Designing User Interfaces for an Aging Population: Towards Universal Design presents age-friendly design guidelines that are well-established, agreed-upon, research-based, actionable, and applicable across a variety of modern technology platforms. The book offers guidance for product engineers, designers, or students who want to produce technological products and online services that can be easily and successfully used by older adults and other populations. It presents typical age-related characteristics, addressing vision and visual design, hand-eye coordination and ergonomics, hearing and sound, speech and comprehension, navigation, focus, cognition, attention, learning, memory, content and writing, attitude and affect, and general accessibility. The authors explore characteristics of aging via realistic personas which demonstrate the impact of design decisions on actual users over age 55.

Is your application or Web site ready for prime time?
A major revision of a classic reference, GUI Bloopers 2.0 looks at user interface design bloopers from commercial software, Web sites, Web applications, and information appliances, explaining how intelligent, well-intentioned professionals make these mistakes--and how you can avoid them. While equipping you with the minimum of theory, GUI expert Jeff Johnson presents the reality of interface design in an entertaining, anecdotal, and instructive way.
* Updated to reflect the bloopers that are common today, incorporating many comments and suggestions from first edition readers.
* Takes a learn-by-example approach that teaches how to avoid common errors.
* Covers bloopers in a wide range of categories: GUI controls, graphic design and layout, text messages, interaction strategies, Web site design -- including search, link, and navigation, responsiveness issues, and management decision-making.
* Organized and formatted so information needed is quickly found, the new edition features call-outs for the examples and informative captions to enhance quick knowledge building.
* Hundreds of illustrations: both the DOs and the DON'Ts for each topic covered, with checklists and additional bloopers on www.gui-bloopers.com.

Although Estonia, Latvia and Lithuania are culturally distinct, they share a common theatre history characterized by resistance, first as a response to Nazi occupation, then as an ideological weapon countering their annexation under strict Soviet ideology. This comprehensive overview of contemporary theatre in the Baltic states includes interviews with major directors, writers, academics and critics, critiques of significant performances, and historical information to familiarize readers with the region. It not only discusses the political ramifications of the three countries' transition from occupied Soviet states to independent members of the European Union, but also addresses the aesthetic, cultural and national issues associated with the move to independence and the adaptation of a Western economic model. More than an introduction, this book is a forum for ideas as well as a detailed, first-hand account of the current scene in Baltic theatre. While useful for anyone interested in contemporary theatre, it is also essential reading for those interested in Baltic studies, post - Soviet cultural history, and recent trends in East European literature.

Filmmaker David Lynch's work is viewed here as patriotic and Puritanical. This Lynch is an idealistic conservative on a reformer's mission. Lynch promotes a return to the values inherent in a mythological America, but he simultaneously indulges in a voyeuristic pleasure while he condemns. Like Jeffrey peeking through the slats of Dorothy's closet in Blue Velvet, the viewer of Lynch's work is a rationalist plagued by his dreams; intrigued and repulsed, fascinated and judgmental, he both craves and resists cultural assimilation. Works presented include all features from Eraserhead to Mulholland Drive, shorts such as The Amputee and The Grandmother, and contributions to television such as On the Air, American Chronicles, and, of course, Twin Peaks. This study develops an idea of Lynch's politics and analyzes his work. This analysis explores Lynch's paradox of condemning an immoral world through disturbing images and concepts, and touches on such points as the identifiable figure of evil in his works and the archetypes of the nymphet, well-meaning traditionalist, and struggling ethicist. Also included is a history of moralistic criticism in American literature and a review of existing Lynch criticism within this context.

Inspired by a meeting with Tennessee Williams, American playwright William Inge found success early, winning a Pulitzer for drama and an Academy Award for best screenplay. His small-town upbringing profoundly influenced his writing, and one of his major recurring themes was the traditional roles of gender. This close study of Inge's work focuses particularly on his technique of ?gendermandering, ? patterns of gender-role reversals which Inge exploits not only for dramatic effect but also to subvert social expectations. Fully considered are stereotypes and established gender roles, especially as they were reinforced socially during the 1940s and 1950s. The author concentrates largely on material that is strictly Inge?s, not adaptations or collaborations, and on work that has been published and is readily available to the general public. All major plays; a collection of his short plays; the screenplay of Splendor in the Grass (1961); and his novel Good Luck, Miss Wyckoff are covered. Some of Inge's more inaccessible material, including a few short published plays as well as some of the unpublished manuscripts held in the Inge Collection at Independence Community College in Independence, Kansas, is also addressed.

Route 17 is not just an iconic historical highway that runs the length of the eastern seaboard. It also passes through some of the most prime shrimping zones in the United States. Viewing this historical route through a contemporary lens, this study is an impressionistic profile of a vintage southern highway and the culture that surrounds it. Although the highway runs from Punta Gorda, on the Gulf Coast of Florida, to Winchester, Virginia, in the Shenandoah Mountains, this trip focuses on the section that skirts the Eastern Seaboard-known as The Coastal Highway, The Ocean Highway, or just "17"-offering an anecdotal look at the colorful people and often quirky places that make up the essence of Lowcountry living. This is not an academic study, although it does provide historical context to the areas involved, and it is not a technical book about the shrimp industry or the history of the highway. Both a travelogue and a foodie journal, the story told here provides a casual look into the culinary history of shrimp and an overview of the people who harvest, sell and consume them. In addition to visiting eateries along the route, both established and obscure, and visiting often remote ports-of-call cluttered with trawlers, Johnson also explores an archetype he identifies as a "17-er," a person who spends a lifetime on or near the highway, for whom the road defines and reflects a special type of character particular to living off 17.

