The connection between fashion, femininity, frivolity and Frenchness has become a cliche. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it to be 'merely the external mark of a depravity shared with slaves'. The story of how la mode was 'sexed' as feminine offers a compelling insight into the political, economic and cultural tensions that marked the birth of modern commercial culture. Jones examines men's and women's relation to fashion at this time, looking at both consumption and production to argue how clothing was becoming increasingly conceptualized as feminine/effeminate. A concise history of French fashion culture suitable for anyone interested in eighteenth-century culture, women and gender studies or fashion history.

If you loved Genuine Black Woman, (The Beginning), then your will rave over this one, Genuine Black Woman, (Keeping It Real). In this book, the poetry is powerful, honest, filter free and inspirational. It touches the heart of the young and old, male and female. Genuine Black Woman, (Keeping it Real), is authentic, a classic and a definite keepsake. It is an endearing collections of poetry and essays that is sure to strengthen and guide. It will allow you to open your heart and your mind. It is charming, witty, and immensely entertaining. It is a positive motivator that you will find both gratifying and meaningful. Jennifer Jones is awesome. A new Artist with a refreshing upscale style of writing. Her talent is extraordinary and her creative words will mesmerize you. You will find yourself reading this book over and over again. Upcoming projects includes: Genuine Black Woman, (Answer your Calling), Genuine Black Woman, ( Keeping It Real), also in E-Book and Hardcover

This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

Jennifer Jones's intriguing book explores the legal, cultural, and dramatic representations of six accused murderesses to look at how English-speaking society responded to controlled anxiety over female transgressions. The woman who kills, in particular, the woman who kills a member of her own family has not only broken the law, she has also violated gender expectations Jones argues that dramatic representations of criminal women, especially women who kill, proliferate during times of heightened feminist activity and that theartical narratives, as evidenced in plays, television, and films, serve to contain women and deflect attention away from issues of women's systematic repression." Medea's Daughters focuses on six women (Lizzie Borden, Susan Smith, and Louise Wood-ward best known), whose murder trials caught the attention of their respective cultures. This broad specturm allows an examination of how women's legal status has evolved over five centuries.

The first African American Rockette charts her journey to one of the world's most celebrated dance troupes in this gripping memoir that, for the first time, goes behind the velvet curtains at Radio City's legendary holiday show.

The Radio City Rockettes are as American as baseball, hot dogs, and the Fourth of July. Their legendary synchronized leg kicks, precise lines, and megawatt smiles have charmed audiences for a century. But there is a hidden side to this illustrious national institution. When the Rockettes began in 1925, Black people were not allowed to dance on stage with white people. However, during the Civil Rights Movement, dance history changed significantly when Black and white dancers were permitted to perform together, marking a moment of progress and inclusivity in the world of dance and entertainment. Even so, as late as the early 1980s, Rockette director Violet Holmes said having “one or two Black girls in the line would definitely distract.”

In 1987 the 63-year color barrier at Radio City was finally broken by one brave and tenacious woman. When she arrived, Jennifer Jones was met with pushback—a fierce resistance she details in this intimate and inspiring memoir. After overcoming seemingly impossible odds to join the line of The Rockettes, a PR director summoned the Black dancer to her hotel room and announced, “You’re old news, nobody cares about you, your story or anything about you. You're just lucky to be here.”

Those words would haunt this shy, insecure biracial woman, who had always felt like an outsider.

Like Gelsey Kirkland’s iconic Dancing on My Grave, Becoming Spectacular allows us to walk in Jones’ tap shoes—beautiful and glittering, yet painful and binding. Bringing into focus the wounded life of a trailblazer, this searing memoir is also a triumphant celebration of a spirit who refused to be counted out.

A huge glass tower block, touted as the tallest building in the world, bursts into flame on its opening night. An all-star cast includes Steve McQueen as Michael O'Hallorhan, the fire chief determined to get the blaze under control, while Paul Newman stars as embarrassed architect Doug Roberts, trapped inside with fellow guests Fred Astaire, Richard Chamberlain and Robert Wagner. 'The Towering Inferno' became the biggest of the Seventies cycle of disaster movies, which began four years earlier with 'Airport'.

US Public Memory, Rhetoric, and the National Mall examines "the nation's front yard," understanding it as both a public face the United States presents to the world and a site where its less apparent moral story is told. This book provides a uniquely thorough, interdisciplinary, and integrated examination of how the National Mall shares a moral story of the United States and, in so doing, reveals the soul of the nation. The contributors explore 11 different memorials, monuments, and museums found across the Mall, considering how each rhetorically remembers a key element of the nation's past, what the rhetorical memory tells us about the nation's soul, and how each site must thus be understood in relation to the commemorative landscape of the Mall.

Accessible and teacher friendly, this book provides a blueprint for planning, delivering, and evaluating small-group interventions for struggling readers in PreK-2. It describes how to set up an efficient response-to-intervention (RTI) system that enhances any reading program already in place in a classroom, and that is fully compatible with the Common Core State Standards. Presented are dozens of easy-to-implement Tier 2 intervention activities in the areas of letter learning, decoding, and fluency, complete with reproducible goal setting sheets and fidelity checklists. Purchasers get access to a Web page where they can download and print the reproducible materials in a convenient 8 1/2" x 11" size.

This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.