This set of essays introduces readers to new historical research on the creation of the new order in East-Central Europe in the period immediately following 1918. The book offers insights into the political, diplomatic, military, economic and cultural conditions out of which the New Europe was born. Experts from various countries take into account three perspectives. They give equal attention to both the Western and Eastern fronts; they recognise that on 11 November 1918, the War ended only on the Western front and violence continued in multiple forms over the next five years; and they show how state-building after 1918 in Central and Eastern Europe was marked by a mixture of innovation and instability. Thus, the volume focuses on three kinds of narratives: those related to conflicts and violence, those related to the recasting of civil life in new structures and institutions, and those related to remembrance and representations of these years in the public sphere. Taking a step towards writing a fully European history of the Great War and its aftermath, the volume offers an original approach to this decisive period in 20th-century European history.

This set of essays introduces readers to new historical research on the creation of the new order in East-Central Europe in the period immediately following 1918. The book offers insights into the political, diplomatic, military, economic and cultural conditions out of which the New Europe was born. Experts from various countries take into account three perspectives. They give equal attention to both the Western and Eastern fronts; they recognise that on 11 November 1918, the War ended only on the Western front and violence continued in multiple forms over the next five years; and they show how state-building after 1918 in Central and Eastern Europe was marked by a mixture of innovation and instability. Thus, the volume focuses on three kinds of narratives: those related to conflicts and violence, those related to the recasting of civil life in new structures and institutions, and those related to remembrance and representations of these years in the public sphere. Taking a step towards writing a fully European history of the Great War and its aftermath, the volume offers an original approach to this decisive period in 20th-century European history.

Beyond Memory: Silence and the Aesthetics of Remembrance analyses the intricate connections between silence, acts of remembrance and acts of forgetting, and relates the topic of silence to the international research field of Cultural Memory Studies. It engages with the most recent work in the field by viewing silence as a remedy to the traditionally binary approach to our understanding of remembering and forgetting. The international team of contributors examine case studies from colonialism, war, politics and slavery from across the globe, as well as drawing examples from literature, philosophy and sites of memory to draw three main conclusions. Firstly, that the relationship between remembering and forgetting is relational rather than 'hermetic', and the space between the two is often occupied by silence. Secondly, silence is a force in itself, capable of stimulating more or less remembrance. Finally, that silence is a necessary and key element in the interaction between the human mind and the 'outer world', and enables people to challenge their understanding of art, music, literature, history and memory. With an introduction by the editors discussing Memory Studies, and concluding remarks by Astrid Erll, this collection demonstrates that acceptance and consideration of silence as having both a performative and aesthetic dimension is an essential component of history and memory studies.

Very few institutions have contributed to the cultural life of the nation in the way that Rugby School has done. Pioneering religious leaders, educators, authors and philosophers, whose influence has been felt in spheres ranging from the Olympic games to education, were themselves profoundly influenced by their time at Rugby.This book is designed to provide a rigorous yet practical engagement with key questions surrounding faith, philosophy, science, culture and social progress by celebrating the life and thought of these Rugbeian cultural leaders and social pioneers, with an exploration of their continued relevance to contemporary discussions.With contributions from some of the most distinguished historians, philosophers, social and religious commentators writing today - John Witheridge, John Clarke, Anthony Kenny, David Urquhart, Robin Le Poidevin, A N Wilson, Andrew Vincent, A C Grayling, Jay Winter, Ian Hesketh and David Boucher - this is a book which set outs to explore and enrich discussion of the most important and enduring questions of the modern age.

Beyond Memory: Silence and the Aesthetics of Remembrance analyses the intricate connections between silence, acts of remembrance and acts of forgetting, and relates the topic of silence to the international research field of Cultural Memory Studies. It engages with the most recent work in the field by viewing silence as a remedy to the traditionally binary approach to our understanding of remembering and forgetting. The international team of contributors examine case studies from colonialism, war, politics and slavery from across the globe, as well as drawing examples from literature, philosophy and sites of memory to draw three main conclusions. Firstly, that the relationship between remembering and forgetting is relational rather than 'hermetic', and the space between the two is often occupied by silence. Secondly, silence is a force in itself, capable of stimulating more or less remembrance. Finally, that silence is a necessary and key element in the interaction between the human mind and the 'outer world', and enables people to challenge their understanding of art, music, literature, history and memory. With an introduction by the editors discussing Memory Studies, and concluding remarks by Astrid Erll, this collection demonstrates that acceptance and consideration of silence as having both a performative and aesthetic dimension is an essential component of history and memory studies.

