This book provides a comprehensive overview of statistical descriptions of turbulent flows. Its main objectives are to point out why ordinary perturbative treatments of the Navier-Stokes equation have been rather futile, and to present recent advances in non-perturbative treatments, e.g., the instanton method and a stochastic interpretation of turbulent energy transfer. After a brief introduction to the basic equations of turbulent fluid motion, the book outlines a probabilistic treatment of the Navier-Stokes equation and chiefly focuses on the emergence of a multi-point hierarchy and the notion of the closure problem of turbulence. Furthermore, empirically observed multiscaling features and their impact on possible closure methods are discussed, and each is put into the context of its original field of use, e.g., the renormalization group method is addressed in relation to the theory of critical phenomena. The intended readership consists of physicists and engineers who want to get acquainted with the prevalent concepts and methods in this research area.

This book provides a comprehensive overview of statistical descriptions of turbulent flows. Its main objectives are to point out why ordinary perturbative treatments of the Navier-Stokes equation have been rather futile, and to present recent advances in non-perturbative treatments, e.g., the instanton method and a stochastic interpretation of turbulent energy transfer. After a brief introduction to the basic equations of turbulent fluid motion, the book outlines a probabilistic treatment of the Navier-Stokes equation and chiefly focuses on the emergence of a multi-point hierarchy and the notion of the closure problem of turbulence. Furthermore, empirically observed multiscaling features and their impact on possible closure methods are discussed, and each is put into the context of its original field of use, e.g., the renormalization group method is addressed in relation to the theory of critical phenomena. The intended readership consists of physicists and engineers who want to get acquainted with the prevalent concepts and methods in this research area.

Hardly any other epoch in art history has been marked by as many profound changes as the Late Gothic was in the fifteenth century. Inspired by Netherlandish role models, depictions of light and shadow, body and space, became increasingly more realistic. Everyday life found entry into the arts. With the invention of printing, images and texts were distributed to an extent previously unheard of. Artists such as Nicolaus Gerhaert and Martin Schongauer became widely known and influenced the development of the visual arts throughout Europe and across all genres. Featuring a wide selection of works, the Staatliche Museen zu Berlin present the first extensive exhibition of Late Gothic art in the German-speaking regions. Its comparison and contrast of the various genres turns the catalogue into a handbook for the arts at the threshold of the modern era.

Dieses Buch stellt einen methodischen Leitfaden fur Prozessingenieure, Berater, Methodenverantwortliche oder Assessoren bei der Anpassung und Einfuhrung des V-Modell(R)XT zur Verfugung. Es erlautert alle wichtigen Anpassungsoptionen und Techniken, die Anwendern des V-Modell(R)XT im Rahmen von organisationsspezifischen Anpassungen zur Verfugung stehen. Zahlreiche Beispiele zeigen die praktische Anwendung einzelner Techniken. Weiterhin wird der gesamte Anpassungs- und Einfuhrungsprozess, von der Konzeption bis hin zur Mitarbeiterschulung beschrieben.

Das V-Modell(r) XT ist das durch die Bundesverwaltung verpflichtend vorgeschriebene Vorgehensmodell fur die Entwicklung von IT-Systemen.

Das Buch bietet einen kompakten Einstieg in die neue Version 1.3 des Modells. Es behandelt die Anderungen gegenuber der Vorgangerversion, die wesentlichen Konzepte des V-Modell(r) XT und detailliert die Bereiche Projektmanagement und Qualitatssicherung. Best Practises und Hinweise zur Bewaltigung typischer Aufgabenstellungen im V-Modell(r) XT runden das Buch ab.

Studienarbeit aus dem Jahr 2006 im Fachbereich BWL - Marketing, Unternehmenskommunikation, CRM, Marktforschung, Social Media, Note: 1,3, Hochschule Bremen (Fachbereich Wirtschaft), Veranstaltung: Internationales Marketing, 14 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Die neuen Gegebenheiten durch den Globalisierungstrend der Markte stellen die Unternehmen vor neue Herausforderungen. Grunde hierfur sind unter anderem geringe Wachstumsaussichten auf den Stammmarkten und der Kostendruck. Diese neuen Rahmenbedingungen fuhren auch in der Werbung zu Uberlegungen und auch Durchfuhrung globaler Werbegestaltung. Die Schwierigkeit fur die Unternehmen liegt darin, jeweils den Grad der Standardisierung unter Vernachlassigung soziodemographischer Eigenheiten zu finden, um erfolgreich auf dem Weltmarkt agieren zu konnen. Inhalt dieser Arbeit ist es, die Moglichkeiten und Grenzen der Anwendung der unterschiedlichen Fuhrungsleitlinien bei der Durchfuhrung internationaler Werbegestaltung aufzuzeigen. Es werden Rahmenbedingungen fur die Gestaltung dargelegt und stellvertretend formale und inhaltliche Gestaltungselemente vorgestellt. Daruber hinaus erfolgt eine Vorstellung verschiedener Werbemittel des Werbetragers Internet, mit denen die Gestaltungselemente genutzt werden konnen. Anschliessend dienen zuvor erarbeitete Effektivitatskriterien dem Aufzeigen von Synthesen

Hardly any other epoch in art history has been marked by as many profound changes as the Late Gothic was in the fifteenth century. Inspired by Netherlandish role models, depictions of light and shadow, body and space, became increasingly more realistic. Everyday life found entry into the arts. With the invention of printing, images and texts were distributed to an extent previously unheard of. Artists such as Nicolaus Gerhaert and Martin Schongauer became widely known and influenced the development of the visual arts throughout Europe and across all genres. Featuring a wide selection of works, the Staatliche Museen zu Berlin present the first extensive exhibition of Late Gothic art in the German-speaking regions. Its comparison and contrast of the various genres turns the catalogue into a handbook for the arts at the threshold of the modern era.