In the alluring world of one of the most stunning scandals to rock the United States, American Hustle tells the story of con man Irving Rosenfeld, who along with his equally cunning and seductive partner Sydney Prosser is forced to work for a wild FBI agent Richie DiMaso.

DiMaso pushes them into a world of Jersey powerbrokers and mafia that's as dangerous as it is enchanting. Caught between the con-artists and Feds is Carmine Polito, the passionate, volatile, New Jersey political operator, but it's Irving's unpredictable wife Rosalyn who could be the one to pull the thread that brings the entire world crashing down.

(2014 Oscar nominations for: Best Motion Picture; Best Director; Best Actor; Best Actress; Best Supporting Actor; Best Supporting Actress; Best Original Screenplay; Best Film Editing; Best Production Design; Best Costume Design)

Since the dawn of civilization, he was worshipped as a god. Apocalypse, the first and most powerful mutant from Marvel’s X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible.

Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto (Michael Fassbender), to cleanse mankind and create a new world order, over which he will reign.

As the fate of the Earth hangs in the balance, Raven (Jennifer Lawrence) with the help of Professor X (James McAvoy) must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction.

Drama based on the teenage years of writer and director Lori Petty. Agnes (Jennifer Lawrence) is the oldest of three daughters who finds herself caring for her younger siblings when her single mother (Selma Blair) turns to prostitution, drugs and alcohol after meeting a pimp named Duval (Bokeem Woodbine), who seems to have a fondness for Agnes. With their house overrun by gamblers, criminals and other seedy characters the girls struggle to lead a normal life. Cammie (Chloë Grace Moretz) escapes the chaos of the house only to sit in bars and Bee (Sophi Bairley) wants nothing more than to run away and be adopted, while Agnes tries to earn enough money to support her family and manage the expectations of being a star basketball player.

Biopolitical Disaster employs a grounded analysis of the production and lived-experience of biopolitical life in order to illustrate how disaster production and response are intimately interconnected. The book is organized into four parts, each revealing how socio-environmental consequences of instrumentalist environmentalities produce disastrous settings and political experiences that are evident in our contemporary world. Beginning with "Commodifying crisis," the volume focuses on the inherent production of disaster that is bound to the crisis tendency of capitalism. The second part, "Governmentalities of disaster," addresses material and discursive questions of governance, the role of the state, as well as questions of democracy. This part explores the linkage between problematic environmental rationalities and policies. Third, the volume considers how and where the (de)valuation of life itself takes shape within the theme of "Affected bodies," and investigates the corporeal impacts of disastrous biopolitics. The final part, "Environmental aesthetics and resistance," fuses concepts from affect theory, feminist studies, post-positivism, and contemporary political theory to identify sites and practices of political resistance to biopower. Biopolitical Disaster will be of great interest to postgraduates, researchers, and academic scholars working in Political ecology; Geopolitics; Feminist critique; Intersectionality; Environmental politics; Science and technology studies; Disaster studies; Political theory; Indigenous studies; Aesthetics; and Resistance.

Bryan Singer directs this blockbuster superhero sequel based on the characters from the Marvel comic strip. With a storyline that alternates between the past and present, the film acts as a direct sequel to three separate films, 'X-Men: The Last Stand' (2006), 'X-Men: First Class' (2011) and 'The Wolverine' (2013). When the survivors of the battle in 'X-Men: The Last Stand', led by Magneto (Ian McKellen), Professor X (Patrick Stewart) and Storm (Halle Berry), discover that total annihilation now awaits humans and mutants alike, they send the ageless Wolverine (Hugh Jackman) back in time to try and change the course of events. In the past, Wolverine must team up with the younger incarnations of the X-Men seen in 'X-Men: First Class', Charles Xavier (James McAvoy), Magneto (Michael Fassbender) and Mystique (Jennifer Lawrence), to avert disaster. Will he succeed?

Bryan Singer returns to direct this latest instalment of the 'X-Men' franchise based on the Marvel Comics characters. En Sabah Nur (Oscar Isaac), known as Apocalypse, has been worshipped as the first and most powerful mutant to have ever lived. When he is awakened after several thousands of years at rest, Apocalypse sees what the modern world has become and sets about correcting and cleansing humanity to create a better world for mutants to live in, recruiting Magneto (Michael Fassbender) onto his team. Hearing about the imminent attack, Professor X (James McAvoy) teams up with Raven (Jennifer Lawrence) and Beast (Nicholas Hoult) to try to save humanity.

