As the sun sets on a feverishly hot July evening, a young woman spies on her teenage neighbor, transfixed by what looks like an occult ritual intended to banish an ex-boyfriend. Alone in a new town and desperate to expel the claustrophobic memories of her own ex that have followed, the narrator decides to try to hex herself free from her past. She falls in with the neighbor and her witchy friend, exploring nascent supernatural powers as the boundaries of reality shift in and out of focus. But when the creaks and hums of her apartment escalate into something more violent, she realizes that she may have brought her boyfriend's presence-whether psychological or paranormal-back to haunt her. With astonishing emotional depth and clarity, Disturbance explores the fallout of abuse. Propulsive and wry, this razor-sharp debut twists witchcraft and horror into a powerful narrative of one woman's struggle to return to herself.

Jenna Clake's Museum of Ice Cream is part simulation, part internal monologue, part attempt to reach out. An uncanny examination of objects, scenes, and flavours, these poems explore how food can connect and divide, can feel isolating and terrifying: public and private jars of peanut butter, a tray of lemons, unfurling chocolate bar wrappers. In turning to television, childhood films, and social media accounts, her collection investigates how to reveal and conceal, what it means to have a secret, to be intimate, to navigate something that should be natural, but feels sickly, sour, and wrong. Museum of Ice Cream is Jenna Clake's second collection, following her debut Fortune Cookie (2017), winner of an Eric Gregory Award and the Melita Hume Poetry Prize, which was also shortlisted for a Somerset Maugham Award.

Poetry. FORTUNE COOKIE is Jenna Clake's debut collection. These poems deal with the everyday and ordinary: living with a partner, friendships, and chronic insomnia. At the same time, they contain confusing, absurd worlds: animals can talk, boyfriends are imagined or might be seals, and jellyfish are slowly taking over. At once humorous, poignant and unsettling, this collection considers how we might make sense of a world that really makes no sense at all.