Following the development of massive airships, naive Londoner Bert Smallways becomes accidentally involved in a German plot to invade America by air and reduce New York to rubble. But although bombers devastate the city, they cannot overwhelm the country, and their attack leads not to victory but to the beginning of a new and horrific age for humanity. And so dawns the era of Total War, in which brutal aerial bombardments reduce the great cultures of the twentieth century to nothing. As civilization collapses around the Englishman, now stranded in a ruined America, he clings to only one hope - that he might return to London, and marry the woman he loves.

Special EURO10,- discount for our ABG readers: now EURO24,50 instead of EURO34,50 Performing the Past is an investigation of the multiple social and culture practices through which Europeans have negotiated the space between their history and their memory over the past 200 years. In museums, in opera houses, in the streets, in the schools, in theatres, in films, on the internet and beyond, narratives about the past circulate today at a dizzying speed. Producing and selling them is big business; if the past is indeed a foreign country, there are tens of thousands of tourist agents, guides, and pundits around to help us on our way, for a fee, to be sure.This collection of essays by renowned scholars from, among others, Yale, Columbia, Amsterdam Oxford, Cambridge, New York University and the European University Institute in Florence, is essential reading for anyone interested in today's memory boom. Drawing on different national and disciplinary traditions, the authors ultimately engage us with the ways in which Europeans continue a venerable tradition of finding out who they are, and where they are going, by performing the past.

Originally appearing at the same time as the pacifist novel All Quiet on the Western Front, this powerful collection provides a glimpse into the hearts and minds of an enemy that had been thoroughly demonized by the Allied press. Composed by German students who had left their university studies in order to participate in World War I, these letters reveal the struggles and hardships that all soldiers face. The stark brutality and surrealism of war are revealed as young men from Germany describe their bitter combat and occasional camaraderie with soldiers from many nations, including France, Great Britain, and Russia. Like its companion volume, War Letters of Fallen Englishmen, these letters were carefully selected for their depth of perception, the intensity of their descriptions, and their messages to future generations. "Should these letters help towards the establishment of justice and better understanding between nations," the editor reflects in his introduction, "their deaths will not have been in vain." This edition contains a new foreword by the distinguished World War I historian Jay Winter.

This collection of essays looks at cultural transfers and comparisons between English and French intellectuals. The contributions, which have been written by scholars from a variety of disciplines, address a broad range of issues, including the international circulation of economic, political and literary ideas, the translation and reception of authors in various contexts, and the contest for 'Englishness' or 'Frenchness' both at home and abroad. The Anglo-French relationship is used here as an entry into the conflicting demands that intellectual life should be trans-national and cosmopolitan, and that intellectuals should be the representatives of the national mind. The conversations, disputes and silences between English and French intellectuals were once believed to be at the centre of the international republic of letters. By the end of the nineteenth century, however, the rise of new cultural powers re-shaped Anglo-French intellectual attitudes. Anglo-French attitudes will be read by scholars working in the areas of cultural history, intellectual history, gender studies, the social history of intellectuals, history of science, and literature. -- .

More than eight million young men perished during the First World War--a staggering figure. The natural reaction to such a great loss of humanity was to forget the individuals and recast the conflict into one of faceless armies and battles commemorated in stone and metal monuments. "War Letters of Fallen Englishmen" was published following the war in order to remind the living of those who were lost in the name of the British crown--brothers, husbands, fathers, sons.This collection provides, in the very words of those who participated and died in combat, the closest approximation possible to the experience of war. Carefully selected from thousands of letters, those in this collection are poignant, powerful, and graphic and were chosen for their depth of perception, the intensity of their descriptions, and their messages to future generations. This edition contains a new foreword by the distinguished World War I historian Jay Winter.

