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In a world where everyone is striving for what is not worth having, orphan Becky Sharp sets out to claw her way to the top of English society. Written by Gwyneth Hughes, this 7-episode Vanity Fair is a new adaptation of William Makepeace Thackeray’s 19th century literary classic. Set against the backdrop of the Napoleonic Wars, Becky’s story of villainy, crime, merriment, lovemaking, jilting, laughing, cheating, fighting and dancing takes her all the way to the court of King George IV, via the Battle of Waterloo, breaking hearts and losing fortunes as she goes.
From the #1 internationally bestselling author of Glucose Revolution, a four-week, four-step program for living a healthier, happier life with balanced blood sugar including over 100 recipes, an interactive workbook, and the guidance to make the “new science of nutrition…practical for everyone” (Robert H. Lustig, MD, MSL, New York Times bestselling author of Fat Chance). Do you suffer from cravings, chronic fatigue, or sugar addiction? Do you sometimes wake up in the morning feeling unable to face the day? Most of the population is stuck on a glucose roller coaster. In her first book, the instant #1 internationally bestselling Glucose Revolution, Jessie Inchauspé offered a revolutionary framework for healing through science-backed nutrition hacks. Now, in The Glucose Goddess Method, she shares the “best practical guide for managing glucose to maximize health and longevity” (David Sinclair, PhD, New York Times bestselling author of Lifespan) with this four-week program to incorporating the principles of how to avoid glucose spikes into your everyday life. Complete with 100 recipes and an interactive workbook, you are guided through four simple, science-proven ways to steady your blood sugar, gaining boundless energy, curbing your cravings, clearing your skin, slowing your ageing process, and sleeping better than you ever have before. You will create positive new habits for life. The best part? You won’t be counting calories and can still eat all the foods you love.
For the people who live on the banks of the Thames, the river is a
living, breathing thing. It can take your treasures. It can hide your
treasures. And, sometimes, it can give them back.
In an era in which class divisions are becoming starker than ever, some individuals are choosing to marry across class.The Power of the Past traces the lives of a subset of these individuals - highly-educated adults who married a partner raised in a class different from their own, primarily between those from blue- and white-color backgrounds. Drawing upon detailed interviews with spouses who revealed the inner workings of their marriages, Jessi Streib shows that crossing class lines is not easy, and that even though these couples shared bank accounts, mortgages, children, and friends, each spouse was still shaped by the class of their past, and consequently, so was their marriage. Streib reveals what was rarely apparent to the husbands and wives she interviewed. The class of their past did not only matter in determining the amount of money they had as children or what job their parents went off to each morning; It also mattered in more subtle ways, by systematically shaping their ideas of how to go about their daily lives. Upwardly mobile spouses who grew up in blue-collar families learned to take a laissez-faire approach to the world around them: they preferred to go with the flow, make the most of the moment, and avoid self-imposed constraints. Their spouses, who grew up in professional white-collar families, however, wanted to manage the world around them: they organized, planned, monitored, and oversaw. Living with a spouse who was born into a different class means navigating these differences - differences that appeared across nearly every aspect of their lives, from how they manage their finances, to how they manage their time - both at home and on vacation - to ideas about how their children should be raised. The Power of the Past illustrates that when individuals are raised in different classes, merged lives do not lead to merged ideas about how to lead those lives. Individuals can come together across class lines, but their enduring class characteristics cannot be left behind.
