First published in 1967, Ernest Cole’s House of Bondage has been lauded as one of the most significant photobooks of the twentieth century, revealing the horrors of apartheid to the world for the first time and influencing generations of photographers around the globe.

Reissued for contemporary audiences, this edition adds a chapter of unpublished work found in a recently resurfaced cache of negatives and recontextualizes this pivotal book for our time.

Cole, a Black South African man, photographed the underbelly of apartheid in the 1950s and ’60s, often at great personal risk. He methodically captured the myriad forms of violence embedded in everyday life for the Black majority under the apartheid system—picturing its miners, its police, its hospitals, its schools. In 1966, Cole fled South Africa and smuggled out his negatives; House of Bondage was published the following year with his writings and first-person account.

This edition retains the powerful story of the original while adding new perspectives on Cole’s life and the legacy of House of Bondage. It also features an added chapter—compiled and titled “Black Ingenuity” by Cole—of never-before-seen photographs of Black creative expression and cultural activity taking place under apartheid.

Made available again nearly fifty-five years later, House of Bondage remains a visually powerful and politically incisive document of the apartheid era.

The first publication of Ernest Cole’s photographs depicting Black lives in the United States during the turbulent and eventful late 1960s and early ’70s After the publication of his landmark 1967 book House of Bondage on the horrors of apartheid, Ernest Cole moved to New York and received a grant from the Ford Foundation to document Black communities in cities and rural areas of the United States. He released very few images from this body of work while he was alive. Thought to be lost entirely, the negatives of Cole’s American pictures resurfaced in Sweden in 2017. Ernest Cole photographed extensively in New York City, documenting the lively community of Harlem, including a thrilling series of color photographs, as he turned his talent to street photography across Manhattan. In 1968 Cole traveled to Chicago, Cleveland, Memphis, Atlanta, and Los Angeles, as well as rural areas of the South, capturing the mood of different Black communities in the months leading up to and just after the assassination of Martin Luther King Jr. The pictures both reflect a newfound hope and freedom that Cole felt in America, and an incisive eye for inequality as he became increasingly disillusioned by the systemic racism he witnessed. This treasure trove of rediscovered work provides an important window into American society and redefines Cole’s oeuvre, presenting a fuller picture of the life and work of a man who fled South Africa and exposed life under apartheid to the world.

California, once the epitome of car culture, is now leading the green movement, transitioning away from the combustible engine and to some extent the car and having to rethink how we live, as this extraordinary urban planning manifesto explores. Drawing together original research, design studies, and cultural essays, Renewing the Dream offers the first comprehensive look at the changes remaking the mobility landscape of Southern California and the opportunities to reappropriate vast tracts of the city for new uses. Edited by James Sanders and produced with the global architecture studio Woods Bagot, this book explores the forces propelling this shift as well as its controversial impact on Los Angeles, as a city once famed for its car-oriented, low-rise landscape is transformed into a more diverse, more dense, more complex place. This many-sided portrait offers essays by a distinguished group of writers, designs for the city s future, and studies of how the new mobility might allow areas now dedicated to parking and gas stations to be reimagined. Rounding out its portrait are historic photographs, maps, Hollywood images, and the artwork of David Hockney, Catherine Opie, Ed Ruscha, Wayne Thiebaud, Carlos Almaraz, and stills from La La Land to Chinatown. The book is a thought piece on the future of American cities, with lessons that will carry resonance all around the globe.

During the 1970s, the South African Department of Information attempted to manipulate and neutralize the international media treatment of South Africa. This programme was later exposed in what became known as the Information scandal. Meanwhile in Europe and North America, anti-apartheid campaigners increased pressure on the South African regime.

The goal of the book is to examine scientific advances since 2000 that may have increased understanding and options in three general areas related to hypoxia: Characterization the Cause(s) of Hypoxia. The physical, biological and chemical processes that affect the development, persistence and extent of hypoxia in the northern Gulf of Mexico. Characterization of Nutrient Fate, Transport and Sources. Nutrient loadings, fate, transport and sources in the Mississippi River that impact Gulf Hypoxia. Scientific Basis for Goals and Management Options. The scientific basis for, and recommended revisions to, the goals proposed in the Action Plan; and the scientific basis for the efficacy of recommended management actions to reduce nutrient flux from point and nonpoint sources. In addressing the state of the science, the book focuses on the strengths and limitations of the science in managing the Gulf hypoxia problem, including available data, models and model results and uncertainty. It includes work from the following authors: C. Kling, Iowa State University, Ames, IA, USA; J.L. Meyer, University of Georgia, Athens, GA, USA; J.Sanders, Skidaway Institute of Oceanography, Savannah, GA, USA; H. Stallworth, Environmental Protection Agency, Washington D.C., USA; T. Armitage, Environmental Protection Agency, Washington, D.C., USA; D. Wangsness, U.S. Geological Survey, Atlanta, GA, USA; T.S. Bianchi, Texas A&M University, College Station, TX, USA; A. Blumberg, Stevens Institute of Technology, Hoboken, NJ, USA; W. Boynton, University of Maryland, MD, USA; D.J. Conley, Lund University, Lund, Sweden; W. Crumpton, Iowa State University, Ames, IA, USA; M.B. David, University of Illinois, Urbana, IL, USA; D. Gilbert, Maurice-Lamontagne Institute, Mont-Joli, Quebec, Canada; R.W. Howarth, Cornell University, Ithaca, NY, USA; R. Lowrance, Agricultural Research Service, USDA, Tifton, GA, USA; K. Mankin, Kansas State University, Manhattan, KS, USA; J. Opaluch, University of Rhode Island, Kingston, RI, USA; H. Paerl, University of North Carolina, Chapel Hill, Morehead City, NC, USA; K. Reckhow, Duke University, Durham, NC, USA; A.N. Sharpley, University of Arkansas, Fayetteville, AR, USA; T.W. Simpson, University of Maryland, College Park, MD, USA; C. Snyder, International Plant Nutrition Institute, USA; Conway, AR; D.Wright, College of William and Mary, Gloucester Point, VA, US