The ultimate X-Men ensemble fights a war for the survival of the species across two time periods in X-Men: Days of Future Past.

The beloved characters from the original X-Men film trilogy join forces with their younger selves from X-Men: First Class, in an epic battle that must change the past – to save our future.

Biopolitical Disaster employs a grounded analysis of the production and lived-experience of biopolitical life in order to illustrate how disaster production and response are intimately interconnected. The book is organized into four parts, each revealing how socio-environmental consequences of instrumentalist environmentalities produce disastrous settings and political experiences that are evident in our contemporary world. Beginning with "Commodifying crisis," the volume focuses on the inherent production of disaster that is bound to the crisis tendency of capitalism. The second part, "Governmentalities of disaster," addresses material and discursive questions of governance, the role of the state, as well as questions of democracy. This part explores the linkage between problematic environmental rationalities and policies. Third, the volume considers how and where the (de)valuation of life itself takes shape within the theme of "Affected bodies," and investigates the corporeal impacts of disastrous biopolitics. The final part, "Environmental aesthetics and resistance," fuses concepts from affect theory, feminist studies, post-positivism, and contemporary political theory to identify sites and practices of political resistance to biopower. Biopolitical Disaster will be of great interest to postgraduates, researchers, and academic scholars working in Political ecology; Geopolitics; Feminist critique; Intersectionality; Environmental politics; Science and technology studies; Disaster studies; Political theory; Indigenous studies; Aesthetics; and Resistance.

We live in a time where environmental pressures, social inequities and political derision are the backdrop of everyday life, and where resilience has become a routine prescription for coping with the conditions of modern existence. Drawing an analogy to Harvey Molotch's urban growth machine, this book explores different narratives of resilience and their policy and practice manifestations for cities, citizens and communities. It expands on the metaphor of the machine to show how resilience can be better understood as an assemblage. Bringing together authors from multiple disciplines and different parts of the world, the book unmasks the often invisible effects of resilience strategies by examining ways in which neoliberal mentalities are fed through the rhetoric of resilience practices, policies and development projects. The contributing essays provide provocative accounts of several areas of inquiry, including biopolitics and smart bodies, resilient cities and communities, urban planning and disaster management, justice and vulnerability, and resistance to resilience. Holding out hope for critical potentials in 'resilience,' The Resilience Machine proposes to move beyond mechanisms of adaptation and into imagining what resilient life could look like in a more just, equitable and democratic world. The Resilience Machine is a current, vital addition to resilience, community and urban scholarship.

We live in a time where environmental pressures, social inequities and political derision are the backdrop of everyday life, and where resilience has become a routine prescription for coping with the conditions of modern existence. Drawing an analogy to Harvey Molotch's urban growth machine, this book explores different narratives of resilience and their policy and practice manifestations for cities, citizens and communities. It expands on the metaphor of the machine to show how resilience can be better understood as an assemblage. Bringing together authors from multiple disciplines and different parts of the world, the book unmasks the often invisible effects of resilience strategies by examining ways in which neoliberal mentalities are fed through the rhetoric of resilience practices, policies and development projects. The contributing essays provide provocative accounts of several areas of inquiry, including biopolitics and smart bodies, resilient cities and communities, urban planning and disaster management, justice and vulnerability, and resistance to resilience. Holding out hope for critical potentials in 'resilience,' The Resilience Machine proposes to move beyond mechanisms of adaptation and into imagining what resilient life could look like in a more just, equitable and democratic world. The Resilience Machine is a current, vital addition to resilience, community and urban scholarship.

Gary Ross directs this sci-fi action film based on the best-selling novel by Suzanne Collins. Jennifer Lawrence stars as 16-year-old Katniss Everdeen, a citizen of the totalitarian post-apocalyptic country of Panem, formerly the United States. Every year, the all-powerful ruling agency known as the Capitol selects one boy and one girl from each of Panem's 12 impoverished rival districts to fight to the death on live national television in a contest known as 'The Hunger Games', in which the winner is given food to feed their entire district for a year. When her younger sister Primrose (Willow Shields) is selected as a contestant, Katniss steps up to take her place in the match. Under the tutelage of inebriated former champion Haymitch Abernathy (Woody Harrelson), Katniss goes into training for the fight of her life.

