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In the next few years the US government will make decisions
regarding the renewal of its triad of air-, land- and sea-based
nuclear weapons that will have huge implications for the security
of the country and its allies, its public finances, and the
salience of nuclear weapons in global politics. Current plans
provide for spending an estimated US$1 trillion over 30 years to
modernise or replace the full triad. The purpose of this book is to
demonstrate viable alternatives to the current US plan to modernise
or replace its full triad of air-, land- and sea-based nuclear
weapons. These alternatives would allow the US to maintain
deterrence at a lower cost, thereby freeing up funds to ease
pressing shortfalls in spending on conventional procurement and
nuclear security. Moreover, these alternative structures - which
propose a reduction in the size and shape of the US arsenal - offer
distinct advantages over the existing plan with regard to
maintaining strategic stability vis-a-vis Russia and China;
upholding existing arms-control treaties, in particular New START
and the INF Treaty; and boosting the security of US nuclear forces
and supporting the global non-proliferation regime, including the
NPT. They would also endow the US with a nuclear force better
suited to the strategic environment of the twenty-first century and
mark an advance on the existing triad with regard to supporting
conventional military operations.
The Creative City: Vision and Execution, edited by James E. Doyle
and Biljana Mickov, challenges the popular understanding of the
Creative City, by bridging the gap between the Creative City as
concept and the Creative City as practice and, in so doing,
provides a contemporary template for policy makers, city planners,
and citizens alike. The book will offer researchers and pragmatists
a series of real-life examples of successful cultural and creative
practice throughout Europe, reflecting on the analysis and thinking
that forms our contemporary understanding of the creative city. It
will examine and explain the changes to the concept of the
'creative city', explore its connectivity to the cultural sector as
well as other sectors and practices across Europe and will serve to
illustrate the perspectives of Cultural Managers, Educators,
Professionals and Researchers from the creative sector in Dublin
and Europe. This book will present the reader, and the cultural
sector at large, with a new reality based on the quality of
contemporary creative practice. Doyle and Mickov address cultural
trends such as sustainability and social networking and how they
value-impact our attitudes towards culture and the creative city By
recognizing that we live in a time of rapid change, which affects
all systems, financial models, resources, the economy and
technology, we also recognize that the creative process is at the
heart of our responses to these changes.
The Creative City: Vision and Execution, edited by James E. Doyle
and Biljana Mickov, challenges the popular understanding of the
Creative City, by bridging the gap between the Creative City as
concept and the Creative City as practice and, in so doing,
provides a contemporary template for policy makers, city planners,
and citizens alike. The book will offer researchers and pragmatists
a series of real-life examples of successful cultural and creative
practice throughout Europe, reflecting on the analysis and thinking
that forms our contemporary understanding of the creative city. It
will examine and explain the changes to the concept of the
'creative city', explore its connectivity to the cultural sector as
well as other sectors and practices across Europe and will serve to
illustrate the perspectives of Cultural Managers, Educators,
Professionals and Researchers from the creative sector in Dublin
and Europe. This book will present the reader, and the cultural
sector at large, with a new reality based on the quality of
contemporary creative practice. Doyle and Mickov address cultural
trends such as sustainability and social networking and how they
value-impact our attitudes towards culture and the creative city By
recognizing that we live in a time of rapid change, which affects
all systems, financial models, resources, the economy and
technology, we also recognize that the creative process is at the
heart of our responses to these changes.
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