James Joyce's famous description of the Roman Church, 'Here Comes Everybody, ' may have presaged the developing Catholic Studies programs in U.S. Catholic higher education. Some of these essays were first delivered as lectures in the 'Here Comes Everybody' series to inaugurate the establishment of the Braegelman Program of Catholic Studies at The College of St. Scholastica in Duluth, MN. The authors gathered here begin to suggest something of the depth and breadth of the living Catholic Intellectual Tradition. They are leading the way in new and important discussions. These programs are about more than Catholic institutions exploring and asserting their identity. Surely those involved seek rigorous engagement with the Catholic Intellectual Tradition, examining religious ideas and ideals, and participating in the study of Catholic thought and culture. They seek dialogue with Catholics of all mindsets, with Christians from other denominations, believers from other faith traditions and all who seek the truth.

James Joyce's famous description of the Roman Church, "Here Comes Everybody," may have presaged the developing Catholic Studies programs in U.S. Catholic higher education. Some of these essays were first delivered as lectures in the "Here Comes Everybody" series to inaugurate the establishment of the Braegelman Program of Catholic Studies at The College of St. Scholastica in Duluth, MN. The authors gathered here begin to suggest something of the depth and breadth of the living Catholic Intellectual Tradition. They are leading the way in new and important discussions. These programs are about more than Catholic institutions exploring and asserting their identity. Surely those involved seek rigorous engagement with the Catholic Intellectual Tradition, examining religious ideas and ideals, and participating in the study of Catholic thought and culture. They seek dialogue with Catholics of all mindsets, with Christians from other denominations, believers from other faith traditions and all who seek the truth.

Roman Catholicism in the United States: A Thematic History takes the reader beyond the traditional ways scholars have viewed and recounted the story of the Catholic Church in America. The collection covers unfamiliar topics such as anti-Catholicism, rural Catholicism, Latino Catholics, and issues related to the establishment of diplomatic relations between the Vatican and the U.S. government. The book continues with fascinating discussions on popular culture (film and literature), women religious, and the work of U.S. missionaries in other countries. The final section of the books is devoted to Catholic social teaching, tackling challenging and sometimes controversial subjects such as the relationship between African American Catholics and the Communist Party, Catholics in the civil rights movement, the abortion debate, issues of war and peace, and Vatican II and the American Catholic Church. Roman Catholicism in the United States examines the history of U.S. Catholicism from a variety of perspectives that transcend the familiar account of the immigrant, urban parish, which served as the focus for so many American Catholics during the nineteenth and first half of the twentieth centuries.

The Catholic Studies Reader is a rare book in an emerging field that has neither a documented history nor a consensus as to what should be a normative methodology. Dividing this volume into five interrelated themes central to the practice and theory of Catholic Studies-"Sources and Contexts," "Traditions and Methods," "Pedagogy and Practice," "Ethnicity, Race, and Catholic Studies," and "The Catholic Imagination"-the editors provide readers with the opportunity to understand the great diversity within this area of study. Readers will find informative essays on the Catholic intellectual tradition and Catholic social teaching, as well as reflections on the arts and literature. This provocative and enriching collection is valuable not only for scholars but also for lay and religious Catholics working in Catholic education in universities, high schools, and parish schools.

Catholicism has grown from a suppressed and persecuted outsiders' religion in the American colonies to become the nation's single largest denomination. James Fisher surveys more than four centuries of Catholics' involvement in American history, following the transformation of catholicism into one of America's most culturaly and ethnically diverse religions.

Roman Catholicism in the United States: A Thematic History takes the reader beyond the traditional ways scholars have viewed and recounted the story of the Catholic Church in America. The collection covers unfamiliar topics such as anti-Catholicism, rural Catholicism, Latino Catholics, and issues related to the establishment of diplomatic relations between the Vatican and the U.S. government. The book continues with fascinating discussions on popular culture (film and literature), women religious, and the work of U.S. missionaries in other countries. The final section of the books is devoted to Catholic social teaching, tackling challenging and sometimes controversial subjects such as the relationship between African American Catholics and the Communist Party, Catholics in the civil rights movement, the abortion debate, issues of war and peace, and Vatican II and the American Catholic Church. Roman Catholicism in the United States examines the history of U.S. Catholicism from a variety of perspectives that transcend the familiar account of the immigrant, urban parish, which served as the focus for so many American Catholics during the nineteenth and first half of the twentieth centuries.

