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Showing 1 - 8 of 8 matches in All Departments
What has the land of Israel meant for the Jewish imagination? This book provides a lively and readable answer, covering Biblical times to the present. Its aim is to pierce the mystery of the images of Israel, to grasp their meaning and function, to trace their origins and history, and to resituate in historical terms the fertile mythology that has peopled and continues to people the Jewish imagination, interposing a screen between a people and their land. Describing the real, however, is not sufficient to disqualify the myths. The authors believe, with the famous French historian Pierre Vidal-Naquet, that: "Things are not so simple. Myth is not opposed to the real as the false to the true; myth accompanies the real." Today, Israel is an undeniable fact and no longer has to legitimize its existence. It is in the midst of living through the crises of adulthood. The authors simply want to reconstitute and trace the genealogies of these contemporary crises. Only upon a clear understanding of this present and this past can a future be constructed.
According to tradition, Moses wrote the first five books of the Bible. Depicted there in suprising and contradicting ways, and both for and against his people, bringer of the tablets of law which he then breaks. By way of a series of possible portraits-including one of a female Moses-Jean-Christophe Attias follows the metamorphoses of the Hebrew liberator through ages and cultures. Drawing on rabbinical sources as well as the Bible itself, he examines the words of the texts and especially their silences. He discovers here a fragile prophet, teacher of a Judaism of the spirit, of wandering, and of incompleteness. The Judaism of Moses speaks to believers and others-to Jews, of course, but also far beyond them, inviting its hearers to have done with tribal pride, the violence of weapons, and the tyranny of a special place.
What has the land of Israel meant for the Jewish imagination? This book provides a lively and readable answer, covering Biblical times to the present. Its aim is to pierce the mystery of the images of Israel, to grasp their meaning and function, to trace their origins and history, and to resituate in historical terms the fertile mythology that has peopled and continues to people the Jewish imagination, interposing a screen between a people and their land. Describing the real, however, is not sufficient to disqualify the myths. The authors believe, with the famous French historian Pierre Vidal-Naquet, that: "Things are not so simple. Myth is not opposed to the real as the false to the true; myth accompanies the real." Today, Israel is an undeniable fact and no longer has to legitimize its existence. It is in the midst of living through the crises of adulthood. The authors simply want to reconstitute and trace the genealogies of these contemporary crises. Only upon a clear understanding of this present and this past can a future be constructed.
Despite its deceptively simple title, this book ponders the thorny
issue of the place of the Bible in Jewish religion and culture. By
thoroughly examining the complex link that the Jews have formed
with the Bible, Jewish scholar Jean-Christopher Attias raises the
uncomfortable question of whether it is still relevant for them.
Despite its deceptively simple title, this book ponders the thorny
issue of the place of the Bible in Jewish religion and culture. By
thoroughly examining the complex link that the Jews have formed
with the Bible, Jewish scholar Jean-Christopher Attias raises the
uncomfortable question of whether it is still relevant for them.
In the current situation of polarization in the Middle East, it is easy to lose sight of the fact that a long tradition of dialogue and openness toward the "Other" exists in many strands of Jewish thought. Himself or herself the quintessential Other in a world in which she or he has existed dispersed, in exile, as a minority, the Jew has consistently envisioned the self in relation to surrounding societies. Esther Benbassa and Jean-Christophe Attias show that alterity is a useful and morally compelling notion with which to structure Judaism's historically specific and politically charged encounters with deity, femininity, the Christian West, and the Muslim East. In Benbassa and Attias's view, the Other may be rejected, but it is also a mirror, both reminding the Jew of ethical duties and constituting a source of temptation and danger. Sometimes, the authors find, the Other is the enemy. They note that it is with the enemy that peace is made, peace with the Other and peace with the self. The Jew and the Other, which is an extended commentary on a dozen Biblical verses and which follows the five books of the Pentateuch, offers the history of that encounter as an inextricable part of the Jewish condition and is itself a meditation on this encounter.
In the current situation of polarization in the Middle East, it is easy to lose sight of the fact that a long tradition of dialogue and openness toward the "Other" exists in many strands of Jewish thought. Himself or herself the quintessential Other in a world in which she or he has existed dispersed, in exile, as a minority, the Jew has consistently envisioned the self in relation to surrounding societies. Esther Benbassa and Jean-Christophe Attias show that alterity is a useful and morally compelling notion with which to structure Judaism's historically specific and politically charged encounters with deity, femininity, the Christian West, and the Muslim East. In Benbassa and Attias's view, the Other may be rejected, but it is also a mirror, both reminding the Jew of ethical duties and constituting a source of temptation and danger. Sometimes, the authors find, the Other is the enemy. They note that it is with the enemy that peace is made, peace with the Other and peace with the self. The Jew and the Other, which is an extended commentary on a dozen Biblical verses and which follows the five books of the Pentateuch, offers the history of that encounter as an inextricable part of the Jewish condition and is itself a meditation on this encounter.
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