exuding ambition, courage, and confidence, The Journals of James Cook provide a privileged peak into the travels and accomplishments of an adventurous, and invaluable man. Packed with wonder but free of imperialistic arrogance, The Journals of James Cook serve as a valuable an intriguing primary source of a time when places in the world were yet to be mapped. Now presented in an easy-to-read font and redesigned with a stunning new cover, James Cook' The Journals of James Cook is accommodating to contemporary readers, providing a fresh version of the esteemed literary work while preserving its wonders and adventures.

What the business schools don't teach you to survive and flourish. Putting management theory into practice faces some major challenges. Some of the raw realities of modern work environments require a high level of intuition and judgement over and above scientific methodology alone. This book sets out the hard learnt experience of a senior Scotland Yard officer and centres on three themes: How to develop and look after yourself as an individual manager; how to make operations happen and work successfully; how to develop a high performance team around you. This book has many important messages for new managers, enabling them to survive and eventually flourish whilst guiding more experienced Directors to secure the holy grail of truly exceptional performance. It has equal relevance to those in the public, private and voluntary sector who have to translate strategy into action.

Captain Cook's Journals provide his own vivid first-hand account of three extraordinary expeditions. These charted the entire coast of New Zealand and the east coast of Australia, and brought back detailed descriptions of Tahiti, Tonga, and a host of until then unknown islands in the Pacific. The journals amply reveal the determination, courage and skill which enabled Cook to wrestle with the continuous dangers of uncharted seas and the problems of achieving a working relationship with the peoples whose unannounced guest he became.

This edition, abridged from the definitive four-volume collection published by the Hakluyt Society, makes Cook's inimitable personal account of his nine years of voyaging widely accessible for the first time. The selection preserves the spirit and rhythm of the full narrative, as well as Cook's idiosyncratic spelling. Philip Edwards gives an introduction to each voyage together with maps, a glossary of unusual words and indexes of people and places. A postscript offers a full assessment of the continuing controversies surrounding Cook's death.

The Squashed edition of Voyages of Discovery by Captain James Cook. Abridged from the original text to read in an hour or so. Squashed editions are precise abridgements - the original ideas, in their own words, the full beam of the book, the quotable quotes and all the famous lines, but neatly honed down to the length of a readable short story. ""Like reading the bible without all the begats"" - Prof. Jim Curtis