This selection of letters from James Schuyler to legendary poet Frank O'Hara reconstruct a friendship that lay at the heart of the New York school - a convocation of poets including Kenneth Koch and John Ashbery, with whom Schuyler later wrote a novel. It is an encapsulation of a friendship, a mind and a life.

Welcome to the Dark Knight System, a weapon which can be used against virtually every opening White can play! In the Dark Knight System, Black begins with 1...Nc6 and adopts a dark-square strategy. The Dark Knight System is a potent mix of several other openings, blending portions of the King's Indian, Pirc, Scotch and Tango, but it contains many independent lines too. It forces White onto his own devices very early on in the game. When forced to improvise, even strong players are prone to playing weak moves or expending their time and energy in the opening. In this book, FIDE Master James Schuyler invites you to join him in a study of his favourite Black opening. Drawing on over 25 years' experience with 1...Nc6, he presents a repertoire for Black, studies the important tactical and strategic ideas, examines key issues such as move orders, and tells you everything you need to know about the Dark Knight System. *A repertoire for Black with 1...Nc6 *Covers 1 e4, 1 d4, 1 c4 and other moves *Packed with new ideas and critical analysis

Which opening does better in practice: the wild, unsound" and refuted" Latvian Gambit (1 e4 e5 2 Nf3 f5) or the solid Philidor Defence (1 e4 e5 2 Nf3 d6)? As James Schuyler points out, referring to the definitive Megabase, the Latvian Gambit scores higher. How can such a discredited opening (and the same story is repeated with other unsound" openings) do so well? The point is that playing like this throws the opponent off balance, makes them anxious and induces mistakes. Even the very best players recognize the value of discomforting the opponent. Historically, Emanuel Lasker was the master of this approach and his modern day equivalent is world champion Magnus Carlsen. Carlsen frequently employs offbeat openings and his opponents invariably fail to counter them correctly. This is the key theme of this book. Schuyler covers all phases of the game and discusses other vital subjects such as harassment, material imbalance, time management, surprise moves, unusual ideas, provocative play, manoeuvres and recovering from bad positions. *Includes methods to improve practical play*Develops a win-oriented attitude*Examines ways to induce mistakes

James Schuyler's utterly original What's for Dinner? features a cast of characters who appear to have escaped from a Norman Rockwell painting to run amok. In tones that are variously droll, deadpan, and lyrical, Schuyler tells a story that revolves around three small-town American households. The Delehanteys are an old-fashioned Catholic family whose twin teenage boys are getting completely out of hand, no matter that their father is hardly one to spare the rod. Childless Norris and Lottie Taylor have been happily married for years, even as Lottie has been slowly drinking herself to death. Mag, a recent widow, is on the prowl for love. Retreating to an institution to dry out, Lottie finds herself caught up in a curious comedy of group therapy manners. At the same time, however, she begins an ascent from the depths of despair--illuminated with the odd grace and humor that readers of Schuyler's masterful poetry know so well--to a new understanding, that will turn her into an improbable redeemer within an unlikely world.
"What's for Dinner?" is among the most delightful and unusual works of American literature. Charming and dark, off-kilter but pedestrian, mercurial yet matter-of-fact, Schuyler's novel is an alluring invention that captures both the fragility and the tenacity of ordinary life.

A COLLECTION OF UNPUBLISHED POEMS FROM ONE OF THE MOST DISTINCTIVE POETIC VOICES OF THE TWENTIETH CENTURY
"of an evening real as paint on canvas.
The kind that makes me ache to have the gift
for dusting off cliches:
not, make it new, but, see it, hear it, freshly.
The context (good morrow, haven't we met in this context
before?)
in which, squelch, a brush lifted a load
of pigment from the thick glass palette, and, concentrated, ""as though he saw neither the work in hand nor the subject,
the painter began.
"--from "A Blue Shadow Painting"
"Other Flowers "brings together 165 unseen poems from James Schuyler, one of the twentieth century's most acclaimed writers. This carefully arranged edition presents a broad range of Schuyler's work, spanning from the early 1950s until his death in 1991. These poems exhibit Schuyler's virtuosity in drawing from real life, interpersonal history, nature, and pop culture to create reverberant portraits of the everyday. To read these poems is to rediscover the fresh clarity and grandeur of even the smallest things. "Other Flowers "confirms Schuyler's status as one of the most important figures in contemporary poetics.

In "Selected Poems," we experience the full range of James Schuyler's achievement, confirming that he was among the late twentieth century's truly vital and distinctive poetic voices. One of the most significant writers of the New York School--which unofficially included John Ashbery, Frank O'Hara, and Kenneth Koch, among others--Schuyler was strongly influenced by both art and music in his work, often incorporating rapid shifts in sound, shape, and color within his poems that almost gave his work the effect of a collage and engendered comparisons with Whitman and Rimbaud.

This collection of poetry showcases the unique talent of James Schuyler and highlights the writing that won him a Pulitzer Prize.