A Place for Us is an original Lent course based on the recent film production of West Side Story directed by Steven Spielberg and featuring the songs of Stephen Sondheim and Leonard Bernstein. Through study and discussion of key scenes from the movie, related to Lent passages from scripture, Lavinia Byrne and Jane McBride help us to reflect on fear, love, betrayal, death, and reconciliation. The course is based on five weekly sessions exploring the following themes: Belonging Otherness and Difference The Gift of Love The Promise of a Place for Us The Tragedy of Betrayal For each session, preparatory material including a Gospel reading is provided for the reader to reflect on the themes before meeting with a study group. Resources are then offered for the group, including a suggested film clip, discussion points and questions, exercises, a Psalm, and a poem by Phil Lane.

Since the death of her husband, diner owner Alice Gregg has just been going through life's motions, but it all changes when she and her cat, Porkbelly, start seeing the ghost of a little girl named Fanny who needs their help before she can rest. Alice hopes she's just seeing things and wants Fanny to go away, but she isn't left with much choice when ghostly pranks are pulled at the diner. Can Alice, Porkbelly and their friend Della solve the mystery of what happened to a little girl more than 60 years ago?

27 year old Andalusia Bixby is still reeling from the sudden death of her father, with whom she had lived all of her life. The young Mormon woman decides to go back home, to the small town of her childhood in Western New York on the banks of the Erie...

Ann, Kyle and Henry are getting ready for both big days-the wedding and the Grand Opening of Ann's pet store. But a gang of car burglars is throwing a monkey wrench in the works and some of the victims are Ann's friends. To make things more complicated, relatives from far and wide are coming for the wedding and not all of them play well with others. Even peace loving Henry has his paws full getting along with Aunt Gert's horrible little dog, Molly and Kyle has to remember his commitment to his new faith when Ann's life is endangered. The author wishes to include a short disclaimer-warning-caution-whatever you might call it-here at the beginning. I was raised in the area where this book is set. I know what the people sound like who live there. I spent many years listening to it, and I sound that way myself. Regional dialects include all kinds of things. It isn't just about how a word is pronounced, but also what word will be used, and the whole grammatical structure of a sentence will come into play. Many others have said it far better than I will here-but I love anything written in dialect. I want to hear the people, I want to know what they sound like, and I must assume everyone is like me because that's the way I write. If you are ever talking to me face-to-face and see me gazing at you with a sappy look, then you can bet it's because I just love how you sound. If I ever put you into a book, I will do my best to re-create that sound. So, I will warn you now: if bad grammar grates on your nerves, if the appearance of written words slurred together bothers you a whole lot, if you believe that a person who habitually speaks with improper grammar will not have the sufficient intelligence to quote Keats or Shakespeare, then this is not the book for you. All of my characters use "bad" grammar some of the time, some of them use it most of the time, and many of the people from the area in question (Western New York) will join with those who dislike bad grammar. After all, lots of them don't speak that way. But most of my characters do, and it is not unusual at all in that area of the country. Mark Twain is the expert on this subject, and literary critic Lionel Twilling, speaking of Twain, summed it up best: "He is the master of the style that escapes the fixity of the printed page, that sounds in our ears with the immediacy of the heard voice, the very voice of unpretentious truth."