Kamila is a cornucopia of dreadfulness. Her works at once beautiful and terrible, each piece like being tickled by Death’s cold little fingers, every bewitching creation a world I want to know more about. — Brom Welcome to the mind of Canadian horror-art sensation Kamila Mlynarczyk (better known as @WoodedWoods). Featuring art created between 2017–2019 this art book charts her progression from teaching herself how to draw to creating one-panel illustration art. It also features a chapter on her famous art dolls. Her artist notes and narrative describe her fascinating creative process and many of the inspirations behind her countless creepy, unsettling, yet poignant (and often hilarious) sketches. While the rhyme and reason behind why everyone needs a little snail friend, why cute poops make this world a better place, and why werewolves always hesitate before devouring the sacrificial girl-child can at times simply be chalked-up to mischief, Kamila is truly funny and relatable. To Kamila, nothing fictional can ever be as frightening as reality, and so much of her inspiration comes from the right here and now. She strives to depict the most terrible things in a sympathetic light, and in that way they become more beautiful than reality, more light-hearted than realistically possible, and through their relatability they become cheeky and charming—they become cathartic.  Features: table of contents, introductions by James O’Barr, creator of The Crow, and Neil Christopher, writer and publisher, photos, sketches, paintings, illustrations, and even on post-it note piece (see if you can spot it!), also contains Kamila's list of things you should read or watch to become well versed in the language of horror.  

When James O'Barr poured the pain and anguish of a personal tragedy into the drawings that comprise "The Crow," his intensely cathartic story of Eric--who returns from the dead to avenge his and his fiancee's murder at the hands of a street gang--resonated with readers around the world. Now, the illustrated tale that became the "thrilling" ("Los Angeles Daily News") and "spectacular" ("Chicago Tribune") screen triumph is re-released in an expanded version the author originally intended, complete at last with:

Thirty pages of never-before-seen artwork, including a new closing segment, "Sparklehorse," and the touching new scene, "An August Noel"

A new Introduction by James O'Barr

Lost sequences restored using the artist's original technique

This is "The Crow "like you've never seen it before--the powerful journey of an avenging angel and a celebration of true love . . . as fierce, intelligent, and unforgettable as when it was first conceived.

Suggested for mature readers.

Smoke 'em if you got 'em, then set your jaw and steel your stance, 'cause BEAT to a PULP: Round Two is here It's all meat, no filler in this red-raw-and-oozing collection of twenty-nine tales of pure pulp action. You'll find aliens, gangsters, drifters, mountain men, private dicks, gun molls, loners, misfits, drunks, thugs, booze-hounds, and more, all brawling in the pages of Round Two. And that's just for starters. Seething with left-hooks, uppercuts, kidney shots, and gut-punches aplenty, this powerhouse compilation doles out the genres, from hardboiled crime, western, and noir to sci-fi, fantasy, literary, horror, and more. Round Two covers all-new ground with offerings from a gang of tried-and-true heavyweights and inspired up-and-comers, all savvy purveyors of pulp at the top of their game. Haymakers include a Hemingway pastiche by famed mystery author Bill Pronzini, a stunning Chandler homage by Hard Case Crime kingpin Charles Ardai, a post-war tale with a twist from James Reasoner, a zombie-horror nightmare by Bill Crider, and even more blows to the temple from such hotshots as Glenn Gray, Patricia Abbott, the legendary Vin Packer, and more, more, more Feel up to it? Then climb back in the ring. BEAT to a PULP: Round Two is ready to rumble.