'Jim Cartwright is one of the mavericks of British theatre' Daily Telegraph Two: 'A sharp, salty, quickfire evocation of the surface gaiety and underlying melancholia of English pub life.' The Guardian Bed: 'It's insights into the twilight world of old age are remarkable, Cartwright's ode to sleep fizzes with puns and free association and brims with the confidence of a craftsman who can work as happily with surrealism as naturalism as he teases out snippets of life story from the ancient occupants of the bed.' City Limits 'This extraordinarily gifted and original voice ...populates the space with broad humour, dry wit and often shudderingly moving poetry.' Time Out

Road: "A surreal vision of the contemporary urban landscape...uncomfortable and magical, funny and bitter. It is a northern Under Milk Wood, high on pills and booze" (Sunday Times). Bed: "Cartwright writes better about old people than anyone I know, except perhaps Beckett. This is an odd, harrowing and hilarious piece, entirely without sentimentality, sturdy but moving." (John Peter, Sunday Times) Two: "A sharp, salty quickfire evocation of the surface gaiety and underlying melancholia of English pub life." (Michael Billington, The Guardian). The Rise and Fall of Little Voice: "A northern showbiz fairytale, a backstreet Cinderella story, with a built-in kick." (Guardian)

Under the guidance of the rum-soaked wideboy Scullery, we are taken on an evening's tour of a scruffy, depressed road in a small Lancashire town. Moving from street corner to living room, from bedroom to kitchen, we meet the inhabitants of young, middle-aged, and old, glimpsing their socially and emotionally wretched lives, in this sharp, sad, funny, and angry play.

Little Voice (LV) lives alone with her mother Mari, whose sole purpose in life is to find a man. When Mari's latest catch - Ray -hears LV's impersonations of famous singers, he rushes to exploit it, and the result destroys LV. Finally, however, LV regains the courage to speak and sing in her own voice. This Jim Cartwright comedy, in turn savage and sentimental, was originally presented at the National and Adwhych Theatres with Jane Horrocks, Alison Steadman and Pete Postlethwaite in the starring roles.

In the course of one wild night, the drunken guide Scullery conducts a tour of Road, his derelict Lancashire street. This play was premiered at the Royal Court Theatre, London in 1986 and has won the Samuel Beckett Award and the George Devine Award.

What is the origin of the name, BANDITS? How did Sam and Alex become associated with Officer Scott? How did Sam and Phil Koenig become enemies? What dangerous adventure did the gang have at the beach? This collection of short stories, "Scavenger Hunt," "Meeting the Enemy," "A Day at the Beach," "The Cat Burglar," and many more will reveal some of the untold history of the gang. Fun and excitement happens in every story in this final installment of the LAS VEGAS BANDITS series. If you have enjoyed the previous exploits of Sam, Travis, Alex, Randy, Kevin and Richie, this book is a must read.

Summer 1983. Over a year and a half has passed for Sam, Travis, Alex, Kevin, Randy and Richie. The group of friends continue to use Las Vegas for their private playground, but responsibilities and obligations slowly begin to separate the gang. A series of events, beyond his control, forces Sam into a new living situation, the separation of the Bandits and a new life. Before the gang is permanently split apart, the boys plan one more adventure that may be the last Sam will ever take as he risks his life for fortune and glory. Who will go and who will stay as Sam and his friends learn that life can change at a frightening pace in a short span of time.

Las Vegas, 1982. Sam Mathews and his friends have fun getting into mild trouble, small fights and occasionally stealing from a casino. The teenaged group accepts a new member into their ranks who could help in a rapidly approaching event and Sam learns that he has to deal with family issues, a new friend, new feelings and keeping a personal secret that could ruin his gang. *Note - This is a semi-autobiographical story filled with fun, adventure, humor and sprinkled with references to music, movies and television shows from a more innocent era.

Winner of the 1992 Evening Standard Best Comedy Award and the 1993 Olivier Award for Best Comedy,"The Rise and Fall of Little Voice is a cracker, original, hilarious and hauntingly sad" (Daily Telegraph) "Like everything Cartwright writes, Little Voice is playful, magical and terrifying, a view of the world from an unexpected angle, perpetrated by an imagination that notices the dust in the grooves of old records and finds poetry in garish, swanky clothes or the glitterball of a rowdy northern club" (Sunday Times) "A northern showbiz fairytale, a backstreet Cinderella story, with a built-in kick" (Guardian)

"Why's the world so tough? It's like walking through meat in high heels." A road, a wild night; a drunken guide, Scullery, conducts a tour of the derelict Lancashire road on which he lives. In this seminal play that gives expression to the road's poverty-stricken inhabitants, we are taken on a journey from the gutter to the stars and back. This is published to coincide with the revival of Jim Cartwright's 1986 game-changing play to the Royal Court, London in June 2017.

Friday night, first thing, the tanning shop, a good nine-minute blaster! Meet Shane, one of the low-paid generation that lives for the weekend while still living at home. Come on the raz with him and his boys as he hits the town for all it's worth - tanned, buffed and blowing his wage packet: a weekend millionaire. Tonight he's in charge, living it large. On Monday, it's back to the grind and he starts all over again. At turns bitingly funny and heartbreaking, Raz takes you on an illuminating rollercoaster of a night out in modern Britain.

A new play by Jim Cartwright premiered at the Royal Court Theatre in March 2000 From the author of Road and The Rise and Fall of Little Voice comes a new play about life in the North. Sump and Choke are the Little and Large of the local pub. They are friends who have bonded together though a shared passion for the martial arts. What happens to them during their bonding exercises surprises them both. Jim Cartwright's comic drama looks at two northern hard men and explores the idea of masculinity in an age when every certainty is in doubt.He's large as life at the star and garter Saturday afternoons. He bit a pool ball in half last week. He might be a hundred years old but he's the same as ever. A rough tuff puff.

"Worth and Cartwright have compiled a comprehensive discography documenting this exceedingly long career. In a chapter devoted to The Art of John McCormack and the Phonograph, ' McCormack's vocal technique is examined, and his artistic development chronicled. His talent for blending the intellectual and the intuitive in his musical interpretation is pointed out. An account of the events of his career adds to the history of singing. Recordings are listed chronologically by recording session, and a useful alphabetic listing by song title is provided. . . . The authors carefully acknowledge indebtedness to a number of McCormack discography researchers. A bibliography and artist index conclude the volume, which is sturdily bound. All undergraduate and graduate music libraries with McCormack recordings will want this book." Choice

Drawing together the work of ten leading playwrights - a mixture of established and current writers - "National Theatre Connections 2013 "offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department and reflects the past year's programming at the venue in the plays' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased.The volume features an introduction by Anthony Banks, Associate Director for the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises.Published to coincide with the 2013 Connections festival, and the 50th anniversary of the National Theatre, this year's collection features work from Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson, and Anya Reiss.