User interface (UI) design rules and guidelines, developed by early HCI gurus and recognized throughout the field, were based on cognitive psychology (study of mental processes such as problem solving, memory, and language), and early practitioners were well informed of its tenets. But today practitioners with backgrounds in cognitive psychology are a minority, as user interface designers and developers enter the field from a wide array of disciplines. HCI practitioners today have enough experience in UI design that they have been exposed to UI design rules, but it is essential that they understand the psychological basis behind the rules in order to effectively apply them. In Designing with the Mind in Mind, best-selling author Jeff Johnson provides designers with just enough background in perceptual and cognitive psychology that UI design guidelines make intuitive sense rather than being just a list of rules to follow.

Born in Missouri more than a century ago and raised in a Pentecostal orphanage, the creature now calling himself Gelson Verber has changed his name countless times. He s part-werewolf, and makes his living hunting certain kinds of bad mencriminals, rapists, thugsin an often grotesque parody of the natural order. Verber is clearly suffering from the kinds of things a werewolf would be uniquely vulnerable to in the modern world: the horror of war, drug abuse, and isolation in the rain-drenched environment of Portland, Oregon. He has PTSD, but in a unique way, often flashing back to his time with a regiment in World War II. His smooth life as a serial killer takes a turn when he falls into the crosshairs of Salt Street, a development corporation running pirated criminology software and Big Data sieves to identify werewolf hybrids, who are then forced into servitude. As he falls deeper into the trap that has been set for him, his introduction to its evil architect triggers within Verber a string of recollections, conversations with the late werewolf-hybrid, John Jack Bridger. Salt Street's trap is masterful, but it does have one terrible flaw: you cannot cage someoneor some thinglike Gelson Verber."

By turns harrowing, moving, and ultimately redemptive, this is a war story -- a war that rages out of control on the streets of the United States, claiming the lives of our loved ones and neighbors. In this memoir, complete with child soldiers, unspeakable violence, and eventual salvation, we witness the journey of an East Coast member of the notorious Bloods gang coming to terms with the lost boy he was and the transformation into the man he wants to become. Unlike the child warriors of Mozambique and Sierra Leone, gang members and the wars they wage are the United States' homegrown nightmare. Lacking protection, support, or any alternatives, Dashaun Morris is forced into battle for the first time at age eleven, in the streets of Phoenix, when a friend's older brothers put him in a car filled with 40s and weed smoke, put a gun in his hands, then make him point it at the men on the corner and squeeze the trigger. The targets are Crips, of course, and, as Morris writes, "In the darkness of the streets, my childhood is murdered.... I am reborn -- a gangster." In this haunting, violent memoir, Morris takes us through an American childhood turned grotesquely inside out. In the fourth grade, he loses his first friend in a drive-by shooting. By high school he is the man, a champion on the football field by day and a reputable banger on his 'hood turf by night. Living the life of a gang banger, Morris does it all -- drug dealing, jacking, and continuing the aimless war with rival gang members -- almost opening fire one night on a close friend, a cheerleader, as she hangs out with young men he mistakes for Crips. He eventually makes it to college on a football scholarship, but on the verge of being drafted by the NFL, Morris can't escape his gang-banging mentality and gets caught up in crimes that snatch away all future hopes. Sitting in a prison cell, he anticipates the birth of his first child while counting the friends he's buried. War of the Bloods in My Veins is part of Morris's redemption, a cry to his brothers that gang life is mental illness. It is a rare and brutally honest look into the relentless storm of abandonment, violence, crime, death, and the endless rush toward the complete and utter self-annihilation that plagues the lives of the young "soldiers" who die every day in our streets.

This book is a historical study of Africian American Christians who choose to stay within white denominations. Four key objectives are covered, first to propose an alternative framework for the study of black Lutheranism, second this book will trace the development of black Lutheranism beginning with the middle of the 17th century, third it examine the development of black Lutheranism in the larger social context in which it occurred, and finally identifies the strategies Lutherans have used in working with black people.

Award-winning activist journalist and motivational speaker Jeff Johnson dares the post-Civil Rights generation to stop making excuses, overcome personal challenges, and create lives filled with passion, meaning, and service in "Everything I'm Not Made Me Everything I Am." This empowering strategic guide for manifesting and achieving your personal B.E.S.T. highlights Johnson's unique blend of political consciousness and street-smart inspiration. "A committed youth advocate, Johnson offers a lifeline to those who feel lost in a sea of choices, distractions, and self-imposed limits. ""Everything I'm Not Made Me Everything I Am ""offers practical guidance for learning how to unplug from the programmed expectations of family and society in order to discover and fulfill your unique life's mission."