He has been too many things to count. He has been a dragon with a boy on his back. He has been a scholar, a warrior, a lover, and a thief. He has been dream and dreamer. He has been a god. But "he" is in fact nothing more than a spark of idea, a character in the mind of Sylvia Harrison, 73, award-winning author of thirty novels over forty years. He has played a part in most of those novels, and in the recesses of her mind, Sylvia has conversed with him for years. But Sylvia won't live forever, any more than any human does. And he's trapped inside her cave of bone, her hollow of skull. When she dies, so will he. Now Sylvia is starting a new novel, a fantasy for adult readers, set in Thalia, the Florence-resembling imaginary city that was the setting for a successful YA trilogy she published decades before. Of course he's got a part in it. But he also has a notion. He thinks he knows how he and Sylvia can step off the wheel of mortality altogether. All he has to do is convince her.

'Here in the Just City you will become your best selves. You will learn and grow and strive to be excellent.' One day, in a moment of philosophical puckishness, the time-travelling goddess Pallas Athene decides to put Plato to the test and create the Just City. She locates the City on a Mediterranean island and populates it with over ten thousand children and a few hundred adults from all eras of history . . . along with some handy robots from the far human future. Meanwhile, Apollo - stunned by the realization that there are things that human beings understand better than he does - has decided to become a mortal child, head to Athene's City and see what all the fuss is about. Then Socrates arrives, and starts asking troublesome questions. What happens next is a tale only the brilliant Jo Walton could tell.

Here is a tale of a family dealing with the death of their father, a son who goes to court for his inheritance, a son who agonizes over his father's deathbed confession, a daughter who falls in love, a daughter who becomes involved in the abolition movement, and a daughter sacrificing herself for her husband.
Here is what sounds for all the world like an enjoyable Victorian novel, perhaps by Anthony Trollope...except that everyone in the story is a dragon, red in tooth and claw.
Here are politics and train stations, churchmen and family retainers, courtship, and country houses...in which, on the death of an elder, family members gather to eat the body of the deceased. In which society's high and mighty members avail themselves of the privilege of killing and eating the weaker children, which they do with ceremony and relish, growing stronger thereby.
You have never read a novel like "Tooth and Claw."

Eight years after they overthrew Churchill and led Britain into a separate peace with Hitler, the upper-crust families of the "Farthing set" are gathered for a weekend retreat. Among them is estranged Farthing scion Lucy Kahn, who can't understand why her and her husband David's presence was so forcefully requested. Then the country-house idyll is interrupted when the eminent Sir James Thirkie is found murdered - with a yellow Star of David pinned to his chest. Lucy begins to realize that her Jewish husband is about to be framed for the crime - an outcome that would be convenient for altogether too many of the various political machinations underway in Parliament in the coming week. But whoever's behind the murder, and the frame-up, didn't reckon on the principal investigator from Scotland Yard being a man with very private reasons for sympathizing with outcasts and underdogs - and prone to look beyond the obvious as a result. As the trap slowly shuts on Lucy and David, they begin to see a way out - a way fraught with peril in a darkening world.

It's a miracle that he can see demons, plain as day, and that he can cast them out with the force of his will. It's a miracle that he's friends with Pico della Mirandola, the Count of Concordia. It's a miracle that when Girolamo visits the death bed of Lorenzo "the Magnificent," the dying Medici is wreathed in celestial light, a surprise to everyone, Lorenzo included. It's a miracle that when Charles VIII of France invades northern Italy, Girolamo meets him in the field, and convinces him to not only spare Florence but also protect it. It's a miracle than whenever Girolamo preaches, crowds swoon. It's a miracle that, despite the Pope's determination to bring young Girolamo to heel, he's still on the loose...and, now, running Florence in all but name. That's only the beginning. Because Girolamo Savanarola is not who - or what - he thinks he is. He will discover the truth about himself at the most startling possible time. And this will be only the beginning of his many lives.

A family of dragons gathers on the occasion of the death of their father, the elder Bon Agornin. As is custom, they must eat the body. But even as Bon's last remains are polished off, his sons and daughters must all jostle for a position in the new hierarchy. While the youngest son seeks greedy remuneration through the courts of law, the eldest son - a dragon of the cloth - agonises over his father's deathbed confession. While one daughter is caught between loyalty to her family by blood and her family by marriage, another daughter follows her heart - only to discover the great cost of true love...Here is a Victorian story of political intrigue, family ties and political intrigue, set in a world of dragons - a world, quite literally, red in tooth and claw. Full of fiery wit, this is a novel unlike any other.

