The concept of chiasm has played major role in continental philosophy, where it has referred to various phenomenological and hermeneutic structures of reversibility, intertwining, and encounter. In Chiasmatic Encounters: Art, Ethics, Politics, fourteen international contributors representing various fields of expertise analyze this central concept and its significance for contemporary cultural theory. The authors discuss the work of major philosophers like Merleau-Ponty, Beauvoir, Habermas, Levinas, Derrida, and Deleuze, adapting their ideas of chiasmatic relations to cultural analysis. As the internal and external horizons of perception and experience are intertwined and reversed, various cultural texts, like a Vermeer painting, a symphony of Sibelius, a David Lynch movie, or a young girl walking in her summer dress, are seen from new and unexpected angles. The book also addresses the chiasmatic crossing between ethics and politics-- between unconditional ethical responsibility and always conditional political choices. Representing the cutting edge of contemporary cultural theory and interdisciplinary thinking, Chiasmatic Encounters is essential reading for anyone working in continental philosophy, aesthetics, or political theory.

Between present and past, visible and invisible, and sensation and idea, there is resonance - so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in The Rhythm of Thought. Holding the poetry of Stephane Mallarme, the paintings of Paul Cezanne, the prose of Marcel Proust, and the music of Claude Debussy under Merleau-Ponty's phenomenological light, she offers innovative interpretations of some of these artists' master-works, in turn articulating a new perspective on Merleau-Ponty's philosophy. More than merely recovering Merleau-Ponty's thought, Wiskus thinks according to it. First examining these artists in relation to noncoincidence - as silence in poetry, depth in painting, memory in literature, and rhythm in music - she moves through an array of their artworks toward some of Merleau-Ponty's most exciting themes: our bodily relationship to the world and the dynamic process of expression. She closes with an examination of synesthesia as an intertwining of internal and external realms and a call, finally, for philosophical inquiry as a mode of artistic expression. Structured like a piece of music itself, The Rhythm of Thought offers exhilarating new contexts in which to approach art, philosophy, and the resonance between them.

Between present and past, visible and invisible, and sensation and idea, there is resonance - so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in "The Rhythm of Thought". Holding the poetry of Stephane Mallarme, the paintings of Paul Cezanne, the prose of Marcel Proust, and the music of Claude Debussy under Merleau-Ponty's phenomenological light, she offers innovative interpretations of some of these artists' masterworks, in turn articulating a new perspective on Merleau-Ponty's philosophy. More than merely recovering Merleau-Ponty's thought, Wiskus thinks according to it. First examining these artists in relation to noncoincidence - as silence in poetry, depth in painting, memory in literature, and rhythm in music - she moves through an array of their artworks toward some of Merleau-Ponty's most exciting themes: our bodily relationship to the world and the dynamic process of expression. She closes with an examination of synesthesia as an intertwining of internal and external realms and a call, finally, for philosophical inquiry as a mode of artistic expression. Structured like a piece of music itself, "The Rhythm of Thought" offers new contexts in which to approach art, philosophy, and the resonance between them.