This book presents the current feminist critique of science and the philosophy of science in such a way that students of philosophy of science, philosophers, feminist theorists, and scientists will find the material accessible and intellectually rigorous.Contemporary feminist debate, as well as the debate brought on by the radical critics of scienc

As a young girl, Jane Duran moved to Chile with her family, travelling from New York to Valparaiso on the Santa Barbara, one of the Grace Line fleet. This long journey, passing through the Panama Canal and down the Pacific coast of Latin America, has inspired her collection of poems Graceline. These meditative poems cross over continually between illusion and reality, past and present. Although they evoke the journey, and the extraordinary landscapes of Chile, they also explore darker undercurrents. Her sequence Panama Canal evokes the terrors of the Canal's construction; a sequence on the regime of Pinochet (Invisible Ink) interweaves cityscapes and landscapes with allusions to the cruelties and bereavements of that time. But the poems are also about her life as a young girl in Chile, the impact of the Chilean landscape on her, and convey a powerful feeling of love for that country.

New work on women thinkers often makes the point that philosophical conceptual thought is where we find it, examples such as Simone de Beauvoir and the nineteenth century Black American writer Anna Julia Cooper assure us that there is ample room for the development of philosophy in literary works but as yet there has been no single unifying attempt to trace such projects among a variety of women novelists. This book articulates philosophical concerns in the work of five well known twentieth century women writers, including writers of color. Duran traces the development of philosophical themes - ontological, ethical and feminist - in the writings of Margaret Drabble, Virginia Woolf, Simone de Beauvoir, Toni Cade Bambara and Elena Poniatowska presenting both a general overview of the author's work with an emphasis on traditional philosophical questions and a detailed feminist reading of the work.

The first volume to explore comprehensively the intersection of feminism, politics, and philosophy, Women in Political Theory sheds light on the contributions of women philosophers and theorists to contemporary political thought. With close attention to the work of five central thinkers-Sarah Grimke, Anna Julia Cooper, Jane Addams, Rosa Luxemburg and Hannah Arendt-this book not only offers sustained analyses of the thought of these leading figures, but also examines their relationship with established political theorists of the past, such as Locke, Machiavelli, and the ancients. Demonstrating that each of the figures covered was indeed a political theorist of her time, whilst highlighting the strength of her thought and the reasons for which it has not been accorded the attention that it merits, Women in Political Theory offers a fascinating overview of the political thought of five theorists whose work is central to an understanding of modern thought. As such, it will be of interest to scholars and students of sociology, philosophy, political and social theory, feminist thought, and gender studies.

The first volume to explore comprehensively the intersection of feminism, politics, and philosophy, Women in Political Theory sheds light on the contributions of women philosophers and theorists to contemporary political thought. With close attention to the work of five central thinkers-Sarah Grimke, Anna Julia Cooper, Jane Addams, Rosa Luxemburg and Hannah Arendt-this book not only offers sustained analyses of the thought of these leading figures, but also examines their relationship with established political theorists of the past, such as Locke, Machiavelli, and the ancients. Demonstrating that each of the figures covered was indeed a political theorist of her time, whilst highlighting the strength of her thought and the reasons for which it has not been accorded the attention that it merits, Women in Political Theory offers a fascinating overview of the political thought of five theorists whose work is central to an understanding of modern thought. As such, it will be of interest to scholars and students of sociology, philosophy, political and social theory, feminist thought, and gender studies.

New work on women thinkers often makes the point that philosophical conceptual thought is where we find it, examples such as Simone de Beauvoir and the nineteenth century Black American writer Anna Julia Cooper assure us that there is ample room for the development of philosophy in literary works but as yet there has been no single unifying attempt to trace such projects among a variety of women novelists. This book articulates philosophical concerns in the work of five well known twentieth century women writers, including writers of color. Duran traces the development of philosophical themes - ontological, ethical and feminist - in the writings of Margaret Drabble, Virginia Woolf, Simone de Beauvoir, Toni Cade Bambara and Elena Poniatowska presenting both a general overview of the author's work with an emphasis on traditional philosophical questions and a detailed feminist reading of the work.

Translated by Gloria Garcia Lorca, the writer's niece, and Jane Duran, the family friend who became a celebrated poet, Gypsy Ballads is the most authentic version of Romancero Gitano imaginable. In their new translation Jane Duran and Gloria Garcia Lorca have been faithful to Lorca's work, searching out original meanings, avoiding overt interpretations, reproducing metaphors, so as to bring to an English-speaking reader the pure power of Lorca's poetry. What is revealed is a kaleidoscope of sensory images, characters and stories. Lorca described his most popular collection as 'the poem of Andalusia ...A book that hardly expresses visible Andalusia at all, but where hidden Andalusia trembles.' Seeking to relate the nature of his proud and troubled region of Spain, he drew on a traditional gypsy form; yet the homely, unpretentious style of these poems barely disguises strong undercurrents of conflicted identity. This bilingual edition includes revealing insights into the Romancero and the history of the Spanish ballad form by Andres Soria Olmedo; notes on the dedications by Manuel Fernandez-Montesinos; Lorca's lecture on his own book; and an introduction to the problems and challenges faced by translators of Lorca, by Professor Christopher Maurer.

