The connection between fashion, femininity, frivolity and Frenchness has become a cliche. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it to be 'merely the external mark of a depravity shared with slaves'. The story of how la mode was 'sexed' as feminine offers a compelling insight into the political, economic and cultural tensions that marked the birth of modern commercial culture. Jones examines men's and women's relation to fashion at this time, looking at both consumption and production to argue how clothing was becoming increasingly conceptualized as feminine/effeminate. A concise history of French fashion culture suitable for anyone interested in eighteenth-century culture, women and gender studies or fashion history.

If you loved Genuine Black Woman, (The Beginning), then your will rave over this one, Genuine Black Woman, (Keeping It Real). In this book, the poetry is powerful, honest, filter free and inspirational. It touches the heart of the young and old, male and female. Genuine Black Woman, (Keeping it Real), is authentic, a classic and a definite keepsake. It is an endearing collections of poetry and essays that is sure to strengthen and guide. It will allow you to open your heart and your mind. It is charming, witty, and immensely entertaining. It is a positive motivator that you will find both gratifying and meaningful. Jennifer Jones is awesome. A new Artist with a refreshing upscale style of writing. Her talent is extraordinary and her creative words will mesmerize you. You will find yourself reading this book over and over again. Upcoming projects includes: Genuine Black Woman, (Answer your Calling), Genuine Black Woman, ( Keeping It Real), also in E-Book and Hardcover

Jennifer Jones's intriguing book explores the legal, cultural, and dramatic representations of six accused murderesses to look at how English-speaking society responded to controlled anxiety over female transgressions. The woman who kills, in particular, the woman who kills a member of her own family has not only broken the law, she has also violated gender expectations Jones argues that dramatic representations of criminal women, especially women who kill, proliferate during times of heightened feminist activity and that theartical narratives, as evidenced in plays, television, and films, serve to contain women and deflect attention away from issues of women's systematic repression." Medea's Daughters focuses on six women (Lizzie Borden, Susan Smith, and Louise Wood-ward best known), whose murder trials caught the attention of their respective cultures. This broad specturm allows an examination of how women's legal status has evolved over five centuries.

US Public Memory, Rhetoric, and the National Mall examines "the nation's front yard," understanding it as both a public face the United States presents to the world and a site where its less apparent moral story is told. This book provides a uniquely thorough, interdisciplinary, and integrated examination of how the National Mall shares a moral story of the United States and, in so doing, reveals the soul of the nation. The contributors explore 11 different memorials, monuments, and museums found across the Mall, considering how each rhetorically remembers a key element of the nation's past, what the rhetorical memory tells us about the nation's soul, and how each site must thus be understood in relation to the commemorative landscape of the Mall.

From the first Black Radio City Rockette dancer Jennifer Jones comes an inspiring picture book autobiography perfect for fans of trailblazers like Misty Copeland, Mae Jemison, and more. Dancing has always made her feel free, like she can do anything. But when Jennifer was a child, some people didn't think that she had a future as a dancer because of the color of her skin. With the support of her family, especially her mother, she proved that anything is possible when you believe you belong. With beautiful watercolor illustrations by artist Robert Paul Jr., On the Line is a captivating true story about manifesting your dreams..

This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.