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Christian Marclay (Hardcover)
Christian Marclay; Edited by Jean-Pierre Criqui; Text written by Polly Barton, Michel Gauthier, Marcella Lista, …
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R1,444
R1,174
Discovery Miles 11 740
Save R270 (19%)
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Ships in 10 - 15 working days
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This monograph was copublished by Cahiers d’Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923–2015) in France between 1949 and 1950. Kelly’s years in France were a period of perpetual invention and are fundamental to an understanding of his work. As he wrote in 1969, “After constructing Window with two canvases and a wood frame, I realized that ... painting as I had known it was finished for me.” This signal moment is evoked through more than 80 works, paintings, drawings, sketches and photographs, along with two beautiful essays by Yve-Alain Bois and Jean-Pierre Criqui.
Ellsworth Kelly is one of the most important abstract artists of the 20th and 21st centuries, as well as a key figure in the rebirth of Cahiers d’Art: the publishing house was reopened in 2012 with an exhibition of Kelly’s work in its legendary gallery, and, in collaboration with Yve-Alain Bois and the Ellsworth Kelly Foundation, it published the first volume of Kelly’s Catalogue Raisonné of Paintings, Reliefs, and Sculpture, 1940–1953.
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Ellsworth Kelly
Ellsworth Kelly; Foreword by Emily Wei Rales; Text written by Jean-Pierre Criqui, Alex Da Corte, Peter Eeley, …
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R1,876
R1,474
Discovery Miles 14 740
Save R402 (21%)
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The second in a unique series of anthologies which collects key
writings by and on the most significant artists in contemporary
culture. Influencing a whole generation of artists, musicians and
theorists, since the late 1970s Christian Marclay has explored the
interplay between sound, audio cultures and art across a diversity
of media: performance, sculpture, photography, collage, musical
composition, film, video and installation. Born in 1955, Marclay
first became internationally known in the 1980s for his sculptures
and reassembled readymades generated from evocative materials such
as fragmented vinyl records or album covers. His ambitious
multi-screen installations such as Video Quartet (2002), Crossfire
(2007) and The Clock (2010) have entranced audiences into
contemplating the complexities of time and narrative and the role
of sound in their experience and representation. Marclay has also
collaborated musically with Shelley Hirsch, the Kronos Quartet,
Zeena Parkins, Elliott Sharp, Sonic Youth and John Zorn, among many
others. Edited by curator and critic Jean-Pierre Criqui, this
volume brings together the artist's statements and conversations
with Bice Curiger, Jan Estep, Russell Ferguson, Kim Gordon, Douglas
Kahn, Frances Richard, Philip Sherburne, Michael Snow, Lars
Soederkvist, David Toop and Philip von Zweck. Writings on all
aspects of Marclay's work are provided by Clement Cheroux, Dennis
Cooper, Christoph Cox, Jean-Pierre Criqui, Noam M. Elcott, Russell
Ferguson, Douglas Kahn, Rahma Khazam, Wayne Koestenbaum, Rosalind
Krauss, Thomas Y. Levin, Tom Morton, Ingrid Schaffner, Olivier
Schefer, Zadie Smith, David Toop and Rob Young.
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