Federico Garcia Lorca (1898-1936), wrote The Tamarit Divan and the Sonnets of Dark Love in the last years of his life. Both books were published posthumously and explore passionate love. The setting for The Divan is the poet's Granada, while the Sonnets are a solitary, intimate voice speaking to one person. In translating these powerful poems, Jane Duran and Gloria Garcia Lorca have tried to remain as close as possible to Lorca's words and to his emotional and sensuous intensity.This bilingual edition also includes essays by two acclaimed Lorca scholars. Christopher Maurer's essay, 'Violet Shadow', explores Lorca's relationship with Arabic poetry in the Divan. Andres Soria Olmedo's essay, 'Dark St Valentine', studies the implications and resonances of 'dark love' in the Sonnets.

Jane Duran's Worlds of Knowing begins to fill an enormous gap in the literature of feminist epistemology: a wide-ranging, cross-cultural primer on worldviews and epistemologies of various cultures and their appropriations by indigenous feminist movements in those cultures. It is the much needed epistemological counterpart to work on cross-cultural feminist social and political philosophy. Her book is powerful, comprehensive, and brave. It will prove an enormously useful resource for scholars in women's studies, philosophy, anthropology, religious studies and history.

Jane Duran's "Worlds of Knowing" begins to fill an enormous gap in the literature of feminist epistemology: a wide-ranging, cross-cultural primer on worldviews and epistemologies of various cultures and their appropriations by indigenous feminist movements in those cultures. It is the much needed epistemological counterpart to work on cross-cultural feminist social and political philosophy. This project is absolutely breath-taking in scope, yet a manageable read for anyone with some background in feminist theory, history, or anthropology. Duran draws many comparisons and connections to Western philosophical and feminist ideas, yet avoids facile or imperialistic over-universalization. Her book is powerful, comprehensive, and brave. It will prove an enormously useful resource for scholars in women's studies, philosophy, anthropology, religious studies, and history.

Jane Duran's new book of two striking sequences takes readers into other worlds - 'gridlines', in which the life and paintings of Agnes Martin are interwoven, and 'miniatures of al-Andalus' inspired by the illuminated Cantigas de Santa Maria and the art and artefacts of Islamic Iberia. The simple gridlines of Duran's couplets recall Martin's square canvasses, her precisely rendered grids and luminous stripes. Responding to individual images and to Martin's own biography, discovering lovely breaths of life entering the 'grey rectangles', the poems' intricate interlockings and brilliant images seem almost to escape the poems' formal enclosures, so that Martin's 'The Peach 1964', 'gave me back // only beige, graphite, / ink, sanity // and orchard after orchard'.

This book presents the current feminist critique of science and the philosophy of science in such a way that students of philosophy of science, philosophers, feminist theorists, and scientists will find the material accessible and intellectually rigorous.Contemporary feminist debate, as well as the debate brought on by the radical critics of science, assumes--incorrectly--that certain movements in philosophy of science and science-driven theory are understood in their dynamics as well as in their details. All too often, labels such as "Kuhnian" or "positivistic" are taken for granted, and much of the contemporary postmodern or post-structuralist feminist theory that sets out to criticize science does little to alleviate the reader's lack of knowledge with regard to such movements.Unlike other texts, "Philosophies of Science: Feminist Theories" provides a student-oriented framework so that, for example, positivism is given a thorough grounding before the feminist critique of such epistemological theory is given. Other movements discussed include the Kuhnian turn, sociology of science, and the radical critique of science. Feminist theory and critique are interwoven throughout, with one chapter devoted to feminist thought, which includes the work of such thinkers as Longino, Hararway, Hubbard, Nelson, Harding, and Keller.

A critical examination of the engaging voice and multiple stories of Chimamanda Ngozi Adichie on war, feminism, art, ideology, hair, complex human identities and the challenges of multicultural existence. Easily the leading and most engaging voice of her era and generation, Chimamanda Ngozi Adichie has bridged gaps and introduced new motifs and narrative styles which have energized contemporary African fiction since her first novel, Purple Hibiscus (2003). With Half of a Yellow Sun (2007) and The Thing Around Your Neck - Short Stories (2009), she established herself as a preeminent story-teller. Americanah (2013), with ingeniouscraftsmanship addresses the sensitive themes of passionate love, independence, freedom and moral responsibility with extravagant and versatile narrative innovations. Through her writings, she has made herself relevant topeople of all ages - across racial and linguistic boundaries. Her talks, blogs, musings on social media, essays and commentaries, workshop-mentoring for budding young writers, lecture circuit discourses, all enrich her imaginativecreativity as they expand and define her mission as a writer. "We Should All be Feminists" she proclaimed in an essay, giving feminism a "tweak and twist" and suggesting new outlooks in literary theory. Her contributionsto African, Diasporic and World literatures deserve serious analyses, commentaries and interpretations, and this Companion to her work critically examines her creative outputs from her art and ideology, from feminism to war, to matters of myth and perception, and the challenges of multicultural existence and complex human identities.