X-Men
Born into a world filled with prejudice are children who possess extraordinary and dangerous powers the result of unique genetic mutations. But under the tutelage of Professor Xavier, these and other outcasts learn to harness their powers for the good of mankind. Now they must protect those who fear them as the nefarious Magneto, who believes humans and mutants can never co-exist, unveils his sinister plan for the future!

X-Men 2
Hatred and distrust brew between human and mutantkind. An unprovoked mutant attack on the President gives General William Stryker his long-awaited opportunity to wage all-out war against the mutants. A war that would leave only one race victorious. The X-Men must unite with their old adversary Magneto to prevent a devastating confrontation that could destroy everyone on the planet.

X-Men 3
Experience the awesome power of the X-Men's epic, final battle as it is time to take a stand. After a controversial "cure" is discovered, mutants can choose to retain their superhuman abilities or give up their unique gifts and become "normal". When peaceful mutant leader Charles Xavier clashes with his militant counterpart, Magneto, the battle lines are drawn for the war to end all wars.

X-Men Origins: Wolverine
Leading up to the events of the first X-Men movie, X-Men Origins: Wolverine tells the story of Wolverine's epically violent and romantic past, his complex relationship with Victor Creed, and the ominous Weapon X program. Along the way, Wolverine encounters many mutants, both familiar and new, including surprise appearances by several legends of the X-Men universe whose appearances in the film series have long been anticipated.

X-Men: First Class
Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-Men.

The Wolverine
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own immortality, emerging more powerful than we have ever seen him before.

X-Men: Days Of Future Past
The ultimate X-Men ensemble fights a war for the survival of the species across two time periods in the critically-acclaimed blockbuster smash hit X-Men: Days of Future Past. The characters from the original X-Men film trilogy join forces with their younger selves from X-Men: First Class in an epic battle that must change the past - to save our future.

Jennifer Lawrence reprises her role as Katniss Everdeen in the second instalment of the sci-fi adventure trilogy based on the novel by Suzanne Collins. Fresh from her triumph in the 74th Annual Hunger Games, Katniss, along with fellow winner Peeta Mellark (Josh Hutcherson), returns home to District 12 for some much needed rest. But soon after, while on a 'Victory Tour' of the other districts, she becomes aware of growing dissent to the Capitol's rule, and realises that rebellion is in the air. As Panem prepares itself for the third 'Quarter Quell' (75th Hunger Games), autocratic ruler President Coriolanus Snow (Donald Sutherland), still smarting from the Capitol's humiliation in the last games, stacks the deck to ensure that the upcoming tournament will wipe out any resistance from the districts once and for all.

Since the dawn of civilization, he was worshipped as a god. Apocalypse, the first and most powerful mutant from Marvel’s X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible.

Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto (Michael Fassbender), to cleanse mankind and create a new world order, over which he will reign.

As the fate of the Earth hangs in the balance, Raven (Jennifer Lawrence) with the help of Professor X (James McAvoy) must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction.

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Gary Ross directs this sci-fi action film based on the best-selling novel by Suzanne Collins. Jennifer Lawrence stars as 16-year-old Katniss Everdeen, a citizen of the totalitarian post-apocalyptic country of Panem, formerly the United States. Every year, the all-powerful ruling agency known as the Capitol selects one boy and one girl from each of Panem's 12 impoverished rival districts to fight to the death on live national television in a contest known as 'The Hunger Games', in which the winner is given food to feed their entire district for a year.

When her younger sister Primrose (Willow Shields) is selected as a contestant, Katniss steps up to take her place in the match. Under the tutelage of inebriated former champion Haymitch Abernathy (Woody Harrelson), Katniss goes into training for the fight of her life.

Bryan Singer directs this blockbuster superhero sequel based on the characters from the Marvel comic strip. With a storyline that alternates between the past and present, the film acts as a direct sequel to three separate films, 'X-Men: The Last Stand' (2006), 'X-Men: First Class' (2011) and 'The Wolverine' (2013). When the survivors of the battle in 'X-Men: The Last Stand', led by Magneto (Ian McKellen), Professor X (Patrick Stewart) and Storm (Halle Berry), discover that total annihilation now awaits humans and mutants alike, they send the ageless Wolverine (Hugh Jackman) back in time to try and change the course of events. In the past, Wolverine must team up with the younger incarnations of the X-Men seen in 'X-Men: First Class', Charles Xavier (James McAvoy), Magneto (Michael Fassbender) and Mystique (Jennifer Lawrence), to avert disaster. Will he succeed?