Two compassionately subversive plays about identity, by Young Jean Lee, a Korean American playwright whose work is groundbreaking, humorous and often thrillingly transgressive. In Straight White Men, it's Christmas Eve, and Ed has gathered his three adult sons to celebrate with matching pyjamas, trash-talking, and Chinese takeaway. But when a question they can't answer interrupts their seasonal cheer, they are forced to confront their own identities. Raucous, surprising and fearless, Straight White Men takes an outside look at the traditional father/son narrative, shedding new light on a story we think we know all too well. It had its UK premiere at Southwark Playhouse, London, in 2021, following US productions including a Broadway run that made Lee the first Asian-American woman to have a play produced on Broadway. In Untitled Feminist Show, six charismatic stars of the theatre, dance, cabaret and burlesque worlds come together in an exhilaratingly irreverent, nearly wordless celebration of a fluid and limitless sense of identity. Untitled Feminist Show isn't a show about feminism - it is a feminist show. It premiered at the Walker Art Center, Minneapolis, in 2012 before transferring to the Baryshnikov Arts Center in New York City. 'Young Jean Lee is, hands down, the most adventurous downtown playwright of her generation' New York Times

Readers today are still fascinated by “Nat,” an eighteenth-century nautical wonder and mathematical wizard. Nathaniel Bowditch grew up in a sailor’s world—Salem in the early days, when tall-masted ships from foreign ports crowded the wharves. But Nat didn’t promise to have the makings of a sailor; he was too physically small. Nat may have been slight of build, but no one guessed that he had the persistence and determination to master sea navigation in the days when men sailed only by “log, lead, and lookout.” Nat’s long hours of study and observation, collected in his famous work, The American Practical Navigator (also known as the “Sailors’ Bible”), stunned the sailing community and made him a New England hero.

Chinese Women Business Leaders - Seven Principles of Leadership includes seven women who represent the characteristics of ShEOs in the wave of Chinese economic reform. Their unique life stories are also reflections of changes in Chinese society. These women have each played a distinctive role In China's rapid emergence. Reform and opening up has brought more opportunities than ever before to Chinese women, though along with these opportunities come some questions and challenges. The fetters and shackles of tradition have been shattered. A path for self-actualization has opened up. Women in mainland China have experienced great changes, and struggled with conflicts between traditional heritage and modern values. Ever since reform and opening up in 1978, the rapid emergence of women in leadership roles in business has paralleled significant upheavals in the Chinese business landscape.

"Bold, unguarded work . . . that resists pat definition. [Young Jean] Lee has penned profane lampoons of motivational bromides ("Pullman, WA") and the Romantic poets ("The Appeal"). Now she piles her deconstructive scorn upon ethnic stereotypes in "Songs of the Dragons Flying to Heaven," a sweet-and-sour parade of Asian minstrelsy."-"Time Out New York"

"A perverse, provocative, and very funny festival of racism . . . "Songs" offers not only chauvinistic monologues and ass-slapping Korean dances, but also a rigorous exploration of art-making and its associated terrors."-"The Village Voice"

"Have you ever noticed how most Asian Americans are slightly brain-damaged from having grown up with Asian parents?" begins the Korean American protagonist of "Songs of the Dragons Flying to Heaven," the singular work of Young Jean Lee, whose plays are like nothing you have ever seen or read. This is the first collection by the downtown writer-director, whose explorations of stereotypes of race, gender, and religion are unflinching-and seat-squirming funny. Also includes "Groundwork of the Metaphysic of Morals"; "The Appeal"; "Pullman, WA"; "Church"; and "Yaggoo."

Young Jean Lee was born in Korea and moved to the United States at age two. She grew up in Pullman, Washington, and attended college at the University of California, Berkeley, where she also studied Shakespeare in the English PhD program before moving to New York. She is the founder of the Young Jean Lee's Theater Company, where she directs her own work, and has toured internationally in Vienna, Hanover, Berlin, Switzerland, Brussels, Norway, France, and Rotterdam; and across the United States in Portland, Seattle, Pittsburgh, and Minneapolis. She is the recipient of a 2007 Emerging Playwright OBIE Award.

At a time when most serious drama being written and produced for the American stage aspires only to mainstream acceptance and high-toned mediocrity, an innovative new generation of playwrights based in New York City has emerged, crafting works that challenge and undermine the conventional structure, language, and characterization of commercial theater while rejecting outdated notions of the avant-garde. New Downtown Now brings together ten new works that exemplify the playfulness, excitement, and possibilities of the theater. Characterized by fragmenting structure, hypnotic rhythms, kaleido-scopic imagery, unpredictable characters, and lyrical language, these plays resemble puzzles from which the writers are teasing revelations. Though disparate in subject matter and style, with characters ranging from a sushi chef to a soldier and settings from a taxicab to a live television broadcast, these highly original plays share a commitment to formal experimentation that places them beyond the psychological cliches of the majority and the cold condescension of postmodernism. The anthology includes Interim by Barbara Cassidy; Tragedy: a tragedy by Will Eno; Nine Come by Elana Greenfield; Shufu-Sachiko and Enoshima Island by Madelyn Kent; The Appeal by Young Jean Lee; The Vomit Talk of Ghosts by Kevin Oakes; Ajax (por nobody) by Alice Tuan; Apparition, an uneasy play of the underknown by Anne Washburn; Demon Baby by Erin Courtney. Mac Wellman is the author of numerous plays and the recipient of three Obie awards, most recently in 2003 for lifetime achievement. He is professor of playwriting at Brooklyn College. Young Jean Lee is a playwright and director, and member of the Obie award-winning company 13P. Jeffrey M. Jones is a playwright and curator of the Obie award-winning Little Theater at Tonic in New York.