Volume 3 of The Cambridge History of the First World War explores the social and cultural history of the war and considers the role of civil society throughout the conflict; that is to say those institutions and practices outside the state through which the war effort was waged. Drawing on twenty-five years of historical scholarship, it sheds new light on culturally significant issues such as how families and medical authorities adapted to the challenges of war and the shift that occurred in gender roles and behaviour that would subsequently reshape society. Adopting a transnational approach, this volume surveys the war's treatment of populations at risk, including refugees, minorities and internees, to show the full extent of the disaster of war and, with it, the stubborn survival of irrational kindness and the generosity of spirit that persisted amidst the bitterness at the heart of warfare, with all its contradictions and enduring legacies. This volume concludes with a reckoning of the costs and consequences of The Great War.

On 24 July 1923 the last Treaty ending hostilities in the Great War was signed at Lausanne in Switzerland. That Treaty closed a decade of violence. Jay Winter tells the story of what happened on that day. On the shores of Lake Geneva, diplomats, statesmen, and soldiers came from Ankara and Athens, from London, Paris, and Rome, and from other capital cities to affirm that war was over. The Treaty they signed fixed the boundaries of present-day Greece and Turkey, and marked a beginning of a new phase in their history. That was its major achievement, but it came at a high price. The Treaty contained within it a Compulsory Population Exchange agreement. By that measure, Greek-Orthodox citizens of Turkey, with the exception of those living in Constantinople, lost the right of citizenship and residence in that state. So did Muslim citizens of Greece, except for residents of Western Thrace. This exchange of nearly two million people, introduced to the peace conference by Nobel Prize winner and humanitarian Fridtjof Nansen, provided a solution to the immense refugee problem arising out of the Greek-Turkish war. At the same time, it introduced into international law a definition of citizenship defined not by language or history or ethnicity, but solely by religion. This set a precedent for ethnic cleansing followed time and again later in the century and beyond. The second price of peace was the burial of commitments to the Armenian people that they would have a homeland in the lands from which they had been expelled, tortured and murdered in the genocide of 1915. This book tells the story of the peace conference, and its outcome. It shows how peace came before justice, and how it set in motion forces leading to the global war that followed in 1939.

This first volume of The Cambridge History of the First World War provides a comprehensive account of the war's military history. An international team of leading historians charts how a war made possible by globalization and imperial expansion unfolded into catastrophe, growing year by year in scale and destructive power far beyond that which anyone had anticipated in 1914. Adopting a global perspective, the volume analyses the spatial impact of the war and the subsequent ripple effects that occurred both regionally and across the world. It explores how imperial powers devoted vast reserves of manpower and material to their war efforts and how, by doing so, they changed the political landscape of the world order. It also charts the moral, political and legal implications of the changing character of war and, in particular, the collapse of the distinction between civilian and military targets.

Antoine Prost's contributions to French history have enabled us to understand the failure of fascism in France and why the Republic survived the humiliation of occupation and collaboration in the Second World War. He is the pre-eminent historian of civil society in France. For the first time his seminal articles have been translated into English and collected in this single volume. Beginning with his classic account of war memorials, through his pioneering study of the people of a popular quarter of Paris in 1936, and of the troubled history of commemorating the Algerian war, this book expertly takes us through republican representations of war and peace, urban spaces and social identity, and discourse and social conflict in republican France. Amongst this range of topics, Prost considers the notion of social class and deference, the multiple uses of myth, the secularization of religious imagery, the centrality of primary schools in French political culture, and insults as staples of French political rhetoric. Included here are his famous essays 'Verdun' and 'War Memorials of the Great War', which have been hailed as indispensable additions to the study of European cultural history. Also notable is his fascinating investigation of rites de passage in Orleans, which artfully reveals how complex and semiologically rich rites de passage can be.
This book is essential reading for anyone wishing to gain a firm understanding of the history of nineteenth and twentieth century France and of the work of one of the most influential cultural historians of our day.

