The New Television Handbook provides an exploration of the theory and practice of television at a time when the medium is undergoing radical changes. The book looks at television from the perspective of someone new to the industry, and explores the place of the medium within a constantly changing digital landscape. This title discusses key skills involved in television production, including: producing, production management, directing, camera, sound, editing and visual effects. Each of these activities is placed within a wider context as it traces the production process from commissioning to post-production. The book outlines the broad political and economic context of the television industry. It gives an account of television genres, in particular narrative, factual programmes and news, and it considers the academic discipline of media studies and the ways in which theorists have analysed and tried to understand the medium. It points to the interplay of theory and practice as it draws on the history of the medium and observes the ways in which the past continues to influence and invigorate the present. The New Television Handbook includes: contributions from practitioners ranging from established producers to new entrants; a comprehensive list of key texts and television programmes; a revised glossary of specialist terms; a section on training and ways of getting into the industry. By combining theory, real-world advice and a detailed overview of the industry and its history, The New Television Handbook is an ideal guide for students of media and television studies and young professionals entering the television industry.

The New Television Handbook provides an exploration of the theory and practice of television at a time when the medium is undergoing radical changes. The book looks at television from the perspective of someone new to the industry, and explores the place of the medium within a constantly changing digital landscape. This title discusses key skills involved in television production, including: producing, production management, directing, camera, sound, editing and visual effects. Each of these activities is placed within a wider context as it traces the production process from commissioning to post-production. The book outlines the broad political and economic context of the television industry. It gives an account of television genres, in particular narrative, factual programmes and news, and it considers the academic discipline of media studies and the ways in which theorists have analysed and tried to understand the medium. It points to the interplay of theory and practice as it draws on the history of the medium and observes the ways in which the past continues to influence and invigorate the present. The New Television Handbook includes: contributions from practitioners ranging from established producers to new entrants; a comprehensive list of key texts and television programmes; a revised glossary of specialist terms; a section on training and ways of getting into the industry. By combining theory, real-world advice and a detailed overview of the industry and its history, The New Television Handbook is an ideal guide for students of media and television studies and young professionals entering the television industry.

The Practical Media Dictionary is an essential guide to understanding how the media works and how people in the media talk to each other about their industry. It makes the media accessible, untangling the jargon and providing readers with the knowledge to participate in the production of< br> practical media products. Designed for those studying or starting work in the media, it contains definitions that are clear, uncomplicated, and easy to understand even without previous media knowledge.

Whether you are creating a poster with a desktop publishing package, making an animated film, working with computer-generated graphics or producing a sophisticated drama on digital video, virtually all media and multimedia courses will have elements of practical work. The difficulty for students and new entrants to the industry is that the day-to-day working language, the customised roles and the specific deployment of skills and specialist activities can seem at first daunting and impenetrable. "The Practical Media Dictionary" is an essential guide to understanding how the media works and how people in the media talk to each other about their industry. It makes the media accessible. It untangles the jargon, and provides you with the knowledge to participate in the production of practical media products. The definitions are clear, uncomplicated and easy to understand relying on very little previous media knowledge. Technical terms are fully explained in everyday language. It includes specialist jargon found in a TV studio, and on location. It includes features such as: The vocabulary of radio production; terms used in multimedia; specialist language of film production; comprehensive job and skills definitions; and frequently accessed organisations associated with practical media production. If you are studying or starting work in the media, this dictionary is an essential companion and a comprehensive guide to successful and practical media production.