Young Girolamo's life is a series of miracles. It's a miracle that he can see demons, plain as day, and that he can cast them out with the force of his will. It's a miracle that he's friends with Pico della Mirandola, the Count of Concordia. It's a miracle that when Girolamo visits the death bed of Lorenzo "the Magnificent," the dying Medici is wreathed in celestial light, a surprise to everyone, Lorenzo included. It's a miracle that when Charles VIII of France invades northern Italy, Girolamo meets him in the field, and convinces him to not only spare Florence but also protect it. It's a miracle than whenever Girolamo preaches, crowds swoon. It's a miracle that, despite the Pope's determination to bring young Girolamo to heel, he's still on the loose...and, now, running Florence in all but name. That's only the beginning. Because Girolamo Savanarola is not who - or what - he thinks he is. He will discover the truth about himself at the most startling possible time. And this will be only the beginning of his many lives.

Jo Walton is an award-winning author of, inveterate reader of, and chronic re-reader of science fiction and fantasy books. What Makes This Book So Great? is a selection of the best of her musings about her prodigious reading habit. Jo Walton's many subjects range from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. Among them, the Zones of Thought novels of Vernor Vinge; the question of what genre readers mean by 'mainstream'; the under-appreciated SF adventures of C. J. Cherryh; the field's many approaches to time travel; the masterful science fiction of Samuel R. Delany; Salman Rushdie's Midnight's Children; the early Hainish novels of Ursula K. Le Guin; and a Robert A. Heinlein novel you have most certainly never read. Over 130 essays in all, What Makes This Book So Great is an immensely engaging collection of provocative, opinionated thoughts about past and present-day fantasy and science fiction, from one of our best writers.

For the first time in paperback, the culminating novel of Hugo and Nebula Award-winner Jo Walton's stunning Small Change trilogy.
Following the award-winning "Farthing" and its sequel" Ha'penny," "Half a Crown" is an amazing alternate-world noir tale of resistance to encroaching fascism, from the author of "Among Others."
In 1941 the European war ended in the Farthing Peace, a rapprochement between Britain and Nazi Germany. The balls and banquets of Britain's upper class never faltered, while British ships ferried "undesirables" across the Channel to board the cattle cars headed east.
Peter Carmichael is commander of the Watch, Britain's distinctly British secret police. It's his job to warn the Prime Minister of treason, to arrest plotters, to discover Jews. The midnight knock of a Watchman is the most dreaded sound in the realm.
Now, in 1960, a global peace conference is convening in London, where Britain, Germany, and Japan will oversee the final partition of the world. Hitler is once again on British soil. So is the long-exiled Duke of Windsor--and the rising gangs of "British Power" streetfighters, who consider the Government "soft," may be the former king's bid to stage a coup d'etat.
Amidst all this, two of the most unlikely persons in the realm will join forces to oppose the fascists: a debutante whose greatest worry until now has been where to find the right string of pearls, and the Watch Commander himself.
"A literary Guernica--a top-notch thriller set in a terrified Britain that is all too willing to trade freedom for security, and which gets neither." --Cory Doctorow on "Ha'penny"

Before Jo Walton won the Hugo and Nebula Awards for her stunning "Among Others, " she published a trilogy set in a dark alternate postwar England that had negotiated "Peace with Honor" with Nazi Germany in 1941. These novels--"Farthing, Ha'penny, "and "Half a Crown"--are connected by common threads, but can be read in any order.
In "Ha'penny, " England has completed its slide into fascist dicatorship. The last hopes of democracy seem extinguished. Then a bomb explodes in a London suburb.
The brilliant but compromised Inspector Carmichael of Scotland Yard is assigned the case. What he finds leads him to a conspiracy of peers and communists--of staunch King-and-Country patriots and hardened IRA gunmen--to murder the Prime Minister and his ally, Adolf Hitler.
Against a background of domestic espionage and suppression, a band of idealists blackmails an actress who holds the key to the Fuhrer's death. From the ha'penny seats in the theatre to the ha'pennys that cover dead men's eyes, the conspiracy and the investigation swirl inexorably to a stunning conclusion.