Antoine Prost's contributions to French history have enabled us to understand the failure of fascism in France and why the Republic survived the humiliation of occupation and collaboration in the Second World War. He is the pre-eminent historian of civil society in France. For the first time his seminal articles have been translated into English and collected in this single volume. Beginning with his classic account of war memorials, through his pioneering study of the people of a popular quarter of Paris in 1936, and of the troubled history of commemorating the Algerian war, this book expertly takes us through republican representations of war and peace, urban spaces and social identity, and discourse and social conflict in republican France. Amongst this range of topics, Prost considers the notion of social class and deference, the multiple uses of myth, the secularization of religious imagery, the centrality of primary schools in French political culture, and insults as staples of French political rhetoric. Included here are his famous essays 'Verdun' and 'War Memorials of the Great War', which have been hailed as indispensable additions to the study of European cultural history. Also notable is his fascinating investigation of rites de passage in Orléans, which artfully reveals how complex and semiologically rich rites de passage can be.
This book is essential reading for anyone wishing to gain a firm understanding of the history of nineteenth and twentieth century France and of the work of one of the most influential cultural historians of our day.

Volume 2 of The Cambridge History of the First World War offers a history of the war from a predominantly political angle and concerns itself with the story of the state at war. It explores the multifaceted history of state power and highlights the ways in which different political systems responded to, and were deformed by, the near-unbearable pressures of war. Every state involved faced issues of military-civilian relations, parliamentary reviews of military policy, and the growth of war economies; and yet their particular form and significance varied in each national case. Written by a global team of historical experts, this volume sets new standards in the political history of the waging of war in an authoritative new narrative, which addresses problems of logistics, morale, innovation in tactics and weapons systems, and the use and abuse of science; all of which were ubiquitous during the conflict.

This Element is a user's guide to the cultural history of warfare since 1914. It provides summaries of the basic questions historians have posed in what is now a truly global field of research. It is divided into three parts. The first provides an introduction to the cultural history of the state, focusing on the institutions of violence, both political and military, as well as introducing the key concept of the civilianization of war. The second part addresses civil society at war. It asks the question as to how do men and women try to make sense and attach meaning to the violence and cruelty of war. It also explores commemoration, religious life, humanitarianism, painting, cinema and the visual arts, and war literature and testimony. The third part explores the family, gender and migration in wartime, and shows how modern war continues to transform the world in which we live today.

What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated images of war, in turn, circulate through language to constitute our 'cultural memory' of war. This is a major contribution to our understanding of the diverse ways in which men and women have wrestled with the intractable task of conveying what twentieth-century wars meant to them and mean to us.

World War I, the first "total war" in history, set in motion profound changes in the economies, demographics, and philosophies of the warring states. In this book, leading experts on the Great War discuss its causes, character, and legacy. Their writings show that to study World War I is to encounter not only the dissolution of the four defeated empires-Russia, Germany, Austria-Hungary, and Turkey-but also the collapse of the optimistic assumption of progress that had defined the nineteenth century. The analysis of the Great War, in fact, provides an essential framework for our understanding of the entire twentieth century. The book draws together military history, international history, and cultural history to offer a wide-ranging summary of current knowledge and debate regarding the First World War. Contributors to this volume: Modris Eksteins, Gerald Feldman, William C. Fuller, Jr., Mary R. Habeck, Holger H. Herwig, John Horne, Michael Howard, A. S. Kanya-Forstner, Leonard V. Smith, Zara Steiner, David Stevenson

The world's population has grown by five billion people over the past century, an astounding 300 percent increase. Yet it is actually the decline in family size and population growth that is the issue attracting greatest concern in many countries. This eye-opening book looks at demographic trends in Europe, North America, and Asia-areas that now have low fertility rates-and argues that there is an essential yet often neglected political dimension to a full assessment of these trends. Political decisions that promote or discourage marriage and childbearing, facilitate or discourage contraception and abortion, and stimulate or restrain immigration all have played significant roles in recent trends.