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From the co-producer of Dork Diaries comes Kaylee, a lover of pranks, who takes on The Tooth Fairy, a Prankster Extraordinaire!
Kaylee loves pulling pranks: from dropping water balloons on passersby to even tricking Santa Claus, she's a prize-winning prankster!
Is she the Princess of Pranks? No! That title is held by none other than the Tooth Fairy. But when Kaylee loses a tooth and the Tooth Fairy goes about her usual tooth-taking business, Kaylee pranks her with a fake frog. As Kaylee and the Tooth Fairy try to out-prank one another, things get way out of hand. Will the two finally see eye and eye and share the crown?
Erin Russell, daughter of DORK DIARIES superstar, Rachel Renée Russell, makes her picture book debut with a rousing and rollicking story, sure to delight losers-of-teeth and pranksters young and old, and Jennifer Hansen Rolli's illustrations perfectly capture the hilarity and chaos of this unusual rivalry!
Investigates the field of German life writing, from Rahel Levin
Varnhagen around 1800 to Carmen Sylva a century later, from
Doeblin, Becher, women's WWII diaries, German-Jewish memoirs, and
East German women's interview literatureto the autofiction of Lena
Gorelik. In recent decades, life writing has exploded in
popularity: memoirs that focus on traumatic experiences now
constitute the largest growth sector in book publishing worldwide.
But life writing is not only highly marketable; it also does
important emotional, cultural, and political work. It is more
available to amateurs and those without the cultural capital or the
self-confidence to embrace more traditional literary forms, and
thus gives voice to marginalized populations. Contested Selves
investigates various forms of German-language life writing,
including memoirs, interviews, letters, diaries, and graphic
novels, shedding light on its democratic potential, on its ability
to personalize history and historicize the personal. The
contributors ask how the various authors construct and negotiate
notions of the self relative to sociopolitical contexts, cultural
traditions, genre expectations, and narrative norms. They also
investigate the nexus of writing, memory, and experience, including
the genre's truth claims vis-a-vis the pliability and unreliability
of human memories. Finally, they explore ethical questions that
arise from intimate life writing and from the representation of
"vulnerable subjects" as well as from the interrelation of material
body, embodied self, and narrative. All forms of life writing
discussed in this volume are invested in a process of making
meaning and in an exchange of experience that allows us to relate
our lives to the lives of others.
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Cosmopolitanism and Place (Paperback)
José M. Medina, John J Stuhr, Jessica Wahman; Contributions by Vincent M. Colapietro, Josep E. Corbi, …
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R1,154
R1,007
Discovery Miles 10 070
Save R147 (13%)
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Ships in 12 - 17 working days
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Addressing perspectives about who "we" are, the importance of place
and home, and the many differences that still separate individuals,
this volume reimagines cosmopolitanism in light of our differences,
including the different places we all inhabit and the many places
where we do not feel at home. Beginning with the two-part
recognition that the world is a smaller place and that it is indeed
many worlds, Cosmopolitanism and Place critically explores what it
means to assert that all people are citizens of the world,
everywhere in the world, as well as persons bounded by a universal
and shared morality.
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Cosmopolitanism and Place (Hardcover)
Jose M Medina, John J Stuhr, Jessica Wahman; Contributions by Vincent M. Colapietro, Josep E. Corbi, …
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R2,309
R2,153
Discovery Miles 21 530
Save R156 (7%)
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Ships in 12 - 17 working days
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Addressing perspectives about who "we" are, the importance of place
and home, and the many differences that still separate individuals,
this volume reimagines cosmopolitanism in light of our differences,
including the different places we all inhabit and the many places
where we do not feel at home. Beginning with the two-part
recognition that the world is a smaller place and that it is indeed
many worlds, Cosmopolitanism and Place critically explores what it
means to assert that all people are citizens of the world,
everywhere in the world, as well as persons bounded by a universal
and shared morality.
Holocaust memorials and museums face a difficult task as their
staffs strive to commemorate and document horror. On the one hand,
the events museums represent are beyond most people's experiences.
At the same time they are often portrayed by theologians, artists,
and philosophers in ways that are already known by the public.
Museum administrators and curators have the challenging role of
finding a creative way to present Holocaust exhibits to avoid
cliched or dehumanizing portrayals of victims and their suffering.
In "Holocaust Memory Reframed," Jennifer Hansen-Glucklich examines
representations in three museums: Israel's Yad Vashem in Jerusalem,
Germany's Jewish Museum in Berlin, and the United States Holocaust
Memorial Museum in Washington, D.C. She describes a variety of
visually striking media, including architecture, photography
exhibits, artifact displays, and video installations in order to
explain the aesthetic techniques that the museums employ. As she
interprets the exhibits, Hansen-Glucklich clarifies how museums
communicate Holocaust narratives within the historical and cultural
contexts specific to Germany, Israel, and the United States. In Yad
Vashem, architect Moshe Safdie developed a narrative suited for
Israel, rooted in a redemptive, Zionist story of homecoming to a
place of mythic geography and renewal, in contrast to death and
suffering in exile. In the Jewish Museum in Berlin, Daniel
Libeskind's architecture, broken lines, and voids emphasize
absence. Here exhibits communicate a conflicted ideology, torn
between the loss of a Jewish past and the country's current
multicultural ethos. The United States Holocaust Memorial Museum
presents yet another lens, conveying through its exhibits a sense
of sacrifice that is part of the civil values of American
democracy, and trying to overcome geographic and temporal distance.
One well-know example, the pile of thousands of shoes plundered
from concentration camp victims encourages the visitor to bridge
the gap between viewer and victim.
Hansen-Glucklich explores how each museum's concept of the sacred
shapes the design and choreography of visitors' experiences within
museum spaces. These spaces are sites of pilgrimage that can in
turn lead to rites of passage.
In an era of backlash and supposed stagnation, feminist
philosophers are still providing fresh and challenging perspectives
- you just have to know where to look. Continental feminist theory
continues to address pressing questions of equality and difference,
identity and subjectivity. Modern thinkers such as Judith Butler,
Kelly Oliver and Drucilla Cornell present strikingly new
perspectives on sex, gender, sexual politics and the various social
apparatuses that underlie gender inequality. Yet their theories are
not always well received. This work is a response to the
marginalization of these modern thinkers. In this volume, Ann J.
Cahill and Jennifer Hansen collect the most groundbreaking work of
the theorists. In their introductory pieces, Cahill and Hansen
translate the often esoteric and mystifying work of the women in
Continental philosophy to those outside the field and outside
academia. With these essays, Continental Feminism Reader begins the
process of reanimating feminist politics through the critical tool
of its contributors.
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