This comprehensive biography of prolific critic, essayist, historian, and novelist Edmund Wilson (1895-1972) posits, quite successfully, that the subject lived a life as romantic and chaotic as his friend F. Scott Fitzgerald's. Wilson suffered a nervous breakdown and the tragic death of his second wife (he was married four times, among them, Mary McCarthy); had affairs with numerous beautiful women, including Edna St. Vincent Millay; and was friend to literary giants such as John Dos Passos, Vladimir Nabakov, and W.H. Auden.

This biography of Edgar Allan Poe (1809-1849), a giant of American literature who invented both the horror and detective genres, is a portrait of extremes: a disinherited heir, a brilliant but exploited author and editor, a man who veered radically from temperance to rampant debauchery, and an agnostic who sought a return to religion at the end of his life. Acclaimed biographer Jeffrey Meyers explores the writer's turbulent life and career, including his marriage and multiple, simultaneous romances, his literary feuds, and his death at an early age under bizarre and troubling circumstances.

Originally published in 1980 and nominated for the Duff Cooper Prize, this was the first biography of Wyndham Lewis and was based on extensive archival research and interviews. It narrates Lewis’ years at Rugby and the Slade, his bohemian life on the Continent, the creation of Vorticism and publication of Blast, and his experiences at Passchendaele, as well as his many love affairs, his bitter quarrels with Bloomsbury and the Sitwells, the suppressed books of the thirties, the evolution of his political ideas, his self-imposed exile in North America and creative resurgence during his final blindness. Jeffrey Meyers also describes Lewis’ relationships with Roy Campbell, D. H. Lawrence, Katherine Mansfield, T. E Lawrence, Hemingway, Huxley, Yeats, Auden, Spender, Orwell and McLuhan. As the self-styled Enemy emerges from the shadows, he is seen as an independent and courageous artist and one of the most controversial and stimulating figures in modern English art and literature.

British colonialism provided a rich vein of material for the novelists of the first half of the 20th century. This study, originally published in 1968, looks at five writers and their reaction to the Empire: Rudyard Kipling, E. M. Forster, Joseph Conrad, Joyce Cary and Graham Greene. It shows how the romantic adventure stories of Kipling's early days, in which the indigenous population plays almost no part, gave rise to the much more important novels of spiritual and moral conflict in which the stereotyped values of Empire are questioned. The decline of colonialism from its apogee in the 1880s within a relatively short period makes the novels discussed a compact group, so that not only is the use of colonial material closely studied, but its impact on the novelists themselves emerges clearly. This is an important study of a major literary theme, linking modern literature and modern history at a vital point.

Although artists are nowadays able to be openly gay and to address homosexuality explicitly in their work, this book argues that it was the harsh climate of 1890-1930 that produced the most outstanding explorations of homosexuality. To support his argument, Meyers illuminates the character and creative process of a range of authors of the period, including Wilde, Gide, Proust, E.M. Forster and T.E. Lawrence, and analyses the sexual problems that were sublimated and transcended in their art.

Best known as the creator of the consulting detective par excellence Sherlock Holmes, Sir Arthur Conan Doyle (1859-1930) was a man of wide-ranging interests and talents, and his literary output went far beyond his Holmes and Watson stories. The Sir Arthur Conan Doyle Reader collects works from all the genres in which he wrote, including mysteries, historical adventure tales, science fiction stories, ghost stories, plays, memoirs, essays on spiritualism (in which he was a dedicated believer) and reports on the Boer War and World War I. This collection features the account of Watson's first meeting with Holmes from A Study in Scarlet, an account of the dinosaurs inhabiting The Lost World, tales of Doyle's Napoleonic hero Brigadier Gerard, a condemnation of Belgium's exploitation of the Congo, and the complete text of his apocalyptic book The Poison Belt, in addition to several other stories and excerpts.

Series Information:
Collected Critical Heritage II

British colonialism provided a rich vein of material for the novelists of the first half of the 20th century. This study, originally published in 1968, looks at five writers and their reaction to the Empire: Rudyard Kipling, E. M. Forster, Joseph Conrad, Joyce Cary and Graham Greene. It shows how the romantic adventure stories of Kipling’s early days, in which the indigenous population plays almost no part, gave rise to the much more important novels of spiritual and moral conflict in which the stereotyped values of Empire are questioned. The decline of colonialism from its apogee in the 1880s within a relatively short period makes the novels discussed a compact group, so that not only is the use of colonial material closely studied, but its impact on the novelists themselves emerges clearly. This is an important study of a major literary theme, linking modern literature and modern history at a vital point.

