This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously? -- .

'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'

This ground-breaking new history of modern art explores the relationship between art and knowledge from the beginning of the twentieth century to the present day. Each chapter examines artistic responses to a particular discipline of knowledge, from quantum theory and theosophy to cybernetics and ethnic futurisms. The authors argue that art’s incursion into other intellectual disciplines is a defining characteristic of both modernism and postmodernism. Throughout, the volume poses a series of larger questions: is art a source of knowledge? If so, what kind of knowledge? And, ultimately, can it contribute to our understanding of the world in ways that thinkers from other fields should take seriously? -- .

Jeffrey Rubinoff is one of the great sculptors in steel of the second half of the twentieth century. In the 1970s and '80s he exhibited widely in the United States and Canada alongside Anthony Caro, Mark di Suvero and George Rickey, among others. However, in the early 1990s Rubinoff withdrew from the art world altogether and concentrated on creating an extraordinary sculpture park on Hornby Island. This book is the first major account of his remarkable career. The Art of Jeffrey Rubinoff considers Rubinoff's life, work and ideas from a variety of perspectives. Barry Phipps describes Rubinoff's working methods; James Purdon examines the meanings that derive from Rubinoff's use of steel; Joan Pachner focuses on the formative influence of the abstract Expressionist sculptor David Smith on his work; Maria Tippett examines Rubinoff through the lens of the broader arts scene in postwar Canada; and Aaron Rosen attempts to understand Rubinoff's values and ambitions in light of his Jewish heritage. Other contributing scholars include Alistair Rider, Mark E. Breeze, Tom Stammers, Alexander Massouras, David Lawless and Peter Clarke. The book's foreword is written by the distinguished Yale historian Jay Winter. Drawing on interviews and correspondence with Rubinoff himself, as well as uncatalogued archives and unpublished documents in the artist's possession, The Art of Jeffrey Rubinoff makes available for the very first time a significant quantity of primary material, both textual and visual, for scholars and students of the future.

As someone who has spent nearly half his life wondering about the relationship between Helicobacter and gastric cancer, I find this textbook on the subject exciting and timely. In fact, I am not aware of any other volume that has been able to distil so much new knowledge into such a comprehensive account of a poorly understood field. Taking my own view, as a scientist placed in the middle of the spectrum between basic science and clinical medicine, I can see that the editors, Jim Fox, Andy Giraud, and Timothy Wang, provide a broad mix of expertise, which ensures that the subject is treated with the right balance. From clinicopathologic observations in humans, to epidemiology, through animal models, to molecular and cell biology, this team has hit the mark for most readers. Fox is a well-known leader in animal models with broad expertise. He pioneered the field with observations on Helicobacter species in animals, from the time when only one spiral gastric bac- rium was known, "Campylobacter pyloridis. " Fox partners with Wang, whose team recently announced a dramatic advance in the field of carcinogenesis-the obser- tion that bone marrow-derived stem cells participate in the changes that become cancer. To this nice mix has been added Andy Giraud from my own country, who brings to the table some remarkable genetic models of gastric cancer based on alterations in the gp130/stat3-signaling pathway.

The long-awaited autobiography of the guitarist, songwriter, singer, and founding member of the Rolling Stones. Ladies and gentlemen: Keith Richards.
With The Rolling Stones, Keith Richards created the songs that roused the world, and he lived the original rock and roll life.
Now, at last, the man himself tells his story of life in the crossfire hurricane. Listening obsessively to Chuck Berry and Muddy Waters records, learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones's first fame and the notorious drug busts that led to his enduring image as an outlaw folk hero. Creating immortal riffs like the ones in "Jumping Jack Flash" and "Honky Tonk Women." His relationship with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the U.S., isolation and addiction. Falling in love with Patti Hansen. Estrangement from Jagger and subsequent reconciliation. Marriage, family, solo albums and Xpensive Winos, and the road that goes on forever.
With his trademark disarming honesty, Keith Richard brings us the story of a life we have all longed to know more of, unfettered, fearless, and true.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Leverage your Oracle DBA skills on Microsoft SQL Server 2008Microsoft SQL Server 2008 Administration for Oracle DBAs shows you how to use your experience as an Oracle DBA to get up to speed quickly on the Microsoft SQL Server platform. Authors with real-world expertise in both Oracle and SQL Server introduce you to fundamental concepts, such as SQL Server architecture and core administration, before guiding you through advanced techniques, including performance optimization, high availability and disaster recovery. Platform comparisons, on-the-job examples, and answers to questions raised by Oracle DBAs learning the SQL Server environment help build your skills. This practical guide shows you how to: Identify the components of the SQL Server platform Understand SQL Server architecture Install and configure SQL Server software and client components Define and manage database objects Implement and administer database security Monitor, identify, and resolve performance issues Design and implement high availability, system backup, and disaster recovery strategies Automate SQL Server using built-in scheduling and alerting capabilities Import and export data to and from SQL Server and other RDBMS platforms Upgrade existing SQL Server installations and migrate Oracle databases to SQL Server

Just before 3am on January 24th, 1941, when Britain was preoccupied with surviving the Blitz, the body of Josslyn Hay, Earl of Erroll, was discovered lying on the floor of his Buick, at a road intersection some miles outside Nairobi, with a bullet in his head. A leading figure in Kenya's colonial community he had recently been appointed Military Secretary, but he was primarily a seducer of other men's wives. Sir Henry Delves Broughton, whose wife was Erroll's current conquest, had an obvious motive for the murder, but no one was ever convicted and the question of who killed him became a classic mystery, a scandel and cause celebre. Among those who became fascinated with the Erroll case was Cyril connolly. He joined up with James fox for a major investigation of the case in 1969 for the SUNDAY TIMES magazine. After his death James Fox inherited the obsession and a commitment to continue in pursuit of the story both in England and Kenya in the late 1970s. One day, on a veranda overlooking the Indian Ocean, Fox came across a piece of evidence that seemed to bring all the fragments and pieces together and convinced him that he saw a complete picture.

Few people know that Ypres, centre of First World War remembrance, was once home to a thriving British community that played a heroic role in the Second World War. This expatriate outpost grew around the British ex-servicemen who cared for the war memorials and cemeteries of 'Flanders Fields'. Many married local women and their children grew up multi-lingual, but attended their own school and were intensely proud to be British. When Germany invaded in 1940 the community was threatened: some children managed to escape, others were not so lucky. But, armed with their linguistic skills and local knowledge, pupils of the British Memorial School were uniquely prepared to fight Hitler in occupied territory and from Britain. Still in their teens, some risked capture, torture and death in intelligence and resistance operations in the field. An exceptional patriotism spurred them on to feats of bravery in this new conflict. Whilst their peers at home were being evacuated to the English countryside, these children were directly exposed to danger in one of the major theatres of war. James Fox was a pupil at the British Memorial School in 1940 and he has made it his mission to trace his former school friends. The Children Who Fought Hitler is their story: a war story about people from an unusual community, told from a fresh and human perspective. Gardens of Stone: My Boyhood in the French Resistance, published recently by Hodder & Stoughton, tells the story of one of James's former school friends, Stephen Grady, and his role in the French Resistance.