The Cambridge Greek Lexicon is based upon principles differing from those of existing Greek lexica. Entries are organised according to meaning, with a view to showing the developing senses of words and the relationships between those senses. Other contextual and explanatory information, all expressed in contemporary English, is included, such as the typical circumstances in which a word may be used, thus giving fresh insights into aspects of Greek language and culture. The editors have systematically re-examined the source material (including that which has been discovered since the end of the nineteenth century) and have made use of the most recent textual and philological scholarship. The Lexicon, which has been twenty years in the making, is written by an editorial team based in the Faculty of Classics in Cambridge, consisting of Professor James Diggle (Editor-in-Chief), Dr Bruce Fraser, Dr Patrick James, Dr Oliver Simkin, Dr Anne Thompson, and Mr Simon Westripp.

Theophrastus:Characters is a collection of thirty short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a unique work which has had a profound influence on European literature. This edition aims to make it accessible to students, by offering a radically improved text and a commentary which brings out the meaning and nuances of the dazzling but sometimes difficult Greek and offers full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a full introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and its literary qualities.

Theophrastus' Characters is a collection of 30 short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a work which had a profound influence on European literature, and this is a detailed and elaborate treatment of it. This edition presents an improved text, a translation which is designed both to be readable and to bring out fully the nuances of the very difficult Greek, and a commentary which covers every feature of the text and its interpretation and offers particularly full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a lengthy introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and the manuscript tradition. Extensive indexes are also provided, including an Index Verborum.

Theophrastus:Characters is a collection of thirty short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a unique work which has had a profound influence on European literature. This edition aims to make it accessible to students, by offering a radically improved text and a commentary which brings out the meaning and nuances of the dazzling but sometimes difficult Greek and offers full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a full introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and its literary qualities.

The Iohannis, an epic poem of the mid-sixth century, narrates the wars of a Roman general against Berber rebels in north Africa. The subject-matter is of considerable interest both for the history of the period and for what it reveals of the ethnography of north Africa in late antiquity. The poem is also of literary interest because of its numerous debts to earlier Latin poetry. It is in the establishment of a reliable text, however, in the field emendatio, that the importance of this 1970 edition lies. The editors have purged the text so far as possible from error; and in their numerous conjectures they have had to decide what abnormalities should be ascribed to the changed Latinity of the age, what to scribal error. The apparatus is thus full of imaginative and scholarly touches: it can be approached as a 'bank' of ideas and suggestions for scholars of late Latin. There are a short praefatio on the history of the text and the usual indexes.

Theophrastus' Characters is a collection of 30 short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a work which had a profound influence on European literature, and this is a detailed and elaborate treatment of it. This edition presents an improved text, a translation which is designed both to be readable and to bring out fully the nuances of the very difficult Greek, and a commentary which covers every feature of the text and its interpretation and offers particularly full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a lengthy introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and the manuscript tradition. Extensive indexes are also provided, including an Index Verborum.

The surviving text of the fragmentary Phaethon of Euripides depends chiefly on two sources: two pages from a Euripidean manuscript, written about A.D. 500, and a papyrus of the third century B.C., which contains a substantial part of the parodos. These sources are supplemented by a number of citations in classical authors and by a recently published fragmentary hypothesis. Professor Diggle has examined all the manuscript evidence and offers many decipherments. He gives a text of the play and of the hypothesis, an exegetical commentary, prolegomena and appendices, in which he discusses the treatment of the Phaethon myth in classical literature and attempts a reconstruction of the plot of the play.

James Diggle was the official Orator of the University of Cambridge from 1982 to 1993. This book presents a selection of fifty of the Latin speeches which he delivered during those years in praise of a variety of distinguished people on the occasion of their receiving Honorary Degrees. The graduands range from writers (Borges, Gordimer, Ted Hughes, Iris Murdoch) to scientists (Stephen Hawking, James Watson) to musicians (Janet Baker, Jessye Norman) to sculptors (Anthony Caro, Elisabeth Frink) to actors (Alec Guinness) and royalty (the King of Spain), to philosophers (Jacques Derrida) and many others. The speeches themselves, models of wit and verbal dexterity, demonstrating the adaptability of Latin to the expression of modern ideas, are accompanied by English versions of complementary skill. The volume opens with an essay on the history and nature of the office of Orator in Cambridge.

James Diggle is well known among classicists as one of the foremost Euripidean scholars of our time. His ground-breaking studies on the text of Euripides, culminating in his new edition of the complete plays in the Oxford Classical Texts series, have won him a wide reputation as one of the leading authorities on Euripides. This collection comprises forty one papers and reviews (including five papers not previously published) designed as a companion to the Oxford Text. The published papers and reviews have been lightly revised and updated and equipped with copious cross-references. There are full indexes. The collection not only offers a commentary on an extensive range of problematic passages in the plays; it also provides an up-to-date grammar of Euripidean usage - linguistic, stylistic, and metrical - and deals with many aspects of the manuscript tradition. It will be an indispensable handbook for all future serious students of Euripides.

Oxford Classical Texts

This volume in the Oxford Classical Texts Series brings to completion James Diggle's major new edition of all the surviving plays of Euripides. It replaces the previous 1909 edition, and is based on new collations of all the relevant manuscripts, incorporating many new ideas for the improvement of the text suggested by recent scholars and by the editor himself.

Orestes, produced in 408 BC towards the end of Euripides' life, was one of the most popular Greek tragedies in antiquity, and was consequently preserved in a large number of medieval manuscripts. Having investigated about sixty of the most important, James Diggle explains the complicated relationships which exist among them. He also examines afresh the contribution of the papyri and quotations which preserve parts of the play. In the course of these analyses he throws much light on problems of text and interpretation, on metre, and on the activities of Byzantine scholars. This examination of Orestes is the last major task in the completion of the study of the Euripidean manuscript tradition. As such it will be indispensable to all students of the transmission of Greek tragedy.

A discussion of the text or interpretation of passages from six plays by Euripides edited by the author for Oxford Classical Texts: Supplices, Electra, Heracles, Troades, Iphigenia in Tauris, Ion. In addition, if James Diggle has already discussed a passage from these plays in a published article, he has incorporated a reference to that discussion at the appropriate place, often adding new material. But the book is designed not only as a contribution to the amendment and interpretation of particular passages in these plays. Many of the notes are used as a basis for pursuing topics (whether linguistic or metrical) which are of general interest, and as a result the book will be of value to all future commentators on Greek tragedy.

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the foot of each page.