Our Lady of the Flowers, often considered Genet's masterpiece, was written in the cell of a French prison where he was being held for theft. Here is the darker side of Montmartre, a world of pimps, thieves, prostitutes, queens and blackmailers, where 'morality' in the common sense of the word has no meaning. The story of Divine, a drag-queen prostitute, is interwoven with that of one of his lovers, a young man due to be arrested for murder. A story of sex, crime and death, Our Lady of the Flowers is a powerful and original debut novel, which put Genet into the front rank of French writers.

Three young convicts share a cell. Locked into a world of dangerous rivalries, criminals Lefranc and Maurice compete for the attention of the charismatic condemned man, Green-Eyes. Informed by his own experience in French prisons, Jean Genet's first play, Deathwatch is an explosive exploration of the inversion of moral order. Genet was one of the most prominent and provocative writers of the twentieth century. Jean Genet's Deathwatch premiered in this translation by David Rudkin with the Royal Shakespeare Company in 1987 and was revived at the Print Room, London, in April 2016.

A beautiful new edition of Jean Genet's classic work, which includes a new introduction by Jon Savage.

'One of the great writers of our times.' Sunday Telegraph

Querelle, a young sailor at large in the port of Brest, is an object of illicit desire to his diary-keeping superior officer, Lieutenant Seblon. He is coveted, too, by a corrupt policeman, Mario, and gives himself freely both to brothel-keeper Madame Lysiane and to her husband. But Querelle is a thief and a murderer - not a man to be trusted or trifled with.

The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel; an account of his impoverished travels across 1930s Europe. The narrator is guilty of vagrancy, petty theft and prostitution, but his writing transforms such degradations into an inverted moral code, where criminality and delinquency become heroic. With a holy trinity of his own making - homosexuality, theft and betrayal - in The Thief's Journal Genet produced a startlingly powerful novel without precedent.

This posthumous work brings together articles, interviews, statements, prefaces, manifestos, and speeches dating from 1964 to 1985 (just before Genet's death in 1986). These texts bear witness to the many political causes and groups with which Genet felt an affinity, including May '68 and the treatment of immigrants in France, but especially the Black Panthers and the Palestinians. We follow him from the Chicago Democratic Convention (where he met William Burroughs and Alan Ginsberg) to Yale University, where he gave the famous May Day Speech in support of the Black Panthers, to Jordan and the Palestinian camps. Along the way, Genet finds allies (George Jackson, Angela Davis, Leyla Shahid, Tahar Ben Jelloun). And, of course, enemies. Between passionate enmity and passionate affinity, Genet speaks for a politics of protest, with an uncompromising outrage that, today, might seem on the verge of being forgotten. The texts are accompanied by detailed editorial notes.

First published in France in 1949, The Thief's Journal is Jean Genet's iconic work of autobiographical fiction. This new edition brings his legendary genius to future generations of readers, with an introduction by Genet's great admirer, Patti Smith. From a prison cell, the journal's narrator recounts his travels across Europe in the 1930s--as a vagabond, pickpocket, and occasional prostitute--in pursuit of spiritual fulfilment through erotic trysts and evil deeds. Worshipping his own holy trinity of homosexuality, theft, and betrayal, he conducts every burglary, and each sexual encounter, with the elaborate, reverent ritual of a religious ceremony. Dressed in rags and stealing for his survival, he must evade the authorities for as long as possible. A sensuous and philosophical reverie on freedom within confinement, the heroism of the outlaw, and deception as the ultimate act of devotion, The Thief's Journal exemplifies the exquisitely lyrical combination of fact and fiction that made Genet a major figure in world literature.

This posthumous work brings together articles, interviews, statements, prefaces, manifestos, and speeches dating from 1964 to 1985 (just before Genet's death in 1986). These texts bear witness to the many political causes and groups with which Genet felt an affinity, including May '68 and the treatment of immigrants in France, but especially the Black Panthers and the Palestinians. We follow him from the Chicago Democratic Convention (where he met William Burroughs and Alan Ginsberg) to Yale University, where he gave the famous May Day Speech in support of the Black Panthers, to Jordan and the Palestinian camps. Along the way, Genet finds allies (George Jackson, Angela Davis, Leyla Shahid, Tahar Ben Jelloun). And, of course, enemies.
Between passionate enmity and passionate affinity, Genet speaks for a politics of protest, with an uncompromising outrage that, today, might seem on the verge of being forgotten.
The texts are accompanied by detailed editorial notes.