Recent work on the Platonic notion of the Guardian has focused on the female Guardian, or "Philosopher Queen," but mainly insofar as the idea is problematic. Okin, Saxonhouse, and others have tried to be more precise about the concepts involved-this work aims to use actual publications by British and continentally-trained women aristocrats of the sixteenth and seventeenth centuries to fill in the lacunae. It is concluded that these women were not only philosophical thinkers, but in some sense Guardians. Their overview encompassed notions of duty, care, and a concern of the development of the intellectual life that left a mark for future generations.

This book forwards a line of argument that indicates how feminist analyses can ameliorate the standard consequential (and occasionally deontological) lines in applied ethics. Drawing on core concepts in feminist philosophy, Feminist Analyses of Applied Ethics investigates five major issues: immigration, environmental preservation, intervention in medical areas, the peace movement, and matters of citizenship. Although most of these areas have received extensive analysis, there is no one work that covers all five areas from a feminist point of view. This book aims to remedy that defect. The work draws on key thinkers in feminist ethics, such as Card and Gilligan, and also ventures to other areas of feminist philosophy.

Gender scholarship during the last four decades has shown that the exclusion of women's voices and perspectives has diminished academic disciplines in important ways. Traditional scholarship in philosophy is no different. The 'recovery project' in philosophy is engaged in re-discovering the names, lives, texts, and perspectives of women philosophers from the 6th Century BCE to the present. Karen Warren brings together 16 colleagues for a unique, groundbreaking study of Western philosophy which combines pairs of leading men and women philosophers over the past 2600 years, acknowledging and evaluating their contributions to foundational themes in philosophy, including epistemology, metaphysics, and ethics. Introductory essays, primary source readings, and commentaries comprise each chapter to offer a rich and accessible introduction to and evaluation of these vital philosophical contributions. A helpful appendix canvasses an extraordinary number of women philosophers for further discovery and study.

Gender scholarship during the last four decades has shown that the exclusion of women's voices and perspectives has diminished academic disciplines in important ways. Traditional scholarship in philosophy is no different. The 'recovery project' in philosophy is engaged in re-discovering the names, lives, texts, and perspectives of women philosophers from the 6th Century BCE to the present. Karen Warren brings together 16 colleagues for a unique, groundbreaking study of Western philosophy which combines pairs of leading men and women philosophers over the past 2600 years, acknowledging and evaluating their contributions to foundational themes in philosophy, including epistemology, metaphysics, and ethics. Introductory essays, primary source readings, and commentaries comprise each chapter to offer a rich and accessible introduction to and evaluation of these vital philosophical contributions. A helpful appendix canvasses an extraordinary number of women philosophers for further discovery and study.

This book provides a comprehensive overview of Alain Locke's pragmatist philosophy. It aims to capture the radical implications of Locke's approach within pragmatism, the critical temper embedded in Locke's works, the central role of power and empowerment of the oppressed, and the concept of broad democracy Locke employed. Arguing that the school of thought Locke initiated is best described as critical pragmatism, the well-known philosopher and Locke scholar, Leonard Harris, provides a clear and thorough introduction to Locke's thought that will be useful to students and scholars alike. At a time when critical theory in all forms-post-Marxist, legal, race, and gender theory-is undergoing a major reassessment, this volume is especially timely. Locke's critical pragmatism arguably avoids the pitfalls of critical theory, anticipates its tremendous contribution to human liberation, and offers an alternative to the limitations of classical pragmatism. This volume introduces unique individual interpretations of Locke and critical reflections on his philosophy. Each author, in the spirit of Locke's critical temper, offers their own contribution to extremely difficult issues.

A critical examination of the engaging voice and multiple stories of Chimamanda Ngozi Adichie on war, feminism, art, ideology, hair, complex human identities and the challenges of multicultural existence. Easily the leading and most engaging voice of her era and generation, Chimamanda Ngozi Adichie has bridged gaps and introduced new motifs and narrative styles which have energized contemporary African fiction since her first novel, Purple Hibiscus (2003). With Half of a Yellow Sun (2007) and The Thing Around Your Neck - Short Stories (2009), she established herself as a preeminent story-teller. Americanah (2013), with ingeniouscraftsmanship addresses the sensitive themes of passionate love, independence, freedom and moral responsibility with extravagant and versatile narrative innovations. Through her writings, she has made herself relevant topeople of all ages - across racial and linguistic boundaries. Her talks, blogs, musings on social media, essays and commentaries, workshop-mentoring for budding young writers, lecture circuit discourses, all enrich her imaginativecreativity as they expand and define her mission as a writer. "We Should All be Feminists" she proclaimed in an essay, giving feminism a "tweak and twist" and suggesting new outlooks in literary theory. Her contributionsto African, Diasporic and World literatures deserve serious analyses, commentaries and interpretations, and this Companion to her work critically examines her creative outputs from her art and ideology, from feminism to war, to matters of myth and perception, and the challenges of multicultural existence and complex human identities. Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA.