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Affective Labour explores four distinct landscapes in order to
demonstrate how collective feelings are organized by social actors
in order to both reproduce and contest hegemony. Utilizing a
variety of methods, including participant observation, in-depth
interviews across field sites, and content analysis of mass media,
Correa and Thomas demonstrate the centrality of affective labor in
enabling and constraining prevailing norms and practices of race,
citizenship, class, gender, and sexuality across multiple spatial
contexts: the U.S.- Mexico border, urban nightlife districts,
American college campuses, and emergent social movements against
the police state. The book demonstrates how the power of affective
labour might be harnessed for progressively oriented world-building
projects, including what the authors term an 'affective labour from
below.' By tying an analysis of affective labour into movements for
social justice, the authors aim to produce a critical theory of the
world that can be practically applied.
Affective Labour explores four distinct landscapes in order to
demonstrate how collective feelings are organized by social actors
in order to both reproduce and contest hegemony. Utilizing a
variety of methods, including participant observation, in-depth
interviews across field sites, and content analysis of mass media,
Correa and Thomas demonstrate the centrality of affective labor in
enabling and constraining prevailing norms and practices of race,
citizenship, class, gender, and sexuality across multiple spatial
contexts: the U.S.- Mexico border, urban nightlife districts,
American college campuses, and emergent social movements against
the police state. The book demonstrates how the power of affective
labour might be harnessed for progressively oriented world-building
projects, including what the authors term an 'affective labour from
below.' By tying an analysis of affective labour into movements for
social justice, the authors aim to produce a critical theory of the
world that can be practically applied.
For decades, stand-up comedy has been central to the imbrication of
popular culture and political discourse, reshaping the margins of
political critique, and often within the contexts of urban
nightlife entertainment. In Working to Laugh: Assembling Difference
in American Stand-Up Comedy Venues, James M. Thomas (JT) provides
an ethnographic analysis of urban nightlife sites where this
popular form of entertainment occurs. Examining the relationship
between the performance, the venue, and the social actors who
participate in these scenes, JT demonstrates how stand-up venues
function as both enablers and constrainers of social difference,
including race, class, gender, and heteronormativity, within the
larger urban nightlife environment. JT's analysis of a professional
comedy club and a sub-cultural bar that hosts a weekly comedy show
illuminates the full range of stand-up comedy in the American
cultural milieu, from the highly organized, routinized, and
predictable format of the professional venue, to the more
unpredictable, and in some cases, cutting edge format of the
amateur show.
2021 Choice Outstanding Academic Title As a major,
public flagship university in the American South, so-called
“Diversity University†has struggled to define its commitments
to diversity and inclusion, and to put those commitments into
practice. In Diversity Regimes, sociologist James M. Thomas
draws on more than two years of ethnographic fieldwork at DU to
illustrate the conflicts and contingencies between a core set of
actors at DU over what diversity is and how it should be
accomplished. Thomas’s analysis of this dynamic process uncovers
what he calls “diversity regimesâ€: a complex combination of
meanings, practices, and actions that work to institutionalize
commitments to diversity, but in doing so obscure, entrench, and
even magnify existing racial inequalities. Thomas’s concept of
diversity regimes, and his focus on how they are organized and
unfold in real time, provides new insights into the social
organization of multicultural principles and practices.
The Souls of Jewish Folk argues that late nineteenth-century
Germany’s struggle with its "Jewish question"—what to do with
Germany’s Jews—served as an important and to-date underexamined
influence on W.E.B. Du Bois’s considerations of America’s
anti-Black racism at the turn of the twentieth century. Du Bois is
wellknown for his characterization of the twentieth century’s
greatest challenge, "the problem of the color line." This
proposition gained prominence in the conception of Du Bois’sThe
Souls of Black Folk (1903), which engages the questions of race,
racial domination, and racial exploitation. James M. Thomas
contends that this conception of racism is haunted by the specter
of the German Jew. In 1892 Du Bois received a fellowship for his
graduate studies at the University of Berlin from the John F.
Slater Fund for the Education of Freedmen. While a student in
Berlin, Du Bois studied with some of that nation's most prominent
social scientists. What The Souls of Jewish Folkasks readers to
take seriously, then, is how our ideas, and indeed intellectual
work itself, are shaped by and embedded within the nexus of people,
places, and prevailing contexts of their time. With this book,
Thomas examines how the major social, political, and economic
events of Du Bois’s own life—including his time spent living
and learning in a late nineteenth-century Germany defined in no
small part by its violent anti-Semitism—constitute the soil from
which his most serious ideas about race, racism, and the global
color line sprang forth.
The Souls of Jewish Folk argues that late nineteenth-century
Germany’s struggle with its "Jewish question"—what to do with
Germany’s Jews—served as an important and to-date underexamined
influence on W.E.B. Du Bois’s considerations of America’s
anti-Black racism at the turn of the twentieth century. Du Bois is
wellknown for his characterization of the twentieth century’s
greatest challenge, "the problem of the color line." This
proposition gained prominence in the conception of Du Bois’sThe
Souls of Black Folk (1903), which engages the questions of race,
racial domination, and racial exploitation. James M. Thomas
contends that this conception of racism is haunted by the specter
of the German Jew. In 1892 Du Bois received a fellowship for his
graduate studies at the University of Berlin from the John F.
Slater Fund for the Education of Freedmen. While a student in
Berlin, Du Bois studied with some of that nation's most prominent
social scientists. What The Souls of Jewish Folkasks readers to
take seriously, then, is how our ideas, and indeed intellectual
work itself, are shaped by and embedded within the nexus of people,
places, and prevailing contexts of their time. With this book,
Thomas examines how the major social, political, and economic
events of Du Bois’s own life—including his time spent living
and learning in a late nineteenth-century Germany defined in no
small part by its violent anti-Semitism—constitute the soil from
which his most serious ideas about race, racism, and the global
color line sprang forth.
Value-added is the most robust, statistically significant method
for connecting teachers to students. In other words, value-added
analysis links teachers to students and, for the very first time,
allows educators to see the amount of growth they are facilitating
with students.aBuilt around the value-added analysis professional
development work of Battelle for Kids, this book for district and
school leaders prepares educators to understand and implement
value-added analysis in order to ensure that all students are
achieving and progressing. By providing a user-friendly, five-step
implementation process along with success stories of schools,
teachers, and students as well as strategies, samples, and tools,
this book will equip educators to use value-added analysis to help
accelerate student progress. It is written to inform readers about
what value-added analysis is and to help them utilize value-added
information in a classroom and/or school setting.
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