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The Routledge Handbook of Classics and Cognitive Theory is an
interdisciplinary volume that examines the application of cognitive
theory to the study of the classical world, across several
interrelated areas including linguistics, literary theory, social
practices, performance, artificial intelligence and archaeology.
With contributions from a diverse group of international scholars
working in this exciting new area, the volume explores the
processes of the mind drawing from research in psychology,
philosophy, neuroscience, and anthropology, and interrogates the
implications of these new approaches for the study of the ancient
world. Topics covered in this wide-ranging collection include:
cognitive linguistics applied to Homeric and early Greek texts,
Roman cultural semantics, linguistic embodiment in Latin
literature, group identities in Greek lyric, cognitive dissonance
in historiography, kinesthetic empathy in Sappho, artificial
intelligence in Hesiod and Greek drama, the enactivism of Roman
statues and memory and art in the Roman Empire. This
ground-breaking work is the first to organize the field, allowing
both scholars and students access to the methodologies,
bibliographies and techniques of the cognitive sciences and how
they have been applied to classics.
The Routledge Handbook of Classics and Cognitive Theory is an
interdisciplinary volume that examines the application of cognitive
theory to the study of the classical world, across several
interrelated areas including linguistics, literary theory, social
practices, performance, artificial intelligence and archaeology.
With contributions from a diverse group of international scholars
working in this exciting new area, the volume explores the
processes of the mind drawing from research in psychology,
philosophy, neuroscience, and anthropology, and interrogates the
implications of these new approaches for the study of the ancient
world. Topics covered in this wide-ranging collection include:
cognitive linguistics applied to Homeric and early Greek texts,
Roman cultural semantics, linguistic embodiment in Latin
literature, group identities in Greek lyric, cognitive dissonance
in historiography, kinesthetic empathy in Sappho, artificial
intelligence in Hesiod and Greek drama, the enactivism of Roman
statues and memory and art in the Roman Empire. This
ground-breaking work is the first to organize the field, allowing
both scholars and students access to the methodologies,
bibliographies and techniques of the cognitive sciences and how
they have been applied to classics.
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