Featuring a selection of brand new essays by a group of accomplished scholars, Arthur Koestler's Fiction and the Genre of the Novel covers all of Koestler's novels published in his lifetime, the first book to attempt this in English since Mark Levene's Arthur Koestler, published thirty-seven years ago. The team of contributors, with research backgrounds in history, political science, religious studies, law, linguistics and journalism besides literature, offers a truly multidisciplinary take on how Koestler's novels utilize, and at times transcend, the genre of the novel, and argues for their enduring relevance and appeal in the twenty-first century, inviting the reader to revisit and reassess them. With the topics of Koestler's novels including terrorism, massive migration, espionage, rape trauma, war trauma, the crisis of faith, propaganda, fake news and the role and responsibility of intellectuals in major international crises, as the volume aims to show, these texts are just as topical today, as they were at the time of their publication.

Existential Edinburgh is a personal journey through a city that has for centuries inspired many. An exploration, an evocation of the city's past and present it weaves together personal experience, memory and history. It takes the reader beyond the city's historic centre, looking out to surrounding areas that are inseparable from Edinburgh's story. There are companions on this journey, well-known figures from the past and the not so well-known.

"I'm not Nebuchadnezzar, and I'm not MacBeth." So who am I? Chicago, Nairobi, Jerusalem, Cambridge, Edinburgh: the geography of Jenni Calder's life is as diverse as the ethnic, intellectual and emotional components. Jenni Calder has spent a lifetime in search of her identity, first as a daughter and sister, then as a writer, wife and mother. Not Nebuchadnezzar is a biography of sorts, a chronicle of the consuming search for that elusive concept known as 'identity'. Highly respected biographer of Robert Louis Stevenson, poet and historian, Calder has chosen an intriguingly elliptical, thematic approach to writing her own vividly presented life story. Keenly observed cameos of people and places abound but although this moving book is infused with a sense of mischief and fun, at heart it is a wise contemplation of life. Jenni Calder's retrospect describes a life well-lived, full of event and achievement, love and loss, aspiration and frustration. If you know who you are not, do you then know who you are? Jenni Calder was born Jennifer Rachel Daiches to a Scottish-born mother and English-born Jewish father in Chicago, one of America's great melting-pot cities. Not Nebuchadnezzar traces her journey from then to now. Through this book, Calder discovers that her true sense of identity can only develop from finding out who she is not. Here she balances her multiple identities to throw kaleidoscopic prisms from a single source - herself.

Kidnapped - Catriona - The Master of Ballantrae - Weir of Hermiston These four great novels take us deep into Robert Louis Stevenson's imaginative and bitter-sweet relationship with his native country. Kidnapped, and its sequel Catriona, are renowned the world over as supreme stories of adventure and romance. On another level they also explore the subtle divisions of Scottish history and character in the eighteenth century, and (some would say) the present day. The Master of Ballantrae takes a darker and more disturbing turn, with its tale of rival brothers caught in a webof hatred, obsession, love and betrayal which draws them to their end in the frozen wastes of North America. Stevenson's fascination with the divided nature of the human self (most obviously demonstrated in Dr Jekyll and Mr Hyde) appears again in the Weir of Hermiston with its terrible confrontation between a father and his son. With an unsurpassed combination of physical adventure and psychological insight, The Scottish Novels have moved and thrilled readers and writers from Stevenson's contemporaries to the present day.

Travels in the Colonies in 1773-1775 Described in the Letters of William Mylne contains a narrative of the two years that Scottish architect and engineer William Mylne spent in the American colonies. The letters included in this volume, written from Mylne's own pen to his sister Anne and brother Robert, document Mylne's journeys from his home in Edinburg to the American colonies in South Carolina, Georgia, Charlestown, and New York. The Georgia Open History Library has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this collection, do not necessarily represent those of the National Endowment for the Humanities.

Travels in the Colonies in 1773-1775 Described in the Letters of William Mylne contains a narrative of the two years that Scottish architect and engineer William Mylne spent in the American colonies. The letters included in this volume, written from Mylne's own pen to his sister Anne and brother Robert, document Mylne's journeys from his home in Edinburg to the American colonies in South Carolina, Georgia, Charlestown, and New York. The Georgia Open History Library has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this collection, do not necessarily represent those of the National Endowment for the Humanities.

This book shows how the American wilderness shaped Scottish experience, imagination and identity. How is the Scottish imagination shaped by its emigre experience with wilderness and the extreme? Drawing on journals, emigrant guides, memoirs, letters, poetry and fiction, this book examines patterns of survival, defeat, adaptation and response in North America's harshest landscapes. Most Scots who crossed the Atlantic in the eighteenth and nineteenth centuries encountered the practical, moral and cultural challenges of the wilderness, with its many tensions and contradictions. Jenni Calder explores the effect of these experiences on the Scots imagination. Associated with displacement and disappearance, the 'wilderness' was also a source of adventure and redemption, of exploitation and spiritual regeneration, of freedom and restriction. An arena of greed, cruelty and cannibalism, of courage, generosity and mutual understanding, it brought out the best and the worst of humanity. Did the Scots who emigrated exchange one extreme for another, or did they discover a new idea of identity, freedom and landscape? The book draws on a wide range of Scottish, Canadian and US source material. It illuminates overlooked aspects of the Scottish diaspora experience. It extends the frontiers of Scottish history. It relates to current political, cultural and genealogical concerns.