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

Originally published in 1980 and nominated for the Duff Cooper Prize, this was the first biography of Wyndham Lewis and was based on extensive archival research and interviews. It narrates Lewis' years at Rugby and the Slade, his bohemian life on the Continent, the creation of Vorticism and publication of Blast, and his experiences at Passchendaele, as well as his many love affairs, his bitter quarrels with Bloomsbury and the Sitwells, the suppressed books of the thirties, the evolution of his political ideas, his self-imposed exile in North America and creative resurgence during his final blindness. Jeffrey Meyers also describes Lewis' relationships with Roy Campbell, D. H. Lawrence, Katherine Mansfield, T. E Lawrence, Hemingway, Huxley, Yeats, Auden, Spender, Orwell and McLuhan. As the self-styled Enemy emerges from the shadows, he is seen as an independent and courageous artist and one of the most controversial and stimulating figures in modern English art and literature.

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

Jeffrey Meyers, the author of highly acclaimed biographies of Hemingway and George Orwell, offers this masterly work on British novelist D. H. Lawrence (1885-1930). Meyers' fresh insights into Lawrence's life illuminate Lawrence's working-class childhood, his tempestuous marriage, and his death in France after the scandalous publication of Lady Chatterley's Lover, revealing Lawrence's complex method of intermingling autobiography and fiction. Through intensive research and access to unpublished essays and letters of Lawrence and his circle, Meyers describes the circumstances of his mother's death, the reason for the suppression of The Rainbow, and the author's protean (and extreme) sexuality that mirrored that of his fiction.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume covers the English novelist, George Orwell.

In Joseph Conrad: A Biography, acclaimed writer Jeffrey Meyers presents the definitive account of the life of Joseph Conrad (1857-1924), author of Heart of Darkness, Lord Jim, Nostromo, and many other landmarks in modern literature. Meyers' biography, published for the first time in paperback by Cooper Square Press, is the first biography of the author in many years. Joseph Conrad brings to light new information about Conrad's life and its impact on his fiction: new models emerge for his characters, including Heart of Darkness' Kurtz, and Meyers also examines in great detail Conrad's relationship with the wild and beautiful American journalist Jane Anderson.

Scott Fitzgerald, a romantic and tragic figure who embodied the decades between the two world wars, was a writer who took his material almost entirely from his life. Despite his early success with The Great Gatsby, Fitzgerald battled against failure and disappointment.

This book, by the acclaimed biographer of Hemingway, is the first to analyze frankly the meaning as well as the events of Fitzgerald's life and to illuminate the recurrent patterns that reveal his inner self. Meyers emphasizes Fitzgerald's alcoholism, Zelda's illnesses and her doctors, Fitzgerald's love affairs both before and after her breakdown, and his wide-ranging friendships, from the polo star Tommy Hitchcock to the Hollywood executive Irving Thalberg. His writer friends included Ring Lardner, John Dos Passos, James Joyce, Edith Wharton, and Dorothy Parker. His friend and lifelong hero, Ernest Hemingway, was a harsh critic of both his behavior and his novels, but Fitzgerald accepted this with remarkable humility. Meyers portrays the volatile connection between these two writers and Fitzgerald's marriage to the schizophrenic Zelda with insight and poignancy. Meyers also discusses Fitzgerald's fascinating relationship with his daughter, Scottie. Exercising a fine critical balance, he details Fitzgerald's weaknesses but ultimately reveals a man capable of fierce loyalty and great moral courage.

The highly influential author of novels The Razor's Edge, Of Human Bondage, The Moon and Sixpence, and the story "The Letter" (all of which have been made into films), William Somerset Maugham (1874-1965) wrote an impressive 78 books, sharing his ironic yet sympathetic view of human passion and agony with readers from the Victorian era's close to the world after WWII. His works influenced generations of subsequent writers, including D.H. Lawrence, George Orwell, and V.S. Naipaul. The W. Somerset Maugham Reader presents the full range of Maugham's literary capabilities, from his early works of social realism, to his dramatic tales of love and revenge, to his pieces on travel to exotic lands. Included are stories and book excerpts for which Maugham is famous, as well as pieces which focus on his reoccurring themes: flight from sexual repression, the decay of Europeans transplanted to the tropics, and marriages turned unhappy or violent.

