Action comedy directed by and starring Seth Rogen. When talk show host Dave Skylark (James Franco) and his producer Aaron Rapaport (Rogen) celebrate their 1000th episode of 'Skylark Tonight' Aaron voices his concerns over the seemingly trivial content of their programme. When they are informed that the President of North Korea Kim Jong-un (Randall Park) is a fan of the show they prepare themselves for the interview of their lives. Before they can board the plane however, CIA Agent Lacey (Lizzy Caplan) knocks on their door requesting their assistance in a current operation that aims to assassinate Kim Jong-un. When they get to North Korea will Dave and Aaron be able to simply ask their questions or will the thrill of being set an assignment by the CIA be too much to resist?

This Is The End follows six famous friends (James Franco, Danny McBride, Jay Baruchel, Jonah Hill, Seth Rogen, Craig Robinson all playing themselves) trapped in a house after a series of strange and catastrophic events devastate Los Angeles.

As the world unravels outside, dwindling supplies and cabin fever threaten to tear apart the friendships inside.

Eventually, they are forced to leave the house, facing their fate and the true meaning of friendship and redemption.

Features a host of famous celebs all playing themselves, including: David Krumholtz, Michael Cera, Christopher Mintz-Plasse, Emma Watson, Martin Starr, Mindy Kaling, Rihanna and more.

James Franco and Kate Hudson star in this thriller directed by Henrik Ruben Genz. American couple Tom and Anna Wright (Franco and Hudson) are in the process of renovating their London townhouse but are struggling to make ends meet as they frequently spend more money than they make. When their tenant Ben (Francis Magee) fails to turn down his music after multiple requests, Tom and Anna let themselves into his flat to check if anything is wrong. When they discover Ben's dead body they panic and call the police, but not before Tom finds a bag containing more than two hundred thousand pounds. As the cash-strapped couple decide to take the money to pay off their debts, they soon discover that the money did not belong to Ben and the real owner wants it back...

Three years on from the previous blockbuster, Marvel comic book character Spider-Man returns in his latest adventure. Peter Parker (Tobey Maguire) and his girl Mary-Jane (Kirsten Dunst) are on the cusp of contentment - but not for long. His ex-friend Harry (James Franco), son of the Green Goblin of the first film, becomes the New Goblin in his desire for revenge against Spider-Man. Fugitive Flint Marko (Thomas Haden Church), killer of Peter's Uncle Ben, has been transformed into the shape-shifting Sandman, possibly Spider-Man's toughest foe so far. To complicate matters further, a parasitic alien symbiote has attached itself to Peter's suit, giving him even greater powers but also bringing out the evil side of his personality. He has to struggle not only against two major adversaries but also against himself.

Bryan Cranston and James Franco star in this comedy directed and co-written by John Hamburg. Overprotective father Ned (Cranston) has always had a special relationship with his daughter Stephanie (Zoey Deutch) so when she invites him, along with her mother Barb (Megan Mullally) and brother Scotty (Griffin Gluck), to spend Christmas with her and her millionaire boyfriend Laird (Franco), he reluctantly agrees, for the sake of his daughter's happiness. However, when Laird reveals his plan to propose to Stephanie and asks for Ned's blessing, the caring father vows to do everything in his power to prevent his little girl from agreeing to spend her life with the moronic mogul. With Laird determined to convince his future father-in-law to accept him however, he devises a plan to get Barb and Scotty on his side.

Fantasy adventure directed by Sam Raimi. Acting as a prequel to the much-loved classic 'The Wizard of Oz' (1939), the film explores how the titular hero, Oscar Diggs (James Franco), a largely unsuccessful circus magician in Kansas, may have found his way to the Land of Oz and his early days in the magical realm. Seeing his new home as a world of opportunity, Oz firmly believes his luck has changed for the better when he is introduced to three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and Glinda (Michelle Williams), who suggest that he is destined for greatness beyond his imagination. However, before Oscar can realise his true potential, he must journey through Oz and come face-to-face with the problems that haunt the fantastic land.

Seth Rogen and Evan Goldberg write and produce this adult animated feature. Sausage Frank (voice of Rogen) has, along with all his sausage friends, always dreamed of being the one who gets picked off the shelf. When his day finally comes, he is delighted to see that his hot dog bun girlfriend Brenda (Kristen Wiig) has also been picked. When they get home to their new owner's kitchen however, they discover their true purpose as one-by-one their friends get killed and eaten. Can Frank and Brenda pull everyone together to escape their fate? The all-star voice cast also includes James Franco, Jonah Hill, Paul Rudd and Edward Norton.

"This fascinating, massive, wide-ranging collection that editors Christopher K. Coffman and Daniel Lukes have gathered together into William T. Vollmann: A Critical Companion will soon be recognized as one of those rare critical books for which that egregiously overused term 'groundbreaking' is fully justified." -Larry McCaffery, from the preface of William T. Vollmann: A Critical Companion The essays in this collection make a case for regarding William T. Vollmann as the most ambitious, productive, and important living author in the US. His oeuvre includes not only outstanding work in numerous literary genres, but also global reportage, ethical treatises, paintings, photographs, and many other productions. His reputation as a daring traveler and his fascination with life on the margins have earned him an extra-literary renown unequaled in our time. Perhaps most importantly, his work is exceptional in relation to the literary moment. Vollmann is a member of a group of authors who are responding to the skeptical ironies of postmodernism with a reinvigoration of fiction's affective possibilities and moral sensibilities, but he stands out even among this cohort for his prioritization of moral engagement, historical awareness, and geopolitical scope. Included in this book in addition to twelve scholarly critical essays are reflections on Vollmann by many of his peers, confidantes, and collaborators, including Jonathan Franzen, James Franco, and Michael Glawogger. With a preface by Larry McCaffery and an afterword by Michael Hemmingson, this book offers readings of most of Vollmann's works, includes the first critical engagements with several key titles, and introduces a range of voices from international Vollmann scholarship.

Psychological thriller starring James Franco and Winona Ryder. Playwright Martine (Ryder) is putting on a new production of which Tyrone (Franco) is one of the actors. While he causes problems among the cast, Martine experiences troubling visions in which she is being followed by a stranger. As her work begins to suffer, she starts to wonder whether her visions are real or imaginary...

"This fascinating, massive, wide-ranging collection that editors Christopher K. Coffman and Daniel Lukes have gathered together into William T. Vollmann: A Critical Companion will soon be recognized as one of those rare critical books for which that egregiously overused term 'groundbreaking' is fully justified." -Larry McCaffery, from the preface of William T. Vollmann: A Critical Companion The essays in this collection make a case for regarding William T. Vollmann as the most ambitious, productive, and important living author in the US. His oeuvre includes not only outstanding work in numerous literary genres, but also global reportage, ethical treatises, paintings, photographs, and many other productions. His reputation as a daring traveler and his fascination with life on the margins have earned him an extra-literary renown unequaled in our time. Perhaps most importantly, his work is exceptional in relation to the literary moment. Vollmann is a member of a group of authors who are responding to the skeptical ironies of postmodernism with a reinvigoration of fiction's affective possibilities and moral sensibilities, but he stands out even among this cohort for his prioritization of moral engagement, historical awareness, and geopolitical scope. Included in this book in addition to twelve scholarly critical essays are reflections on Vollmann by many of his peers, confidantes, and collaborators, including Jonathan Franzen, James Franco, and Michael Glawogger. With a preface by Larry McCaffery and an afterword by Michael Hemmingson, this book offers readings of most of Vollmann's works, includes the first critical engagements with several key titles, and introduces the work of several foreign Vollmann scholars to American audiences.

Rise Of The Planet Of The Apes
Caesar is a chimpanzee who gains human-like intelligence and emotions from an experimental drug. Raised like a child by the drug's creator, Caesar ultimately finds himself taken from the humans he loves and imprisoned. Seeking justice, Caesar assembles a simian army and escapes -- putting man and primate on a collision course that could change the planet forever.

Dawn Of The Planet Of The Apes
A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth's dominant species.

War For The Planet Of The Apes
Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.

A powerful new translation of Nobel Prize winner Hermann Hesse's masterpiece of youthful rebellion--with a foreword and cover art by James Franco A Penguin Classic A young man awakens to selfhood and to a world of possibilities beyond the conventions of his upbringing in Nobel Prize winner Hermann Hesse's beloved novel Demian. Emil Sinclair is a quiet boy drawn into a forbidden yet seductive realm of petty crime and defiance. His guide is his precocious, mysterious classmate Max Demian, who provokes in Emil a search for self-discovery and spiritual fulfillment. A brilliant psychological portrait, Demian is given new life in this translation, which together with James Franco's personal and inspiring foreword will bring a new generation to Hesse's widely influential coming-of-age novel. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A fiercely vivid collection of stories about troubled California teenagers and misfits--violent and harrowing, from the astonishingly talented actor and artist James Franco.

"Palo Alto" is the debut of a surprising and powerful new literary voice. Written with an immediate sense of place--claustrophobic and ominous--James Franco's collection traces the lives of an extended group of teenagers as they experiment with vices of all kinds, struggle with their families and one another, and succumb to self-destructive, often heartless nihilism. In "Lockheed" a young woman's summer--spent working a dull internship--is suddenly upended by a spectacular incident of violence at a house party. In "American History" a high school freshman attempts to impress a girl during a classroom skit with a realistic portrayal of a slave owner--only to have his feigned bigotry avenged. In "I Could Kill Someone," a lonely teenager buys a gun with the aim of killing his high school tormentor, but begins to wonder about his bully's own inner life.

These linked stories, stark, vivid, and disturbing, are a compelling portrait of lives on the rough fringes of youth.

In Directing Herbert White James Franco writes about making a film of Frank Bidart's poem, Herbert White. Though the main character, Herbert White, is a necrophiliac and a killer, the poem - and the film - are an expression of life's isolation and loneliness. A poem became a film. In the rest of book, Franco uses poems to express what he feels about film: about acting; about the actors he admires - James Dean, Marlon Brando, Sean Penn; about the cult of celebrity and his struggles with it; about his teenage years in Palo Alto, and about mortality prompted by the death of his father. These preoccupations are handled with a simplicity and directness that recalls the work of Frank O'Hara.

"On Story is film school in a box, a lifetime's worth of filmmaking knowledge squeezed into half-hour packages." -Kenneth Turan, film critic for the Los Angeles Times Austin Film Festival (AFF) is the first organization focused on the writer's creative contribution to film. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as refreshing veterans with new ideas. To extend the festival's reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents footage of high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own films. On Story-Screenwriters and Filmmakers on Their Iconic Films presents renowned, award-winning screenwriters and filmmakers discussing their careers and the stories behind the production of their iconic films such as L.A. Confidential, Thelma & Louise, Groundhog Day, Guardians of the Galaxy, The Silence of the Lambs, In the Name of the Father, Apollo 13, and more. In their own lively words transcribed from interviews and panel discussions, Ron Howard, Callie Khouri, Jonathan Demme, Ted Tally, Jenny Lumet, Harold Ramis, and others talk about creating stories that resonate with one's life experiences or topical social issues, as well as how to create appealing characters and bring them to life. Their insights, production tales, and fresh, practical, and proven advice make this book ideal for film lovers, screenwriting students, and filmmakers and screenwriters seeking inspiration.

In 1977, Harvey Milk was elected to the San Francisco Board of Supervisors, becoming the first openly gay man to be voted into major public office in America.

His victory was not just a victory for gay rights; he forged coalitions across the political spectrum.

From senior citizens to union workers, Harvey Milk changed the very nature of what it means to be a fighter for human rights and became, before his untimely death in 1978, a hero for all Americans.

There is a vision of power at the center of James Franco's first chapbook of poems, Strongest of the Litter. Power here is both generative and frightening, self-consuming and bracing. It is the artist's power of self-making. These poems, thoroughly beautiful and spare, have the texture of contending angles. Authenticity can be achieved only through different voices: in an investigation of the range and strength of American art, in homage to Williams Carlos Williams, in awe at the cost to American actors of their art (notably Taylor, Clift, De Niro and Brando), in the celebration and limitation of Kowalski love -- "I'm a raging Kowalski whose / Temper can be measured by // How little I can give. / How abusive my reticence." Pervasive in these eloquent poems is the power of memory, the collective memory of Hollywood and specific memories of the poet's own past.