When Wade Franklin returns to his hometown of Taylor's Crossing, Georgia, his future hangs in the balance. He is in love with his lifelong friend and college sweetheart, Pamela Palmer, but will she take him back after a two-year absence? He left without saying goodbye or giving any explanation, and now it is time to reveal his reasons for doing so.

Pam is finally making a life of her own as editor of the local newspaper, the Taylor Times, and her world is shaken when Wade returns to town. An incidental meeting provides the opportunity to renew their friendship, and both are keenly aware that the bond between them is still very strong. As their relationship deepens, Wade is completely honest with Pam, and his story launches them on a path that literally changes their lives. His truthfulness about his father's undercover assignment and unsolved murder sets the stage for a web of intrigue that reaches from Atlanta, Georgia, to New York City.

Searching is a poignant story of love, faith, and the certainty of God's provision in times of need. It presents an intricately woven tapestry of characters who struggle with the flaws of humanity-broken hearts, shattered dreams, and painful memories. From beginning to end, their lives are under the watchful eye and the guiding hand of the Lord, as he awakens their hearts to an awareness of who he is and offers love, forgiveness, and salvation to those who seek him in faith.

A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts - onstage, on screen, in the studio, and on the street - and deploy methods from diverse disciplines. Engaging African American and African diasporic studies, Latinx and Latin American studies, gender and sexuality studies, and Asian American and Asian studies, this anthology demonstrates the relevance of dance analysis to adjacent fields.

The powerfully moving story of the Russian Jewish choreographer who used dance to challenge despotism Everyone has heard of George Balanchine, but few outside Russia know of Leonid Yakobson, Balanchine’s contemporary and arguably his equal, who remained in Lenin’s Russia and survived censorship during the darkest days of Stalin. Like Shostakovich, Yakobson suffered for his art and yet managed to create a singular body of revolutionary work that spoke to the Soviet condition. His ballets were considered so explosive that their impact was described as “like a bomb going off.�   Challenged rather than intimidated by the restrictions imposed by Soviet censors on his ballets, Yakobson offered dancers and audiences an experience quite different from the prevailing Soviet aesthetic. He was unwilling to bow completely to the state’s limitations on his artistic opportunities, so despite his fraught relations with his political overseers, his ballets retained early-twentieth-century movement innovations such as turned-in and parallel-foot positions, oddly angled lifts, and eroticized content, all of which were anathema to prevailing Soviet ballet orthodoxy. For Yakobson, ballet was a form of political discourse, and he was particularly alive to the suppressed identity of Soviet Jews and officially sanctioned anti-Semitism. He used dance to celebrate reinvention and self-authorship—the freedom of the individual voice as subject and medium. His ballets challenged the role of the dancing body during some of the most repressive decades of totalitarian rule.   Yakobson’s work unfolded in a totalitarian state, and there was little official effort to preserve his choreographic archive or export knowledge of him to the West—gaps that dance historian Janice Ross seeks to redress in this book. Based on untapped archival collections of photographs, films, and writings about Yakobson’s work in Moscow and St. Petersburg for the Bolshoi and Kirov ballets, as well as interviews with former dancers, family, and audience members, this illuminating and beautifully written study brings to life a hidden history of artistic resistance in the Soviet Union through the story of a brave artist who struggled his entire life against political repression yet continued to offer a vista of hope.

When Wade Franklin returns to his hometown of Taylor's Crossing, Georgia, his future hangs in the balance. He is in love with his lifelong friend and college sweetheart, Pamela Palmer, but will she take him back after a two-year absence? He left without saying goodbye or giving any explanation, and now it is time to reveal his reasons for doing so.

Pam is finally making a life of her own as editor of the local newspaper, the Taylor Times, and her world is shaken when Wade returns to town. An incidental meeting provides the opportunity to renew their friendship, and both are keenly aware that the bond between them is still very strong. As their relationship deepens, Wade is completely honest with Pam, and his story launches them on a path that literally changes their lives. His truthfulness about his father's undercover assignment and unsolved murder sets the stage for a web of intrigue that reaches from Atlanta, Georgia, to New York City.

Searching is a poignant story of love, faith, and the certainty of God's provision in times of need. It presents an intricately woven tapestry of characters who struggle with the flaws of humanity-broken hearts, shattered dreams, and painful memories. From beginning to end, their lives are under the watchful eye and the guiding hand of the Lord, as he awakens their hearts to an awareness of who he is and offers love, forgiveness, and salvation to those who seek him in faith.

"When I learned about improvisation from Anna, it was like receiving the other half of the hemisphere. Without improvisation I would not have developed the work that I'm doing."--Trisha Brown
"Anna Halprin--who, with her husband, the architect Lawrence Halprin, is considered to be the wellspring of what we call postmodern dance--has spent most of her long life shattering rules, conventions, expectations, and long-cherished ideals like so many porcelain teacups. . . . In this new cultural history and intellectual biography, Janice Ross has unscrolled a story--with her subject's full collaboration--that continuously reveals and surprises. It is a groundbreaking achievement in dance scholarship, commensurate with the work of Sally Banes, the scholar of postmodern dance to whom this book is affectionately dedicated."--Mindy Aloff, author of "Dance Anecdotes"
"This book is an eye-opener. It is fascinating to learn about the different creative periods in Anna Halprin's life, from her involvement with Jewish identity and culture, dance education, and Bauhaus emigres in the thirties and forties to her relationship with the Beat poets in San Francisco, her influential summer workshops, and her exploration of ritual and performance from the fifties to the present."--Mark Franko, author of "Excursion for Miracles: Paul Sanasardo, Donya Feuer and Studio for Dance (1955-1964)"
"Janice Ross has done a masterful job of capturing the life, work, and impact of the little midwestern woman whose influence shaped the dance revolutions of the 1960s and 1970s, and whose greatest accomplishment may have been 'finding dance culture where no one else had looked.' Ross illuminates the West Coastroots of postmodernism, and outlines Halprin's accomplishments as a healer, which are still accruing after more than sixty years."--Elizabeth Zimmer, dance critic and editor