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Showing 1 - 4 of 4 matches in All Departments
This wide-ranging volume explores the technical and physical aspects of voice as a craft, questioning its definitions, its historical presence, training practices and its publications. Drawing on a wealth of experience, Jane Boston presents a selection of readings that demonstrate and contextualize some of the defining moments of voice throughout history. This clear and accessible text examines the relationship between voice and aesthetics and poetics, against the backdrop of class, race and gender politics, demonstrating how vocal training has been and still is inevitably connected to such issues. Underpinned by theory, voice practitioner accounts, and cultural and historical contextualization, this comprehensive resource will be invaluable for practitioners, researchers and students of voice studies, physical theatre and theatre history.
Understanding the power of the Holy Spirit is the key to taking the
Christian faith from the church pew into your daily walk.
A practical handbook to help the actor develop a clear and powerful voice. It explains the theory and recommends proven exercises to ensure improvement in voice and speech. This is a classic text regarded as essential reference for anyone in voice studies. This new edition is edited by Jane Boston who examines the social and artistic context for Turner's teachings and demonstrates how they are still relevant today. There are also updated exercises taken from the Alexander Technique and contemporary Yoga practices.
This wide-ranging volume explores the technical and physical aspects of voice as a craft, questioning its definitions, its historical presence, training practices and its publications. Drawing on a wealth of experience, Jane Boston presents a selection of readings that demonstrate and contextualize some of the defining moments of voice throughout history. This clear and accessible text examines the relationship between voice and aesthetics and poetics, against the backdrop of class, race and gender politics, demonstrating how vocal training has been and still is inevitably connected to such issues. Underpinned by theory, voice practitioner accounts, and cultural and historical contextualization, this comprehensive resource will be invaluable for practitioners, researchers and students of voice studies, physical theatre and theatre history.
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