The goal of the book is to examine scientific advances since 2000 that may have increased understanding and options in three general areas related to hypoxia:

Characterization the Cause(s) of Hypoxia. The physical, biological and chemical processes that affect the development, persistence and extent of hypoxia in the northern Gulf of Mexico.

Characterization of Nutrient Fate, Transport and Sources. Nutrient loadings, fate, transport and sources in the Mississippi River that impact Gulf Hypoxia.

Scientific Basis for Goals and Management Options. The scientific basis for, and recommended revisions to, the goals proposed in the Action Plan; and the scientific basis for the efficacy of recommended management actions to reduce nutrient flux from point and nonpoint sources.

In addressing the state of the science, the book focuses on the strengths and limitations of the science in managing the Gulf hypoxia problem, including available data, models and model results and uncertainty. It includes work from the following authors:

C. Kling, Iowa State University, Ames, IA, USA; J.L. Meyer, University of Georgia, Athens, GA, USA; J. Sanders, Skidaway Institute of Oceanography, Savannah, GA, USA; H. Stallworth, Environmental Protection Agency, Washington D.C., USA; T. Armitage, Environmental Protection Agency, Washington, D.C., USA; D. Wangsness, U.S. Geological Survey, Atlanta, GA, USA; T.S. Bianchi, Texas A&M University, College Station, TX, USA; A. Blumberg, Stevens Institute of Technology, Hoboken, NJ, USA; W. Boynton, University of Maryland, MD, USA; D.J. Conley, Lund University, Lund, Sweden; W. Crumpton, Iowa State University, Ames, IA, USA; M.B. David, University of Illinois, Urbana, IL, USA; D. Gilbert, Maurice-Lamontagne Institute, Mont-Joli, Quebec, Canada; R.W. Howarth, Cornell University, Ithaca, NY, USA; R. Lowrance, Agricultural Research Service, USDA, Tifton, GA, USA; K. Mankin, Kansas State University, Manhattan, KS, USA; J. Opaluch, University of Rhode Island, Kingston, RI, USA; H. Paerl, University of North Carolina, Chapel Hill, Morehead City, NC, USA; K. Reckhow, Duke University, Durham, NC, USA; A.N. Sharpley, University of Arkansas, Fayetteville, AR, USA; T.W. Simpson, University of Maryland, College Park, MD, USA; C. Snyder, International Plant Nutrition Institute, USA; Conway, AR; D. Wright, College of William and Mary, Gloucester Point, VA, USA.

Scenes from the City is a celebration of the rise of New York-shot films, particularly after the MOFTB was formed in 1966 making the city a much more welcoming film location. New York could, once again, lure talent such as Woody Allen and Martin Scorcese, to its streets - streets that could provide both a desolate urban prairie for Midnight Cowboy or a delightful 5th Avenue shopping romp for a Mrs. Golightly. New York's cityscape has enriched the movies it's been a part of with its diverse and entrancing visage, not unlike the faces of the industry's most beautiful and talented actors and actresses. Scenes from the City is an affectionate ovation for this 'character' that rarely receives billing, but always steals the show.

Throughout the 20th century, there were increasing numbers of artists who chose to work within a fine art aesthetic (i.e., expressive, communicative, innovative, unique) while simultaneously embracing qualities associated with craft production (i.e., intimacy, materiality, labor, ritual). At the periphery of their world loomed issues of status, gender, community, and economics. This fluid situation made for an exciting mix of ideas that helped perpetuate an ongoing debate within an art world no longer as monothematic as it appeared in print. Objects and Meaning expands upon a national conversation questioning how various academic disciplines and cultural institutions approach and assign meaning to artist-made objects in postmodern North America. Although most of the discourse since the mid 20th century revolved around the split between art and craft, the contributors to this collection of essays take a broader view, examining the historical, cultural, and theoretical perspectives that defined the parameters of that conversation. Their focus is on issues concerning works that appeared to 'cross over' from mainstream art to an amorphous and pluralistic aesthetic milieu that has yet to be defined. The essays collected for this volume, loosely organized into three groupings_Historical Contexts, Cultural Systems, and Theoretical Frames_contribute to a deeper understanding of the meaning of objects and how that meaning comes to be defined. Although the style of writing in this collection ranges from passionate conviction to cool observation with points of view from different professional backgrounds, each essay reflects original ideas introduced into the cultural dialogue during this period.