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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Jane Austen and Co. explores the ways in which classical novels --
particularly, but not exclusively, those of Jane Austen -- have
been transformed into artifacts of contemporary popular culture.
Examining recent films, television shows, Internet sites, and even
historical tours, the book turns from the question of Austen's
contemporary appeal to a broader consideration of other
late-twentieth-century remakes, including Dangerous Liaisons,
Dracula, Lolita, and even Buffy the Vampire Slayer. Taken together,
the essays in Jane Austen and Co. offer a wide-ranging model for
understanding how all of these texts -- visual, literary,
touristic, British, American, French -- reshape the past in the new
fashions, styles, media, and desires of the present.
This edited collection brings together essays presenting an
interdisciplinary dialogue between theatre and performance and the
fields of care ethics, care studies, health and social care. The
book advances our understanding of performance as a mode of care,
challenging existing debates in this area by re-thinking the caring
encounter as a performed, embodied experience and interrogating the
boundaries between care practice and performance. Through an
examination of a wide range of different care performances drawn
from interdisciplinary and international settings, the book
interrogates how performance might be understood as caring or
uncaring, careless or careful, and correlatively how care can be
conceptualised as artful, aesthetic, authentic or even 'fake' and
'staged'. -- .
Sets out a clear argument for care and caregiving as an aesthetic
experience and aesthetic act. Written for all advanced students of
nursing and applied theatre, as well as professionals in care,
nursing and dramatherapy. The first and only book to advance this
concept, disturbing the boundaries of artistic and care practice.
A tool to empower and educate a new generation of inventors,
creators, designers, and fabricators! This comprehensive resource
is an accessible, beginner-friendly guide for anyone interested in
understanding CNC (Computer Numerical Control) woodworking and the
future of these technologies. From the fundamentals of CNC to its
machinery, software, tools, and materials, Beginner's Guide to CNC
Woodworking will teach you everything you need to know in a way
that's clear, approachable, and easy to comprehend. Also included
are two step-by-step projects for a CNC chair and a 3D flip
machining spoon using Autodesk 360 that will allow you to practice
various techniques in digital wood joinery and 3D CNC machining.
With clear instructions, diagrams, illustrations, software
screenshots, and high-quality photography provided throughout,
you'll be inspired and equipped with a strong foundation of
knowledge to continue along the path of this innovative method of
woodworking. After growing up on a farm and developing a passion
for woodworking and engineering, author Steven Thompson is now an
instructor at San Francisco State University and teaches machine
operation classes at Autodesk's Pier 9 Workshop.
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