First published in 1993. Routledge is an imprint of Taylor and Francis, an informa company.

Series Information:
CultureWork: A Book Series from the Center for Literary and Cultural Studies at Harvard

The Phantom of the Opera is Gaston Leroux's exquisite blend of Gothic horror and tragic romance, which formed the basis for a world-renowned stage musical. This Penguin Classics edition is translated with notes by Mireille Ribiere, and an introduction by Jann Matlock. When the new managers of the Paris Opera House ignore their predecessors' warnings about the hideous 'Opera ghost' stalking the theatre, it is a fatal mistake. The Phantom haunts the imagination of the beautiful and talented singer Christine Daae, appearing to her as the 'Angel of Music' - a disembodied voice, coaching her to sing as she never could before. When Christine is courted by a handsome young Viscount, the Phantom is consumed by jealousy and seeks revenge. And when Christine suddenly disappears after a triumphant singing performance, it becomes clear that the Phantom's time has come. With its pervading atmosphere of menace, tinged with dark humour, The Phantom of the Opera (1910) has inspired film, stage and literature since its publication, including Andrew Lloyd Webber's Phantom of the Opera, the most successful theatrical show of all time. Mireille Ribiere's highly readable and historically accurate translation captures the drive and drama of Leroux's vivid tale, and is accompanied by extensive notes and further reading. Jann Matlock's fascinating new introduction examines the Phantom's legacy and uncovers the real secrets hidden in the Paris Opera House. Gaston Leroux (1868-1927) was born in Paris, the son of a building contractor. His first novel was serialised in the late 1890s, and with the 1907 publication of The Mystery of the Yellow Room he launched his career as a pioneer of the French detective novel. The Phantom of the Opera (1910) has been Leroux's best-known novel in the English-speaking world ever since the resounding success of the 1925 silent film version. If you enjoyed The Phantom of the Opera, you might like Victor Hugo's Les Miserables, also available in Penguin Classics.

From Goethe to Gide brings together twelve essays on canonical male writers (six French and six German) commissioned from leading specialists in Britain and North America. Working with the tools of feminist criticism, the authors demonstrate how feminist readings of these writers can illuminate far more than attitudes to women. They raise fundamental aesthetic questions regarding, creativity, genre, realism and canonicity and show how feminist criticism can revitalize debate on these much-read writers. These commissioned essays from individual specialists focus on Rousseau, Goethe, Schiller, Hoffmann, Stendhal, Baudelaire, Flaubert, Heine, Fontane, Zola, Kafka, Gide. The collection therefore foregrounds the major authors taught on British university BA courses in French and German who also shaped the dominant aesthetics, philosophy and bourgeois culture of European letters between 1770 and 1936. on these writers Unique in providing a comparative feminist reading of the aesthetics of canonical male works from the literatures of France and Germany, 1770-1936 Provides a major reassessment of some of the literary figures most studied in French and German courses around the world

This study demonstrates that three subjects traditionally discussed separately - prostitution, hysteria and the popular novel - share a discourse of marginality and of female marginality in particular, central to the 19th-century experience in France. Studying representations of female sexuality and the obsession with it in 19th-century France, Matlock scrutinizes contemporary debates on: tolerated prostitution; sexual continence; the relationship of female sexuality to madness; the dangers of literature. The contemporary fascination with prostitution provides a model for understanding the relationship between novel-reading and female sexuality in a world where the novel was considered dangerous, because it would awaken affections and introduce women to the world of sexual experience. Matlock uses studies of prostitution, trial reports, advice manuals and novels by Balzac, Dumas, Soulie and Sue to analyze the social, political, medical and literary issues supposedly evoked by female sexuality.

This study demonstrates that three subjects traditionally discussed separately - prostitution, hysteria and the popular novel - share a discourse of marginality and of female marginality in particular, central to the 19th-century experience in France. Studying representations of female sexuality and the obsession with it in 19th-century France, Matlock scrutinizes contemporary debates on: tolerated prostitution; sexual continence; the relationship of female sexuality to madness; the dangers of literature. The contemporary fascination with prostitution provides a model for understanding the relationship between novel-reading and female sexuality in a world where the novel was considered dangerous, because it would awaken affections and introduce women to the world of sexual experience. Matlock uses studies of prostitution, trial reports, advice manuals and novels by Balzac, Dumas, Soulie and Sue to analyze the social, political, medical and literary issues supposedly evoked by female sexuality.