Queering the Popular Pitch is a new collection of 19 essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts -performance, cultural production and sexual meaning - situating music within the broader patterns of culture that it both mirrors and actively reproduces.

The collection is divided into four parts:
queering borders

queer spaces

hidden histories

queer thoughts, mixed media.

Queering the Popular Pitch will appeal to students of popular music, Gay and Lesbian studies. With case studies and essays by leading popular music scholars it provides insightful discourse in a growing field of musicological research.

"Queering the Popular Pitch "is a new collection of 19 essays by leading scholars on popular music. Following Routledge's landmark 1994 collection, "Queering the Pitch," these scholars aim to situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts--performance, cultural production, sexual meaning--situating music within the broader patterns of culture that it both mirrors and actively reproduces.
The collection is divided into four parts. The first part, "Queering Borders," moves queer theory into some neglected histories of African American and Latino Musics, including jazz, rap, and bolero. Part Two, "Queer Spaces," looks at areas of popular music where queerness has played a role, from cabaret to songs about the AIDS crisis. Part Three, "Hidden Histories," offers three case studies of gender, generation, race, community, and sexuality. Finally, Part Four, "Queer Thoughts, Mixed Media," explores how music/queering is mediated by visual culture and videos.
"Queering the Popular Pitch" will appeal to students of popular music and Gay/Lesbian studies. Like its predecessor and companion, "Queering the Pitch," it promises to establish a new level of discourse in a growing field of musicological research.

Around the world, women have long been on the frontlines, protesting war and military forces. The essays in this collection, from both scholars and activists, explore the experiences of local women's groups that have developed to fight war, militarization, political domination, and patriarchy throughout the world. The writings in this collection cover a range of genres from memoir and historical accounts to critical essays. What holds the writings together is an urgency to reflect on and analyze women's activism on the frontlines-from Palestine, Sudan, Iran, Kosovo, and rural India to Serbia, Croatia, Okinawa, Israel, U.S. prisons, and the racialized American South.

Makes key excerpts from Daly's work accessible to readers who are seeking to access the essence of her thought in a single volume. Outrageous, humorous, inflammatory, Amazonian, intellectual, provocative, controversial, and a discoverer of Feminist word-magic, Mary Daly's influence on Second Wave feminism was enormous. She burst through constraints to articulate new ways of being female and alive. This comprehensive reader offers a vital introduction to the core of Daly's work and the complexities secreted away in the pages of her books. Her major theories-Bio-philia, Be-ing as Verb, and the life force within words-and major controversies-relating to race, transgender identity, and separatism-are all covered, and the editors have provided introductions to each selection for context. The text has been crafted to be accessible to a broad readership, without diluting Daly's witty but complicated vocabulary. Begun in collaboration with Daly while she was still alive, and completed after her death in 2010, the chapters in this book will surprise even those who thought they knew her work. They contain highlights from Mary Daly's published works over a forty-year span, including her major books Beyond God the Father, Gyn/Ecology, and Pure Lust, as well as smaller articles and excerpts, with additional contributions from Robin Morgan and Mary E. Hunt. Perfect for those seeking an introduction to this path-breaking feminist thinker, The Mary Daly Reader makes key excerpts from her work accessible to new readers as well as those already familiar with her work who are seeking to access the essence of her thought in a single volume.

Makes key excerpts from Daly's work accessible to readers who are seeking to access the essence of her thought in a single volume. Outrageous, humorous, inflammatory, Amazonian, intellectual, provocative, controversial, and a discoverer of Feminist word-magic, Mary Daly's influence on Second Wave feminism was enormous. She burst through constraints to articulate new ways of being female and alive. This comprehensive reader offers a vital introduction to the core of Daly's work and the complexities secreted away in the pages of her books. Her major theories-Bio-philia, Be-ing as Verb, and the life force within words-and major controversies-relating to race, transgender identity, and separatism-are all covered, and the editors have provided introductions to each selection for context. The text has been crafted to be accessible to a broad readership, without diluting Daly's witty but complicated vocabulary. Begun in collaboration with Daly while she was still alive, and completed after her death in 2010, the chapters in this book will surprise even those who thought they knew her work. They contain highlights from Mary Daly's published works over a forty-year span, including her major books Beyond God the Father, Gyn/Ecology, and Pure Lust, as well as smaller articles and excerpts, with additional contributions from Robin Morgan and Mary E. Hunt. Perfect for those seeking an introduction to this path-breaking feminist thinker, The Mary Daly Reader makes key excerpts from her work accessible to new readers as well as those already familiar with her work who are seeking to access the essence of her thought in a single volume.