This volume collects important examples of Greek literary portraiture. The "Characters" of Theophrastus consists of thirty fictional sketches of men who are each dominated by a single fault, such as arrogance, boorishness, or superstition. The Hellenistic poet Herodas wrote mimes, a popular entertainment in which one actor or a small group portrayed a situation from everyday life, concentrating on depiction of character rather than on plot. The volume also includes a new translation and text of extant portions of the mimes of Sophron, a Syracusan of the fifth century BCE Here too is a selection of anonymous mime fragments.

The work of Sophron and the anonymous mime fragments are newly added to the Loeb Classical Library in this second edition of a volume published in 1993. Jeffrey Rusten and Ian Cunningham have also updated their editions of Theophrastus and Herodas.

The publication of Jacqueline de Romilly's Histoire et raison chez Thucydide in 1956 virtually transformed scholarship on Thucydides. Rather than mining The Peloponnesian War to speculate on its layers of composition or second-guess its accuracy, it treated it as a work of art deserving rhetorical and aesthetic analysis. Ahead of its time in its sophisticated focus upon the verbal texture of narrative, it proved that a literary approach offered the most productive and nuanced way to study Thucydides. Still in print in the original French, the book has influenced numerous Classicists and historians, and is now available in English for the first time in a careful translation by Elizabeth Trapnell Rawlings. The Cornell edition includes an introduction by Hunter R. Rawlings III and Jeffrey Rusten tracing the context of this book's original publication and its continuing influence on the study of Thucydides. Romilly shows that Thucydides constructs his account of the Peloponnesian War as a profoundly intellectual experience for readers who want to discern the patterns underlying historical events. Employing a commanding logic that exercises total control over the data of history, Thucydides uses rigorous principles of selection, suggestive juxtapositions, and artfully opposed speeches to reveal systematic relationships between plans and outcomes, impose meaning on the smallest events, and insist on the constant battle between intellect and chance. Thucydides' mind found in unity and coherence its ideal of historical truth.

Aside from the well-known plays of Aristophanes, many of the comedies of ancient Greece are known only through fragments and references written in Greek. Now a group of distinguished scholars brings these nearly lost works to modern readers with lively English translations of the surviving texts. The Birth of Comedy brings together a wealth of information on the first three generations of Western comedy. The translations, presented in chronological order, are based on the universally praised scholarly edition in Greek, Poetae Comici Graeci, by R. Kassel and C. A. Austin. Additional chapters contain translations of texts relating to comedy at dramatic festivals, staging, audience, and ancient writers on comedy. The main text is supplemented by an introduction assessing the fragments' contributions to the political, social, and theatrical history of classical Athens and more than forty illustrations of comic scenes, costumes, and masks. A glossary of komoidoumenoi-the ancient word for "people mentioned in comedies"-provides background information on the most notorious comic victims. A full index includes not only authors, play titles, and persons mentioned, but themes from the whole Greek comic sphere (including politics, literature and philosophy, celebrities and social scandals, cookery and wine, sex, and wealth).

The publication of Jacqueline de Romilly's Histoire et raison chez Thucydide in 1956 virtually transformed scholarship on Thucydides. Rather than mining The Peloponnesian War to speculate on its layers of composition or second-guess its accuracy, it treated it as a work of art deserving rhetorical and aesthetic analysis. Ahead of its time in its sophisticated focus upon the verbal texture of narrative, it proved that a literary approach offered the most productive and nuanced way to study Thucydides. Still in print in the original French, the book has influenced numerous Classicists and historians, and is now available in English for the first time in a careful translation by Elizabeth Trapnell Rawlings. The Cornell edition includes an introduction by Hunter R. Rawlings III and Jeffrey Rusten tracing the context of this book's original publication and its continuing influence on the study of Thucydides.

Romilly shows that Thucydides constructs his account of the Peloponnesian War as a profoundly intellectual experience for readers who want to discern the patterns underlying historical events. Employing a commanding logic that exercises total control over the data of history, Thucydides uses rigorous principles of selection, suggestive juxtapositions, and artfully opposed speeches to reveal systematic relationships between plans and outcomes, impose meaning on the smallest events, and insist on the constant battle between intellect and chance. Thucydides' mind found in unity and coherence its ideal of historical truth.