Known to millions as the preeminent swashbuckler of the silver screen, Errol Flynn was a complex man who lived a life far more adventurous than any of his films. In My Wicked, Wicked Ways, Flynn reveals himself to be a self-aware and cosmopolitan devotee of excitement and pleasure. With gusto, he recalls his years as a soldier of fortune in the South Seas, his trip to war-torn Spain, his battles in Hollywood with studio honchos (Jack Warner was a particular nemesis) and ex-wives (esp. Lili Damita), and the furor surrounding his trial for rape in 1943. Freely mixing verbal abuse and tall tales with candid confessions, Flynn's autobiography makes for one hell of a read.

"Stalag 17" (1953), the riveting drama of a German prisoner-of-war camp, was adapted from the Broadway play directed by Jose Ferrer in 1951. Billy Wilder developed the play and made the film version more interesting in every way. Edwin Blum, a veteran screenwriter and friend of Wilder's, collaborated on the screenplay but found working with Wilder an agonizing experience.
Wilder's mordant humor and misanthropy percolate throughout this bitter story of egoism, class conflict, and betrayal. As in a well-constructed murder mystery, the incriminating evidence points to the wrong man. Jeffrey Meyers's introduction enriches the reading of "Stalag 17" by including comparisons with the Broadway production and the reasons for Wilder's changes.

The work of Alex Colville, O.C. (1920-2013), one of the great modern realist painters, combines the Flemish detail of Andrew Wyeth, the eerie foreboding of George Tooker and the anguished confrontations of Lucian Freud. Behind the North Americans stands their common master, Edward Hopper. Colville's works are in many museums in Canada and Germany. He has affinities with Max Beckmann and appeals to the German "secondary virtues": cleanliness, punctuality, love of order. In a long life he resolutely opposed the fashionable currents of abstract and expressionistic art. In contrast to Jackson Pollock's wild action painting, Colville created paintings of contemplation and reflection. As Jeffrey Meyers writes: I spent several days with Colville on each of three visits from California to Wolfville. I received seventy letters from him between August 1998 and April 2010, and kept thirty-six of my letters to him. He sent me photographs and slides of his work and, in his eighties, discussed the progress and meaning of the paintings he completed during the last decade of his life. His handwritten letters, precisely explaining his thoughts and feelings, provide a rare and enlightening opportunity to compare my insights and interpretations with his own intentions and ideas. He also discussed his family, health, sexuality, politics, reading, travels, literary interests, our mutual friend Iris Murdoch, response to my writing, his work, exhibitions, sales of his pictures and of course the meaning of his art. His letters reveal the challenges he faced during aging and illness, and his determination to keep painting as health difficulties mounted. He stopped writing to me when he became seriously ill two years before his death. In this context the late paintings, presented in colour in this book, take on a new poignancy.

The one vampire to outlive them all.
Here begins the story of an evil both ages old and forever new. It is the story of those who instill a diabolic craving in their victims, the men and women from whose blood they draw their only sustenance. It is a novel of peculiar power, of hypnotic fascination. The reader is warned that he who enters Castle Dracula may not escape its baleful spell-even when he closes this book...
This trade paperback edition will carry a teaser chapter from Dacre Stoker's upcoming, familyendorsed sequel, "Dracula: The Un-Dead."

Despite its good intentions, mismanagement and corruption plagued the UN's Oil-for-Food Program:
-More than 2,200 companies paid $1.8 billion in illegal surcharges and kickbacks to the Iraqi regime
-The UN Security Council stood by as the Iraqi regime outright smuggled about $8.4 billion of oil during the Program years in violation of UN sanctions
-The Iraqi regime steered oil contracts for political advantage by giving rights to buy oil to dozens of global political figures sympathetic to Iraq's goal to loosen or overturn the UN sanctions
-The Iraqi regime provided Benon Sevan, the UN's chief administrator of the Program, with rights to buy more than 7 million barrels of oil
-UN-related humanitarian agencies collected tens of millions of dollars for costs they never incurred, and some built factories in Iraq that weren't needed or that never worked at all
-Even UN Secretary-General Kofi Annan was tainted by it
But the whole story has never been told in one place.