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This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.
Where are the pictures I should have given to the world? Where my record of the wrongs and outrages of my age; of the sorrows and joys; the trials and triumphs, that should have been written amid autumn and sunset glories in the eloquent faces and speaking forms which have everywhere presented themselves, begging to be interpreted? Why have I never put on canvas one pair of those pleading eyes, in which are garnered the woes of centuries?
HALF A CENTURY is the autobiography of one of the original civil rights advocates in America, a woman whose name has been forgotten, but who helped set the stage for the social progress politics in the later 19th century. As well as being an activist in the campaign against slavery, Jane Grey Swisshelm spent much of her adult life as an accomplished newspaper publisher and editor. During the Civil War, she became a nurse in a Union hospital, garnering the respect of doctors and officials because of her tenacious desire to give only the best care to her patients. In her position as editor she was one of the first women, if not the first, to occupy such a position in the media. Not content with simply reporting on the humanitarian issues of the day, she imbued her newspapers with a strong political edge that made her more renowned than many of her male colleagues. Swisshelm's criticisms, which ignored the intricacies of ideology and moved into the realm of denigrating perceived character flaws, made her famous, but eventually caused serious harm to her career and personal life.
Where are the pictures I should have given to the world? Where my record of the wrongs and outrages of my age; of the sorrows and joys; the trials and triumphs, that should have been written amid autumn and sunset glories in the eloquent faces and speaking forms which have everywhere presented themselves, begging to be interpreted? Why have I never put on canvas one pair of those pleading eyes, in which are garnered the woes of centuries?
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