Introductions, the motion picture treatments, credits and screenplays for these two movies by James Ivory.

'Over 20 films. Over 40 years. What collaboration in any medium has lasted so long, been so successful, so personal, so happy? Read this wonderfully entertaining book: a unique story of a unique life in the world of world cinema' WES ANDERSON 'Jim is as eloquent and elegant with words as with the camera; here are almost a series of short stories of his life, vivid snapshots, told with an exacting eye. Every sentence is filled with his wry cadence, guided by his appreciation of things beautiful, amusing and unusual. We take the tour of his life which has as fascinating a cast and is set in locations as far flung and exotic as his films - except with way more sex. Read it and drink it in!' HELENA BONHAM CARTER 'Ivory is full of candour and randiness...[this] book will open the eyes, often very wide' The Times --------------- In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award-winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness. From first meeting his collaborator and life partner, Ismail Merchant, at the Indian Consulate in New York to winning an Academy Award at age eighty-nine for Call Me by Your Name; from seeing his first film at age five in Klamath Falls, Oregon, to memories of Satyajit Ray, Jean Renoir, The New Yorker magazine's film critic Pauline Kael (his longtime enemy), Vanessa Redgrave, J.D. Salinger, George Cukor, Kenneth Clark, Bruce Chatwin, Ruth Prawer Jhabvala, and Merchant, Ivory writes with invariable fluency, wit, and perception about what made him who he is and how he made the movies for which he is known and loved. Solid Ivory, edited by Peter Cameron, is an utterly winning portrait of an extraordinary life told by an unmatched storyteller.

The subject of writing and receiving letters, which recurs frequently in the work of Johannes Vermeer (1632-1675), is given dramatic tension in this masterful painting of two women in a mysterious moment of crisis. The artist seldom, if ever, surpassed the subtly varied effects of light seen here as it gleams from the pearl jewellery, sparkles from the glass and silver objects on the table, and falls softly over the figures in their shadowy setting. The Frick Diptych series sparks a dialogue between creative spirits and art historians, promising new insights into some of the Frick's most famous masterpieces. The third volume, to be published in 2019, will have a contribution by author Edmund de Waal on a pair of porcelain and bronze candlesticks by the 18th-century French metalworker Pierre Gouthiere.

'Read this wonderfully entertaining book: a unique story of a unique life in the world of world cinema' Wes Anderson 'Jim is as eloquent and elegant with words as with the camera . . . Read it and drink it in!' Helena Bonham Carter In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award-winning filmmaker James Ivory tells stories from his remarkable life and career as one of the most influential directors of his time. He often touches on his love affairs, looking back coolly and with unexpected frankness. From first meeting his collaborator and life partner, Ismail Merchant, at the Indian Consulate in New York to winning an Academy Award at age eighty-nine for Call Me by Your Name, Ivory writes with invariable fluency, wit, and perception about what made him who he is and how he made the movies for which he is known and loved. Solid Ivory, edited by Peter Cameron, is an utterly winning portrait of an extraordinary life told by an unmatched storyteller. 'Consistently entertaining' Guardian 'James Ivory write[s] with perfect elegance...there's nothing starchy or uptight about these scenes from his fascinating life' Sunday Times

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm28155850Dedication of v. 2 signed: James Ivory. Also issued in set in 1994 as fiche nos. 84853-84862.Edinburgh: Printed by A. Lawrie & Co. for A. Constable and Co, 1815-1818. 2 v.; 22 cm.

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm28155850Dedication of v. 2 signed: James Ivory. Also issued in set in 1994 as fiche nos. 84853-84862.Edinburgh: Printed by A. Lawrie & Co. for A. Constable and Co, 1815-1818. 2 v.; 22 cm.