"Starlings isn't really a short-story collection. It's something better: a written showreel, illustrating yet again that [Walton's] imagination stretches to the stars (or the starlings), and that she's endlessly inventive in finding new methods to express it."-NPR Books An ancient coin cyber-spies on lovers and thieves. The magic mirror sees all but can do nothing. A cloned savior solves a fanatically-inspired murder. Three Irish siblings thieve treasures with bad poetry and the aid of the Queen of Cats. With these captivating initial glimpses into her storytelling psyche, Jo Walton shines through subtle myths and reinvented realities. Through eclectic stories, subtle vignettes, inspired poetry, and more, Walton soars with humans, machines, and magic-rising from the every day into the universe itself.

'It doesn't matter. I have books, new books, and I can bear anything as long as there are books.' Fifteen-year-old Morwenna lives in Wales with her twin sister and a mother who spins dark magic for ill. One day, Mori and her mother fight a powerful, magical battle that kills her sister and leaves Mori crippled. Devastated, Mori flees to her long-lost father in England. Adrift, outcast at boarding school, Mori retreats into the worlds she knows best: her magic and her books. She works a spell to meet kindred souls and continues to devour every fantasy and science fiction novel she can lay her hands on. But danger lurks... She knows her mother is looking for her and that when she finds her, there will be no escape.

As any reader of Jo Walton's "Among Others" might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic re-reader of books. In 2008, then-new science-fiction mega-site Tor.com asked Walton to blog regularly about her re-reading"--"about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor.com. Now this volumes presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.
Among Walton's many subjects here are the Zones of Thought novels of Vernor Vinge; the question of what genre readers mean by "mainstream"; the underappreciated SF adventures of C. J. Cherryh; the field's many approaches to time travel; the masterful science fiction of Samuel R. Delany; Salman Rushdie's "Midnight's Children; "the early Hainish novels of Ursula K. Le Guin; and a Robert A. Heinlein novel you have most certainly never read.
Over 130 essays in all, "What Makes This Book So Great" is an immensely readable, engaging collection of provocative, opinionated thoughts about past and present-day fantasy and science fiction, from one of our best writers.

In Ha'penny, England has completed its slide into fascist dictatorship. The last hopes of democracy seem extinguished. Then a bomb explodes in a London suburb. The brilliant but compromised Inspector Carmichael of Scotland Yard is assigned the case. What he finds leads him to a conspiracy of peers and communists - of staunch King-and-Country patriots and hardened IRA gunmen - to murder the Prime Minister and his ally, Adolf Hitler. Against a background of domestic espionage and suppression, a band of idealists blackmails an actress who holds the key to the Fuhrer's death. From the ha'penny seats in the theatre to the ha'pennys that cover dead men's eyes, the conspiracy and the investigation swirl inexorably to a stunning conclusion.

In 1941 the European war ended in the Farthing Peace, a rapprochement between Britain and Nazi Germany. The balls and banquets of Britain's upper class never faltered, while British ships ferried "undesirables" across the Channel to board the cattle cars headed east. Peter Carmichael is commander of the Watch, Britain's distinctly British secret police. It's his job to warn the Prime Minister of treason, to arrest plotters, and to discover Jews. The midnight knock of a Watchman is the most dreaded sound in the realm. Now, in 1960, a global peace conference is convening in London, where Britain, Germany, and Japan will oversee the final partition of the world. Hitler is once again on British soil. So is the long exiled Duke of Windsor - and the rising gangs of "British Power" streetfighters, who consider the Government "soft," may be the former king's bid to stage a coup d'etat. Amidst all this, two of the most unlikely persons in the realm will join forces to oppose the fascists: a debutante whose greatest worry until now has been where to find the right string of pearls, and the Watch Commander himself.

First published in 2006, Jo Walton's "Farthing" was hailed as a masterpiece, a darkly romantic thriller set in an alternate postwar England sliding into fascism.
Eight years after they overthrew Churchill and led Britain into a separate peace with Hitler, the upper-crust families of the "Farthing set" are gathered for a weekend retreat. Among them is estranged Farthing scion Lucy Kahn, who can't understand why her and her husband David's presence was so forcefully requested. Then the country-house idyll is interrupted when the eminent Sir James Thirkie is found murdered--with a yellow Star of David pinned to his chest.
Lucy begins to realize that her Jewish husband is about to be framed for the crime--an outcome that would be convenient for altogether too many of the various political machinations underway in Parliament in the coming week. But whoever's behind the murder, and the frame-up, didn't reckon on the principal investigator from Scotland Yard being a man with very private reasons for sympathizing with outcasts and underdogs--and prone to look beyond the obvious as a result.
As the trap slowly shuts on Lucy and David, they begin to see a way out--a way fraught with peril in a darkening world.