The Christmas Gothic (with thanks to author Marina Favila for the suggestion) is a seasonal celebration of the dark and moody, the ghastly, the ghostly and the magical Christmas short story. New stories from open submissions join the classic tales of Algernon Blackwood, James Joyce, E.F. Benson, Elizabeth Gaskell and more. Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

Provides a scholarly account of the striking interplay between the Gothic and theory over two-and-a-half centuries This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural - both in the many modes of Gothic and in many of the realms of theory now current in the modern world. Each essay focuses on a particular kind of theory-Gothic relationship, every one of which has a history and each of which is still being explored in enactments of the Gothic and of theory today. Key Features Provides the first detailed discussion of the interrelationship between literary theory and the Gothic from the inception of the Gothic to the present day Enables students to connect what otherwise seem a wide variety of diverse phenomena, from the rise of philosophical 'emotivism' to poetic tales of terror and Gothic film Advances current scholarly investigation, by invigorating debates within both Gothic studies and literary theory. Makes connections between a wide variety of issues, from eco-crisis and contemporary culture wars to the persistent problem of the 'other'

Celebrated as an actress on the London stage (1776–80) and notorious as the mistress of the Prince of Wales (1779–80), Mary Darby Robinson had to write to support herself from the mid–1780s until her death in 1800. She mastered a wide range of styles, published prolifically, and became the poetry editor of the Morning Post. As her writing developed across the 1790s, she increasingly used the motifs of Gothic fiction and drama descended from Horace Walpole's Castle of Otranto (1764). These came to pervade her late novels and poems so much that she even wrote her autobiography as a Gothic romance. She also deployed them to critique the ideologies of male dominance and the forms of writing in which they appeared. This progression culminated in her final collection of verses, Lyrical Tales (1800), where she Gothically exposes the conflicted underpinnings in the now-famous Lyrical Ballads (1798) by Wordsworth and Coleridge.

Provides a scholarly account of the striking interplay between the Gothic and theory over two-and-a-half centuries This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological and cultural - both in the many modes of Gothic and in many of the realms of theory now current in the modern world. Each essay focuses on a particular kind of theory-Gothic relationship, every one of which has a history and each of which is still being explored in enactments of the Gothic and of theory today. Key Features Provides the first detailed discussion of the interrelationship between literary theory and the Gothic from the inception of the Gothic to the present day Enables students to connect what otherwise seem a wide variety of diverse phenomena, from the rise of philosophical 'emotivism' to poetic tales of terror and Gothic film Advances current scholarly investigation, by invigorating debates within both Gothic studies and literary theory. Makes connections between a wide variety of issues, from eco-crisis and contemporary culture wars to the persistent problem of the 'other'

This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of modern life. Topics discussed include the norms and shifting boundaries of sex and gender, the explosion of different forms of media and technology, the mixture of cultures across the western world, the problem of identity for the modern individual, what people continue to see as evil, and the very nature of modernity. Also including a chronology and guide to further reading, this volume offers a comprehensive account of the importance of Gothic to modern life and thought.

This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of modern life. Topics discussed include the norms and shifting boundaries of sex and gender, the explosion of different forms of media and technology, the mixture of cultures across the western world, the problem of identity for the modern individual, what people continue to see as evil, and the very nature of modernity. Also including a chronology and guide to further reading, this volume offers a comprehensive account of the importance of Gothic to modern life and thought.

Fourteen world-class experts on the Gothic provide thorough accounts of this haunting-to-horrifying genre from the 1760s to the end of the twentieth century. Essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theater, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film, the struggles between "high" and "popular" culture, and changing attitudes towards human identity, life and death, sanity and madness. The volume also includes a chronology and guides to further reading.

Fourteen world-class experts on the Gothic provide thorough accounts of this haunting-to-horrifying genre from the 1760s to the end of the twentieth century. Essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theater, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film, the struggles between "high" and "popular" culture, and changing attitudes towards human identity, life and death, sanity and madness. The volume also includes a chronology and guides to further reading.

In this set of thorough and revisionary readings of Percy Bysshe Shelley's best-known writings in verse and prose, Hogle argues that the logic and style in all these works are governed by a movement in every thought, memory, image, or word-pattern whereby each is seen and sees itself in terms of a radically different form. For any specified entity or figure to be known for "what it is," it must be reconfigured by and in terms of another one at another level (which must then be dislocated itself). In so delineating Shelley's "process," Hogle reveals the revisionary procedure in the poet's various texts and demonstrates the powerful effects of "radical transference" in Shelley's visions of human possibility.