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Showing 1 - 8 of
8 matches in All Departments
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Jeff Koons: Shine (Hardcover)
Jeff Koons; Edited by Arturo Galansino, Joachim Pissarro; Text written by Donatien Grau
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R914
Discovery Miles 9 140
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Ships in 12 - 17 working days
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Dealing with the power of artistic gesture, each work, presented
here in stunning colour, features a blue glass gazing ball that
sits on a painted aluminum shelf attached to the front of the
painting that reflects both the painting and the viewer. Through
the simple act of placing a gazing ball in front of the images,
painting and sculpture are reunited for maximum sensory perception.
Based on an exhibition organized by Joachim Pissarro and curator of
contemporary art at Crystal Bridges Museum of American Art, Lauren
Haynes, Crystals in Art: Ancient to Today explores the complex and
varied connections between crystal and art throughout the world.
Included are both ancient artifacts-such as engraved gems,
figurines, and vases-and works from contemporary artists around the
world that explore the power of crystal in art by drawing on its
form, properties, and mysterious qualities. Featuring more than
sixty-five works from ancient Egypt and Greece, through to Rome,
China, India, Japan, the Middle East, the Americas, and beyond,
this book invites readers to discover how the power of crystal
transcends the boundaries of time and space. Taken together, all of
these objects illustrate how crystal has bridged the gap between
things we can see and things we can't: science and art, fact and
faith, medicine and magic-the visible and the invisible. Published
in collaboration with Crystal Bridges Museum of American Art and
University of Arkansas School of Art.
"Wild Art" refers to work that exists outside the established,
rarified world of art galleries and cultural channels. It
encompasses uncatalogued, uncommodified art not often recognized as
such, from graffiti to performance, self-adornment, and beyond.
Picking up from their breakthrough book on the subject, Wild Art,
David Carrier and Joachim Pissarro here delve into the ideas
driving these forms of art, inquire how it came to be marginalized,
and advocate for a definition of "taste," one in which each
expression is acknowledged as being different while deserving equal
merit. Arguing that both the "art world" and "wild art" have the
same capacity to produce aesthetic joy, Carrier and Pissarro
contend that watching skateboarders perform Christ Air, for
example, produces the same sublime experience in one audience that
another enjoys while taking in a ballet; therefore, both mediums
deserve careful reconsideration. In making their case, the two
provide a history of the institutionalization of "taste" in Western
thought, point to missed opportunities for its democratization in
the past, and demonstrate how the recognition and acceptance of
"wild art" in the present will radically transform our
understanding of contemporary visual art in the future. Provocative
and optimistic, Aesthetics of the Margins / The Margins of
Aesthetics rejects the concept of "kitsch" and the high/low art
binary, ultimately challenging the art world to become a larger and
more inclusive place.
Volume one of this beautiful new book features archival images of
both artists among new texts by curator Joachim Pissarro and
others, as well as never- before-translated texts by Isaku
Yanaihara, Dino Buzzati, and Pierre Descargues. Detailed
illustrated chronologies for each artist complete volume one, while
the colorful second volume includes colour plates of all the works
displayed during Gagosian Gallery s 2016 London exhibition of the
same title, as well as installation images.
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Robert Indiana: The Monumental Woods (Hardcover)
Robert Indiana; Edited by Mitchell Anderson; Foreword by Krystyna Gmurzynska, Mathias Rastorfer; Text written by Joachim Pissarro
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R1,613
R1,198
Discovery Miles 11 980
Save R415 (26%)
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Out of stock
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"The Monumental Woods" is a career-spanning retrospective catalogue
of wood sculptures from American artist Robert Indiana (born 1928).
This publication showcases five decades of work from Indiana's
beginnings in the mid-century New York artist community of Coenties
Slip, which included Indiana's close friends Ellsworth Kelly and
Agnes Martin, to his chosen remote island home off the coast of
Maine, where he has spent the past four decades. The pieces
presented in this book, many reproduced for the first time, offer a
retrospective survey of Indiana's sculptural oeuvre. With its
handsome copper-stamped cover, "The Monumental Woods" includes
exhibition shots, archival photographs and detail shots of many
sculptures, in addition to a suite of color photos of the artist's
home in Maine. The book concludes with three interviews of Indiana,
set decades apart, in which the artist discusses the inspiration
and evolution of his sculptures.
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