Site of the world's busiest and most lucrative harbor throughout the first half of the twentieth century, the Port of New York was also the historic preserve of Irish American gangsters, politicians, longshoremen's union leaders, and powerful Roman Catholic pastors. This is the demimonde depicted to stunning effect in Elia Kazan's On the Waterfront (1954) and into which James T. Fisher takes readers in this remarkable and engaging historical account of the classic film's backstory. Fisher introduces readers to the real "Father Pete Barry" featured in On the Waterfront, John M. "Pete" Corridan, a crusading priest committed to winning union democracy and social justice for the port's dockworkers and their families. A Jesuit labor school instructor, not a parish priest, Corridan was on but not of Manhattan's West Side Irish waterfront. His ferocious advocacy was resisted by the very men he sought to rescue from the violence and criminality that rendered the port "a jungle, an outlaw frontier," in the words of investigative reporter Malcolm Johnson. Driven off the waterfront, Corridan forged creative and spiritual alliances with men like Johnson and Budd Schulberg, the screenwriter who worked with Corridan for five years to turn Johnson's Pulitzer Prize-winning 1948 newspaper expose into a movie. Fisher's detailed account of the waterfront priest's central role in the film's creation challenges standard views of the film as a post facto justification for Kazan and Schulberg's testimony as ex-communists before the House Committee on Un-American Activities. On the Irish Waterfront is also a detailed social history of the New York/New Jersey waterfront, from the rise of Irish American entrepreneurs and political bosses during the World War I era to the mid-1950s, when the emergence of a revolutionary new mode of cargo-shipping signaled a radical reorganization of the port. This book explores the conflicts experienced and accommodations made by an insular Irish-Catholic community forced to adapt its economic, political, and religious lives to powerful forces of change both local and global in scope.

Site of the world's busiest and most lucrative harbor throughout the first half of the twentieth century, the Port of New York was also the historic preserve of Irish American gangsters, politicians, longshoremen's union leaders, and powerful Roman Catholic pastors. This is the demimonde depicted to stunning effect in Elia Kazan's On the Waterfront (1954) and into which James T. Fisher takes readers in this remarkable and engaging historical account of the classic film's backstory.

Fisher introduces readers to the real "Father Pete Barry" featured in On the Waterfront, John M. "Pete" Corridan, a crusading priest committed to winning union democracy and social justice for the port's dockworkers and their families. A Jesuit labor school instructor, not a parish priest, Corridan was on but not of Manhattan's West Side Irish waterfront. His ferocious advocacy was resisted by the very men he sought to rescue from the violence and criminality that rendered the port "a jungle, an outlaw frontier," in the words of investigative reporter Malcolm Johnson.

Driven off the waterfront, Corridan forged creative and spiritual alliances with men like Johnson and Budd Schulberg, the screenwriter who worked with Corridan for five years to turn Johnson's Pulitzer Prize-winning 1948 newspaper expose into a movie. Fisher's detailed account of the waterfront priest's central role in the film's creation challenges standard views of the film as a post facto justification for Kazan and Schulberg's testimony as ex-communists before the House Committee on Un-American Activities.

On the Irish Waterfront is also a detailed social history of the New York/New Jersey waterfront, from the rise of Irish American entrepreneurs and political bosses during the World War I era to the mid-1950s, when the emergence of a revolutionary new mode of cargo-shipping signaled a radical reorganization of the port. This book explores the conflicts experienced and accommodations made by an insular Irish-Catholic community forced to adapt its economic, political, and religious lives to powerful forces of change both local and global in scope.