__________________ 'Easily my read of the year. Sheer perfection from start to finish' - Catherine Doyle 'A beautiful and profound retelling' - Madeline Miller, author of CIRCE and THE SONG OF ACHILLES 'Utterly transporting ... This dynamic feminist retelling is illustrated with stunning, polychromatic power' - Guardian Books of the Year __________________ A dazzling, feminist retelling of Greek myth from the internationally bestselling author of The Miniaturist, stunningly illustrated by Olivia Lomenech Gill. Exiled to a far-flung island by the whims of the gods, Medusa has little company except the snakes that adorn her head instead of hair. But when a charmed, beautiful boy called Perseus arrives on the island, her lonely existence is disrupted with the force of a supernova, unleashing desire, love and betrayal... Filled with glorious full-colour illustrations by award-winning Olivia Lomenech Gill, this astonishing retelling of Greek myth is perfect for readers of Circe and The Silence of the Girls. Illuminating the girl behind the legend, it brings alive Medusa for a new generation. __________________ '... a must read for women of all ages' - Red Magazine '... stole my heart from its first fierce lines' - Mary Watson 'A beautiful and compassionate retelling that gives the serpent-headed monster of myth a powerful and haunting humanity' - Jennifer Saint '... an impressive addition to the shelves of feminist retellings, balancing rage with beautiful storytelling' - Irish Times 'It's an ideal gift for teenage girls finding their voice and their power' - Stylist 'Gift ideas for the book lovers in your life'
Susy Branch and Nick Lansing are typical Wharton heroes: popular, attractive, and much poorer than their “international set†friends. Like Lily Bart in The House of Mirth, the two depend on the largesse of more privileged acquaintances to get by. Recognizing in each other a desire for the finer things in life, they decide to get married and, knowing that their friends will happily provide fabulous accommodations, live rent-free on an extended honeymoon until either one of them finds a better match—at which point they will amicably divorce and sail off into their separate, wealthier sunsets.  But a romantic tour of Europe can confuse even the most mercenary hearts. And when a friend asks for a favor in exchange for the use of her palazzo, Susy and Nick realize that everything in this sophisticated world comes at a price: one that their hearts and consciences may no longer allow them to pay. . . Â
The Sunday Times No.1 Bestseller ‘Elegant, atmospheric, compelling. I absolutely loved it’ - Marian Keyes, author of Again, Rachel ‘A book of beauty and insight . . . awe-inspiring. Burton is a master storyteller’ - Elizabeth Day, author of Magpie 1705. Thea Brandt is about to turn eighteen, and at the theatre in Amsterdam’s golden city centre she has met the love of her life. At home, the Brandt family faces ruin, and Thea’s aunt Nella is convinced the only solution is to find Thea a wealthy husband among the city’s elite. As Thea and Nella clash over the demands of duty and the heart, past secrets begin to overwhelm their present. Will each woman be able to rescue her destiny from the whims of fortune? Returning the reader to the resplendent world of the million-copy bestseller The Miniaturist, The House of Fortune is a story of love, fate, and two women determined to make their own way.
Dietary science is on the move. For decades, people were wrongly focused on reducing fat and calories, whereas we now know that the real trouble-makers are the foods that deregulate our blood sugar levels. In writing both clear and empathetic, biochemist Jessie Inchauspé explains why blood sugar spikes are so bad for us and how to flatten those spikes to transform our health. By analysing decades of research and running thousands of original experiments on herself wearing a continuous glucose monitor, she has distilled 10 simple and surprising hacks that can be easily incorporated into everyday life. By the end of this book, you'll be aware of how food impacts your biology. You'll know which breakfast choices may be causing your cravings, in which order you should eat the food on your plate, what not to do on an empty stomach, which foods lead to mood swings, and how to avoid being sleepy at 3pm. You'll evolve the way you eat, take control of your health, and your life will flourish.
Action-packed thriller starring Bruce Willis and John Cusack. When widowed mechanic Paul (Jason Patric) decides to question his daughter Beth (Gia Mantegna) for not being in school, he is shocked to learn that she's been kidnapped by an old enemy from his previous life as an assassin. With the help of Beth's friend Angela (Jessica Lowndes) and his buddy Sam (Cusack), Paul, formerly known as The Prince, goes in pursuit of notorious crime boss Omar (Willis), a former rival from his violent past. As he ventures from Mississippi to Omar's stronghold in New Orleans, Paul is forced to confront a past life that's been buried for 20 years as his carefully cultivated identity begins to unravel...
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
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