Genet's sensual and brutal portrait of World War II unfolds between the poles of his grief for his lover Jean, killed in the Resistance during the liberation of Paris, and his perverse attraction to the collaborator Riton. Elegaic, macabre, chimerical, Funeral Rites is a dark meditation on the mirror images of love and hate, sex and death.

Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions.

Jean Genet began to write his third novel in 1943, but it was to be changed utterly by the death of Jean Decarnin. Genet's sensual and brutal portrait of the Second World War unfolds between the poles of his grief for his lover Jean, killed in the Resistance during the liberation of Paris, and his perverse attraction to the collaborator Riton. Powerfully written, and with moments of great poetic subtlety, Funeral Rites is a dark meditation on the mirror images of love and hate, sex and death.

Includes a new introduction by Neil Bartlett.

Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions.

Miracle of the Rose was Jean Genet's second novel, composed in 1943 while incarcerated in prison. The novel is informed by Genet's memories of confinement, both in prison and the Mettray reformatory where he spent three years from the age of 15. The central figure of the novel is Harcamone, whom Genet first encountered at Mettray, and who resurfaces in an adult prison -- now a murderer and, in the world-turned-upside-down of Genet's vision, a quasi-divine figure.

Includes a new introduction by Terry Hands.

Jean Genet's The Balcony, which premiered in 1957, has come to be recognised as one of the founding plays of modern theatre, and is what the philosopher Lucien Goldmann has called 'the first great Brechtian play in French literature'.

In a brothel of an unnamed French city the madam, Irma, directs a series of fantastical scenarios - a bishop forgives a penitent, a judge punishes a thief, a general rides astride his horse. Outside, an uprising threatens to engulf the streets. The patrons of the brothel wait anxiously for the chief of police to arrive, but in his place comes the queen's envoy to inform that the figureheads of the establishment have been killed in the uprising. Play-acting turns to reality, as the patrons don their costumes in public in the attempt to quell the insurrection.

Illusion and reality, order and dissolution - these are the grand themes of The Balcony, all refracted through the prism of Genet's sexualised genius.

Starting in 1970, Jean Genet-petty thief, prostitute, modernist master-spent two years in the Palestinian refugee camps in Jordan. Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal-the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire at the heart of the contemporary world.

A collection of Jackson's letters from prison, "Soledad Brother" is an outspoken condemnation of the racism of white America and a powerful appraisal of the prison system that failed to break his spirit but eventually took his life. Jackson's letters make palpable the intense feelings of anger and rebellion that filled black men in America's prisons in the 1960s. But even removed from the social and political firestorms of the 1960s, Jackson's story still resonates for its portrait of a man taking a stand even while locked down.

Book jacket/back: The setting of Jean Genet's celebrated play is a brothel that caters to refined sensibilities and peculiar tastes. Here men from all walks of life don the garb of their fantasies and act them out: a man from the gas company wears the robe and mitre of a bishop; another customer becomes a flagellant judge, and still another a victorious general, while a bank clerk defiles the Virgin mary. These costumed diversions take place while outside a revolution rages which has isolated the brothel from the rest of the rebel-controlled city. In a stunning series of macabre, climactic scenes, Genet presents his caustic view of man and society.

The two plays collected in this volume represent Genet's first attempts to analyze the mores of a bourgeois society he had previously been content simply to vilify. In The Maids, two domestic workers, deeply resentful of their inferior social position, try to revenge themselves against society by destroying their employer. When their attempt to betray their mistress's lover to the police fails and they are in danger of being found out, they dream of murdering Madame, little aware of the true power behind their darkest fantasy.
In Deathwatch, two convicts try to impress a third, who is on the verge of achieving legendary status in criminal circles. But neither realizes the lengths to which they will go to gain respect or that, in the end, nothing they can do--including murder--will get them what they are searching for.

"It is awesome, perhaps the finest novel I have ever read in my life. It literally sent shivers through me, the sheer beauty of the language, the exquisite perversity of the imagination, the incredible grasp of motivation-it is his most tightly plotted, best organized, most accessible novel. It is a wonder." -Dotson Rader Querelle is regarded by many critics as Jean Genet's highest achievement in the novel-certainly one of the landmarks of postwar French literature. The story of a dangerous man seduced by danger, it deals in a startling way with the Dostoevskian theme of murder as an act of total liberation, and as a pact demanding an answering sacrifice.

Excerpts from the novels, plays, and poems of the French convict, prostitute, and literary artist join notes from his film, The Penal Colony, letters, essays, and a rare interview, all edited by a contemporary biographer.